In The Violin Concerto Op. 64 and Chamber Music For Strings. Par BROWN CLIVE. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Livre / Livre

A variety of different bowings are introduced so that the pupil learns how to use and become familiar with every part of the bow. Every exercise and piece introduced in this book is designed to improve some aspect of technique. Violinists will also enjoy playing these melodies, which with their attractive piano accompaniments and violin duet parts, have been carefully selected to give pleasure at any stage. / Violon

Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

Description A variety of different bowings are introduced so that the pupil learns how to use and become familiar with every part of the bow. Every exercise and piece introduced in this book is designed to improve some aspect of technique. Violinists will also enjoy playing these melodies, which with their attractive piano accompaniments and violin duet parts, have been carefully selected to give pleasure at any stage. Songlist A Little Child Alouette Blow Away The Morning Dew Bobby Shaftoe Chorale Cock-a-doodle-doo Cradle Song Dance Of The Blessed Spirits (Orfeo Ed Euridice) [Gluck, Christoph Willibald] Dona Nobis Pacem Early One Morning Eileen Aroon Folk Tune For He's A Jolly Good Fellow French Bugle March God Save The Queen Golden Slumbers I Had A Little Nut Tree Ilkley Moor Jimmy Crack Corn John Brown's Body Johnny Todd Kate Dalrymple King Arthur March (Scipio) Marching Through Georgia Minuet Mountain Song My Little Hen My Love's An Arbutus On Wings Of Love One Man Went To Mow Oranges And Lemons Polly Wolly Doodle Pretty Polly Oliver Rule Britannia Rustic Song Scottish Reel Slumber Song Soldier's March Song Of The Reapers Song Of The Volga Boatman Study Sur Le Pont D'avignon The Bees The Flower Of Country Down The Girl I Left Behind Me The Happy Beggar The Jolly Miller The Keeper The Little Sandman The Merry Peasant The Sailor's Hornpipe The Yellow Rose Of Texas Venetian Waltz

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano

Dispose de 72 classiques Motown: ABC - Ain't No Mountain High Enough - Baby Love - Ben - Come See About Me - Dancing in the Street - Do You Love Me - facile - une fois dans ma vie - - Heatwave Higher Ground - Puis-je 't - Help Myself I Hear a Symphony I - Il appris par la rumeur - I Second That Emotion - I'll Be There - Jimmy Mack Mercy -, Mercy Me (The Ecology) - My Cherie Amour - Ma fille bébé Ooo Baby - Stop! Au nom de l'amour - Three Times a Lady - - Guerre Where Did Our Love Go - plus! Des lignes mélodiques, accords et paroles, ainsi qu'une section de diagrammes d'accords guitare. / Instruments En Do / 256 pages / Partition

Boost your performance with these songs, all specially arranged for students at Grade 2 level. Songs include ?A Million Dreams? (The Greatest Showman), ?Shotgun? (George Ezra), ?Havana? (Camila Cabello), ?How Far I?ll Go? (Moana), ?Star Wars: Main Theme? (John Williams) and more. Demonstration, backing tracks, and piano accompaniment PDFs are included in the price of this book and can be streamed or downloaded using the unique code found inside. This edition includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard./ Recueil / Violin

Learn to play the best of Broadway with this special selection of themes from the world of music theatre, all arranged for the elementary Violin student. This fantastic album features ten blockbuster hits from Cabaret, The Phantom of The Opera, Showboat, South Pacific and more! Each song has been carefully adapted to be accessible to the early performer, giving you the chance to master your skills and techniques by playing the tunes you know and love. You will even find a section of helpful performance tips to guide your learning and inform your practicing. The accompanying CD has professional performances of every piece, plus backing tracks so you can play along. FREE internet downloads are also available with this publication, with piano accompaniments and practice demos downloadable to your computer along with 2 bonus tracks! / Violon

Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of the award-winning cartoon film The Snowman . In this suite for Violin and Piano, composer Howard Blake recreated the story in music based on the scenes from the film. The music includes the hit song Walking In The Air . / Violon Et Piano

The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in groups of two. It is largely based on the first edition, published in the early 20th century, and on other sources from ?evcík's estate. The editor, Jaroslav Foltýn, is a professor of violin at the Prague Conservatory, as was ?evcík himself.- New edition of a tutor that generations of violinists have grown up with- Fundamental work by a leading violin educator- Three volumes in increasing order of difficulty: easy - moderate - difficult- Methodological notes by the editor (Cz/Eng/Ger) / Violon