By Daniel Pinkham (1923-2006). For SATB choir, brass quintet and organ. General,...(+)
By Daniel Pinkham
(1923-2006). For SATB
choir, brass quintet and
organ. General,
Thanksgiving, Choral.
Organ/choral score.
Scripture: Leviticus 25:9
and Psalm 67. 32 pages.
Published by Ione Press
. organ/choral score.
General, Thanksgiving,
Choral.
By John Foley. For Voices: Unison, some descants, cantor, assembly. Keyboard acc...(+)
By John Foley. For
Voices: Unison, some
descants, cantor,
assembly. Keyboard
accompaniment. Celeb;
Coll Sacred. Level: easy.
57 pages. Published by
GIA Publications.
Composed by Allan Robert Petker. Sheet music. Pavane Choral. Festival, Concert...(+)
Composed by Allan Robert
Petker. Sheet music.
Pavane
Choral. Festival,
Concert,
Sacred. Octavo. Composed
1932. 1576. 12 pages.
Pavane
Publishing #P1576.
Published
by Pavane Publishing
Choral (SATB divisi) SKU: HL.215263 For SATB Acappella Divisi. Com...(+)
Choral (SATB divisi)
SKU: HL.215263
For SATB Acappella
Divisi. Composed by
Marcel Chyrzynski. PWM.
Classical, General
Worship, Sacred. Octavo.
20 pages. Duration 360
seconds. Polskie
Wydawnictwo Muzyczne
#11687010. Published by
Polskie Wydawnictwo
Muzyczne (HL.215263).
8.25x11.5
inches.
I finished
Psalm 23 Dominus regit me
(The Lord Is My
Shepherd), which inspired
me musically, in 2013.
This prayer of praise,
being a radical act of
trust in God, as Pope
Benedict XVI once said,
complements Credo in unum
Deum. I was particularly
moved by the personal
tone of the Psalm author
and by the landscape of
life symbols that he
painted. The psalmist,
describing ancient
nomads, compares God to a
shepherd taking care of
his flock. It is a
hopeful metaphor of a
journey in the future
with kind and loving God
as a guide - 'Even though
I walk through the valley
of the shadow of death, I
fear no evil, for You are
with me.' By interpreting
the text with music, I
wanted to avoid emotional
directness, and to
present the 'trust' in a
contemplative way, as if
it were a kind of a
prayer - meditation.
-Marcel Chyrzynski,
translated by Monika
Rokicka.
SATB Chorus & Organ SKU: SU.90880230 For SATB Chorus & Organ. Comp...(+)
SATB Chorus & Organ
SKU: SU.90880230
For SATB Chorus &
Organ. Composed by
Nancy Galbraith.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Subito Music Corporation
#90880230. Published by
Subito Music Corporation
(SU.90880230).
Text in
EnglishSATB Chorus &
Organ Duration: 3'30
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please call
customer service at (973)
857-3440.
Like as the hart longs. Composed by Felix Bartholdy Mendelssohn (1809-184...(+)
Like as the hart
longs. Composed by
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn. Der
42.Psalm/Wie Der Hirsch
Schreit. Innovative
practice aids, Sacred
vocal music, Psalms,
German, Trinity,
Psalms. Single Part,
Organ. Composed 1837. Op.
42, MWV A 15. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
40.072/49. Published by
Carus Verlag
(CA.4007249).
Dixit Dominus Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli S...(+)
By George Frideric Handel
(1685-1759). Edited by
Wolfgang Gersthofer. For
Soli SSATB, Choir SSATB,
2 Violin, 2 Viola, Cello,
Basso Continuo. This
edition: Paperbound.
German title: Dixit
Dominus (Psalm 109).
Psalms, Latin. Full
score. Language: Latin.
Composed 1707. HWV 232.
96 pages. Duration 45
minutes. Published by
Carus Verlag
Psalm for Mass during the Night. Composed by Marc Cerisier. Christmas Nig...(+)
Psalm for Mass during
the Night. Composed
by Marc Cerisier.
Christmas Night. Sacred.
Octavo. 8 pages. GIA
Publications #8411.
Published by GIA
Publications (GI.G-8411).
Composed
by Cesar Auguste Franck.
French Sacred Music.
German title: Psalm 2
Quare. Sacred vocal
music, Christmas, Psalms.
Single Part, Cello.
Composed 1871. FWV 67. 4
pages. Duration 4
minutes. Carus Verlag #CV
40.097/14. Published by
Carus Verlag
(CA.4009714).
Responsorial Psalms, Gospel Acclamations, and Universal Prayers for the Litur...(+)
Responsorial Psalms,
Gospel Acclamations, and
Universal Prayers for the
Liturgy of the Word.
Composed by David Haas /
Stephen Pishner. Psalms
Series. Sacred. 36 pages.
GIA Publications #8483C.
Published by GIA
Publications
(GI.G-8483C).
Composed
by Cesar Auguste Franck.
French Sacred Music.
German title: Psalm 2
Quare. Sacred vocal
music, Christmas, Psalms.
Single Part, Viola.
Composed 1871. FWV 67. 4
pages. Duration 4
minutes. Carus Verlag #CV
40.097/13. Published by
Carus Verlag
(CA.4009713).
