Par HUWS JONES EDWARD. Violin lessons have never been so much fun! Squawking parrots, giant footsteps, black cats and witches, seagulls, skaters and a marching band - you'll find them all, and more in Red Parrot Green Parrot. This teacher's book provides the tools for teacherts to help young players through Red Parrot Green Parrot. / Méthode / Violon

Par BURTON ISAAC. Onze solos de belles sur les hymnes favorites et mélodies sacrées traditionnelles. Les sélections sont appropriées pour les célébrations de culte tout au long de l'année en église. L'accompagnement de clavier complète de la partie de violon et prend parfois la mélodie, alors que le violon joue un descant. Intermédiaire en difficulté, quelques pièces comprennent les arrêts doubles, utilisez les touches plates et exigent muets. Ces solos enrichira tout paramètre de culte. / Niveau : Intermédiaire / Sacred - Solos / Recueil / Violon

Score and Parts. Par SCHNITTKE ALFRED. For 2 violins or violin and tape./ Répertoire / Violon

Ce livre guide qui reviennent les joueurs à travers 12 pistes spécialement sélectionnés pour les amener avec succès sauvegarder pour accélérer avec le violon à leur rythme propre agréable.Avec des exercices supplémentaires, des conseils et des rappels théoriques, les violonistes latentes trouverez la courbe d'apprentissage agréable et enrichissante mais souple, avec une attention particulière accordée aux questions d'intérêt commun tels que la tonalité, l'arc de contrôle et d'agilité doigt. La série de redémarrage de livres sont écrits par des enseignants en exercice spécialisés pour les personnes qui redécouvrent la joie de jouer de la musique à nouveau. Chaque titre est livré avec un CD d'accompagnement de morceaux d'accompagnement populaire et classique et des matériaux de support en ligne. / Violon / 64 pages / niveau : Facile / Partition

Par FINE ELAINE. Although the practice of scales is essential to building and maintaining strength, technique, tone, and agility?it is very easy to slip into the habit of playing them automatically, without paying attention to how they sound or even being aware of what scale we are playing. The 29 single-page studies in this book are designed to combat that tendency as they are musically, intellectually, and rhythmically challenging.The first 24 studies proceeded through the circle of fifths and address all minor and relative major keys; the last 5 pieces were individually conceived, i.e., apart from the circle of fifths. Occasional fingerings or position guides are suggested but these are largely left to the student or their teachers. No metronome indications are given so that the etudes can be played at individually comfortable tempos?with or without a metronome, or freely as concert etudes. It is the stepwise motion and octave leaps of the etudes that makes the intervals between pitches easy to hear, even in keys with numerous flats or sharps.Just as in Elaine Fine?s more basic scale etude book, Violin Scale Tales, the names of the etudes herein refer to various animals that have scales, including insects, fish, birds, reptiles, a few species of squirrels with scales on their tails, and the solitary pangolin, the only known mammal whose entire body is covered with scales. Again, the author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures, or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

Titles include: Fun, Fun, Fun * Georgia on My Mind * Have Yourself a Merry Little Christmas * Joy to the World * Linus and Lucy * Little Drummer Boy * Over the Rainbow * Peter Gunn * The Pink Panther * Proud Mary * Rudolph the Red-Nosed Reindeer * Theme from New York, New York and more.

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art. Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition. The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions. Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it's hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don't even have a composer. However, it's what's NOT written on the page that makes folk fiddle so interesting and challenging. This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing. Key areas covered include: Tune types and structures Ornamentation Bowing Modes and scales Scordatura Starts, endings and links Variation, improvisation and composition Playing tunes in 'sets” Regional and individual style Playing in sessions, for contests, and for dancing / Niveau : 3 / Pédagogie / Etude / Violon

Par GURLITT MANFRED. Langue: English(US)/Deutsch/Français/Nederlands / Musique contemporaine / Répertoire / Ensemble de Chambre

as performed by Queen. Par MERCURY FREDDIE. Emmené par le charismatique Freddie Mercury, le groupe Queen a marqué et marquera encore de nombreuses générations. We Are the Champions connaît un immense succès dès sa sortie, en 1977. Aujourd’hui, on ne compte plus le nombre de références à ce titre dans les championnats sportifs mais également au cinéma, à la télévision, dans des spots publicitaires etc. Anthony Gröger a ecrit un arrangement énergique de cet hymne rock pour quatuor à cordes. / Niveau : Facile à Intermédiaire / Pop and rock / Date parution : 1905-07-10/ Recueil / Quatuor à Cordes

Par TROJAHN MANFRED. Seit längerem setzt sich Manfred Trojahn kompositorisch mit Texten auseinander, die „das Scheitern des Künstlers aus unterschiedlichen Perspektiven' reflektieren. Vor allem „Le Ceneri di Gramsci' von Pier Paolo Pasolini und „Ein Brief' von Hugo von Hofmannsthal bilden den geistigen, die gleichnamigen Kompositionen Trojahns den ästhetischen und klangsprachlichen Hintergrund des V. Streichquartetts. Es wurde für das Kuss Quartett geschrieben. In drei Sätzen komponierte Trojahn eine expressive Musik mit zum Teil schroffen Kontrasten, in der sich polyphone und blockartige Strukturen gegenüberstehen und ein dichtes, vom Hörer nachvollziehbares Netz motivischer Verbindungen geschaffenwird./ Répertoire / 2 Violons, Alto et Violoncelle

27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Pop & rock / Recueil / Violon et Piano

Par TROJAHN MANFRED. / Répertoire / Flûte Traversière Alto (Grande Flûte Traversière)

Manfred Trojahn ont amplement dimensionné quatuor avec piano en quatre mouvements d'une durée d'env. 40 minutes a été composé et développé en plusieurs étapes.Les mouvements intérieurs, un Vivace caractérisé par des rythmes lombards et de la vitalité et un adagio de rêve ont été écrits dans l'année Mozart 2005. En 2008, les mouvements extérieurs ont été achevés.L'ouverture Adagio 'Zerbrochenes Lied' est une lamentation d'imposer des morts tandis que le Finale, une profonde, se déplaçant 'Wanderlied', a été consacrée à un ami Trojahn et compositeur Wilhelm Killmayer à l'occasion de son 60e anniversaire.De cette façon, les travaux de Trojahn s'inscrit dans la tradition des quatuors de Mozart pour piano de deux, mais ajoute un élément biographique.C'est un grand, travail musicalement exigeant mais gratifiant pour les musiciens ambitieux. / Violon, Violoncelle, Alto Et Piano