(Opera in 3 Acts). By Leos Janacek (1854-1928). For Voice and Piano. The New Stu...(+)
(Opera in 3 Acts). By
Leos Janacek (1854-1928).
For Voice and Piano. The
New Study Score Series.
Study score. Duration 1
hour, 50 minutes.
Published by Universal
Edition
Green. Gator
Cases. Fretted Instrument
Accessories. Duration 230
seconds. Gator Cases
#G-ICONDREAD-GRN.
Published by Gator Cases
(HL.1142646).
Multi-layered
semi-rigid construction
with weather-resistant
1000D green nylon
exterior fabric and soft
interior lined with green
micro-velvet fabric
• Hideaway backpack
straps with bottle opener
and stowaway D-ring
pockets on base of bag
for clean appearance
• Exterior pop-out
luggage tag and interior
serialized bag tracker
with laser-etched QR code
for quick
registration/indentificat
ion • Removable,
adjustable neck and
support block with
hook-and-loop wrap for
stability during
transport; interior body
blocks for increased
protection • Large
pocket with keyring clip
stores cables, strings,
and other accessories;
17.5 x 16″
(445/406mm) •
Hidden pocket on back for
quick access to passport,
wallet, smartphone, and
other personal items;
small and medium-sized
exterior pockets also
included • TSA
luggage lock-friendly
zipper pulls on main
guitar compartment for
seamless airport travel
• Rubber bumpers
and reinforced, padded
grab handles located on
front, back, and side for
various carry modes
• Stylish rain
cover with dedicated
storage pocket •
Exterior dimensions:
48″/1219mm (L) x
18.5″/470mm (W) x
8.5″/mm (H), net
weight; 12.2 lbs./5.5 kg
• Interior
dimensions:
44.5″/1130mm
(overall length) x
13″/330mm (upper
bout) x 14.6″/371mm
(middle bout) x
16.5″/419mm (lower
bout) x 6.5″/165mm
(headstock width) x
5.5″/140mm (body
height).
Atlas Symphony Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1115235-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1115235-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 84
pages. De Haske
Publications #DHP
1115235-140. Published by
De Haske Publications
(BT.DHP-1115235-140).
9x12 inches.
English-German-French-Dut
ch.
The Atlas
Symphony for
symphonic wind band is an
impressive and subtle
work, thematically
complex, with a rich
orchestration, but also
great beauty. The
composer was keen to draw
a parallel between an
atlas, where all the
geographical maps of the
world are collected in
one book, and his score,
which brings together all
the facets of his musical
style. Despite being
written without any
breaks, the symphony is
structured around three
main ideas. It is based
upon a series of notes
that will become the very
essence of the piece, its
building blocks. Like the
works of composers of
serial music, the series
appears in different
forms - melodic and
harmonic, thematic or
simply asan
accompaniment. With its
wealth of rhythms and
contrapuntal power, this
piece is a compelling
concerto for orchestra.
The Orchestre de la
Police Nationale was
the first to be attracted
to this work and
premiered it with
excellence under the
baton of composer Thierry
Deleruyelle.
Die
Atlas Symphony
für symphonisches
Blasorchester ist ein
eindrucksvolles,
feinsinniges Werk, mit
einer komplexen Thematik
und einer reichhaltigen
Orchestrierung, aber
dennoch anmutig. Der
Komponist beabsichtigte,
eine Parallele zwischen
einem Atlas, der
geografische Karten der
ganzen Welt enthält,
und seiner Partitur zu
ziehen, die alle Facetten
seines persönlichen
Musikstils enthält.
Obwohl sie ohne
Unterbrechung geschrieben
ist, ist diese Symphonie
doch auf drei Hauptachsen
aufgebaut. Sie basiert
auf einer Reihe von
Noten, welche die
Quintessenz, das Material
des gesamten Stückes
bilden. Wie bei den
Komponisten serieller
Musik tritt diese Reihe
in verschiedenenGestalten
auf - melodisch oder
harmonisch, thematisch
oder einfach als
Begleitung. Mit seinem
Reichtum an Rhythmen und
der kontrapunktischen
Brillanz ist die Atlas
Symphony ein
wahrhaftes Konzert
für Orchester. Das
Orchestre de la Police
Nationale
(Frankreich) war das
erste Orchester, das sich
von diesem Werk
verführen ließ und
spielte eine brillante
Uraufführung unter
der Leitung des
Komponisten Thierry
Deleruyelle.
Atlas
Symphony è un
brano grandioso, di
enorme bellezza, pieno di
sfumature, tematicamente
complesso, con una ricca
orchestrazione. La
sinfonia è scritta
senza interruzioni e
basata su una serie di
note che vengono proposte
nella melodia,
nell’armonia e nel
tema. La ricchezza di
ritmi e la brillantezza
dei contrappunti, fanno
di Atlas Symphony
un brano da concerto
perfetto.
Atlas Symphony Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1115235-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1115235-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115235-010.
Published by De Haske
Publications
(BT.DHP-1115235-010).
9x12 inches.
English-German-French-Dut
ch.