Composed by Kevin Hildebrand. For 2-part men's voice and keyboard (2-part). Memo...(+)
Composed by Kevin
Hildebrand. For 2-part
men's voice and keyboard
(2-part). Memorial. Easy.
Octavo. Scripture: Psalms
90. Published by
MorningStar Music
Publishers
Choral (ChoirTrax CD) SKU: HL.151183 A Psalm for Help. Composed by...(+)
Choral (ChoirTrax CD)
SKU: HL.151183
A Psalm for Help.
Composed by Heather
Sorenson. Brookfield
Choral Series. Anthem,
General Worship, Psalm,
Sacred. CD only.
Published by Brookfield
Press (HL.151183).
UPC: 888680085780. 5x5
inches.
A noble
theme announces the
intent of this anthem of
scope. Supported by an
effective chamber
orchestration, the
sincere longing of this
beloved scripture passage
is given an almost
cinematic treatment.
Contrast abounds as the
psalm is explored, and
the vocal writing
delivers a variety of
tone, texture and
dynamics. Superb! Score
and Parts (hn 1-2, tbn
1-2, timp, perc, solo vn,
solo vc, vn 1-2, va, vc,
db) available as a
digital download.
Choral SSAA choir SKU: CF.CM9570 Composed by John Ratledge. Psalms 47 fro...(+)
Choral SSAA choir
SKU:
CF.CM9570
Composed by
John Ratledge. Psalms 47
from the Bible. Jbc.
Performance Score. With
Standard notation. 8
pages. Duration 1 minute,
44 seconds. Carl Fischer
Music #CM9570. Published
by Carl Fischer Music
(CF.CM9570).
ISBN
9781491153581. UPC:
680160911080. 6.75 x 10.5
inches. Key: Bb major.
Latin. Psalms 47 from the
Bible.
Psalm 47
was commissioned by
the Sigma Alpha Iota
Chapter of Hardin Simmons
University (Abilene,
Texas), Suzanne Watts,
conductor, back in 1978.
I was a graduate student
at the time, and the
premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47A
was commissioned by
the Sigma Alpha Iota
Chapter of Hardin Simmons
University (Abilene,
Texas), Suzanne Watts,
conductor, back in 1978.
I was a graduate student
at the time, and the
premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:A
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47 was
commissioned by the Sigma
Alpha Iota Chapter of
Hardin Simmons University
(Abilene, Texas), Suzanne
Watts, conductor, back in
1978. I was a graduate
student at the time, and
the premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47Â was
commissioned by the Sigma
Alpha Iota Chapter of
Hardin Simmons University
(Abilene, Texas), Suzanne
Watts, conductor, back in
1978. I was a graduate
student at the time, and
the premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now.In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the
people:Â (you clap),
(you shout), (you sing)
to exemplify that praise
and joy should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world.Rise up and
claim the power of
JOY!
SATB choir - Level 3 SKU: CA.123000 Composed by Gregor Wagener. Edited by...(+)
SATB choir - Level 3
SKU: CA.123000
Composed by Gregor
Wagener. Edited by
Ferdinand Haberl. German
title: Ach Herr, Strafe
Mich Nicht. Sacred,
Motets, Psalms, German;
Occasions: Psalms. Full
score. Carus Verlag #CV
01.230/00. Published by
Carus Verlag (CA.123000).
ISBN 9790007001988.
Key: B flat major.
Language:
German.
SKU: BR.CHB-5367-02 An den Wassern zu Babel. Composed by Kurt Thom...(+)
SKU:
BR.CHB-5367-02
An
den Wassern zu Babel.
Composed by Kurt Thomas.
Stapled. Chor-Bibliothek
(Choral Library). Psalm;
Early modern; Music
post-1945. Choral score.
Composed 1928. 24 pages.
Duration 6'. Breitkopf
and Haertel #ChB 5367-02.
Published by Breitkopf
and Haertel
(BR.CHB-5367-02).
ISBN
9790004412978. 7.5 x 10.5
inches.
German.
Kurt
Thomas's setting of Psalm
137 ,,An den Wassern zu
Babel (,,By the waters of
Babylon) is one of his
earlier compositions and
the second that he
published at Breitkopf &
Hartel in 1928, after the
Mass in A op. 1. The
motet for double choir
with a performing time of
about six minutes
portrays the psalm text
vividly. Long flowing
lines in the beginning
point to the rivers of
Babylon, leading on to
the lament of the
Israelites and finally to
a fantasy of revenge
before coming back to the
flowing lines in the end.
Although the motet
includes many of the
features of his later
choral works, it is among
the more easily
accessible works of Kurt
Thomas and can therefore
also be performed by good
amateur choirs.
Chorale SATB SATB, Piano [Octavo] Faber Music Limited
The Lord is My Shepherd (Psalm 23). (Theme from the BBC TV series The Vicar of D...(+)
The Lord is My Shepherd
(Psalm 23). (Theme from
the BBC TV series The
Vicar of Dibley). By
Howard Goodall. Choir
Sacred. For SATB choir
and piano/organ (SATB
choir). Choral (Sacred);
Choral Octavo; Worship
Resources. Faber Edition.
Sacred. Published by
Faber Music