The Atlas
Symphony for
symphonic wind band is an
impressive and subtle
work, thematically
complex, with a rich
orchestration, but also
great beauty. The
composer was keen to draw
a parallel between an
atlas, where all the
geographical maps of the
world are collected in
one book, and his score,
which brings together all
the facets of his musical
style. Despite being
written without any
breaks, the symphony is
structured around three
main ideas. It is based
upon a series of notes
that will become the very
essence of the piece, its
building blocks. Like the
works of composers of
serial music, the series
appears in different
forms - melodic and
harmonic, thematic or
simply asan
accompaniment. With its
wealth of rhythms and
contrapuntal power, this
piece is a compelling
concerto for orchestra.
The Orchestre de la
Police Nationale was
the first to be attracted
to this work and
premiered it with
excellence under the
baton of composer Thierry
Deleruyelle.
Die
Atlas Symphony
für symphonisches
Blasorchester ist ein
eindrucksvolles,
feinsinniges Werk, mit
einer komplexen Thematik
und einer reichhaltigen
Orchestrierung, aber
dennoch anmutig. Der
Komponist beabsichtigte,
eine Parallele zwischen
einem Atlas, der
geografische Karten der
ganzen Welt enthält,
und seiner Partitur zu
ziehen, die alle Facetten
seines persönlichen
Musikstils enthält.
Obwohl sie ohne
Unterbrechung geschrieben
ist, ist diese Symphonie
doch auf drei Hauptachsen
aufgebaut. Sie basiert
auf einer Reihe von
Noten, welche die
Quintessenz, das Material
des gesamten Stückes
bilden. Wie bei den
Komponisten serieller
Musik tritt diese Reihe
in verschiedenenGestalten
auf - melodisch oder
harmonisch, thematisch
oder einfach als
Begleitung. Mit seinem
Reichtum an Rhythmen und
der kontrapunktischen
Brillanz ist die Atlas
Symphony ein
wahrhaftes Konzert
für Orchester. Das
Orchestre de la Police
Nationale
(Frankreich) war das
erste Orchester, das sich
von diesem Werk
verführen ließ und
spielte eine brillante
Uraufführung unter
der Leitung des
Komponisten Thierry
Deleruyelle.
Atlas
Symphony è un
brano grandioso, di
enorme bellezza, pieno di
sfumature, tematicamente
complesso, con una ricca
orchestrazione. La
sinfonia è scritta
senza interruzioni e
basata su una serie di
note che vengono proposte
nella melodia,
nell’armonia e nel
tema. La ricchezza di
ritmi e la brillantezza
dei contrappunti, fanno
di Atlas Symphony
un brano da concerto
perfetto.
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729.
Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4.
Organ SKU: HL.48025154 Series VI, Volume 1. Composed by Norbert vo...(+)
Organ
SKU:
HL.48025154
Series
VI, Volume 1.
Composed by Norbert von
Hannenheim. Edited by
Moritz Ernst. BH Piano.
Classical. Softcover. 48
pages. Bote & Bock
#M202536483. Published by
Bote & Bock
(HL.48025154).
UPC:
196288096887.
As
part of the Hannenheim
Edition, the pianist
Moritz Ernst also
presents, in addition to
the anthology of all the
surviving piano sonatas
of Arnold Schoenberg's
master-class pupil, the
edition of Hannenheim's
two previously known
organ works. The early
Phantasieis imbued with a
late Romantic harmony
interspersed with
chromaticisms, which
reveal influences of
Wagner and Strauss, but
also of French organ
romanticism. More typical
of Hannenheim's personal
style is the classical
three-movement Sonata
with its all-pervading
serial technique; the
last movement presents
itself as an extensive
passacaglia with 10
variations and is steeped
in complex polyphony.
Piano SKU: AY.PN3080PM Composed by Hernan Ramirez Avila. Keyboards - Pian...(+)
Piano
SKU:
AY.PN3080PM
Composed
by Hernan Ramirez Avila.
Keyboards - Piano. Sheet
music. Duration 14'21.
Periferia Publishing
#PN3080PM. Published by
Periferia Publishing
(AY.PN3080PM).
ISBN
9790543574038.
Pich
intunes para Piano is a
series of short musical
pieces. Its main goal is
to initiate young people
in dodecaphonic serial
music. The title of this
work comes from the
mapuche word pichi, which
means little. This word
derives to pichicultrun,
which comes from the word
cultrun (drum). Pichi has
been incorporated to
Chilean Spanish, other
words like pichiruque
(trivial). However,
another title for my work
could be bagatela.
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales Am...(+)
Viola and Piano
SKU:
HL.14030790
Composed
by Gordon Jacob. Music
Sales America. Post-1900.
Book [Softcover]. Music
Sales #NOV120069.
Published by Music Sales
(HL.14030790).
ISBN
9780853604488.
8.0x12.0x0.198
inches.
While
Gordon Jacobs composed a
vast amount of music -
more than four hundred
pieces -- he was
particularly celebrated
for his work for Viola
and for woodwinds, as
well as for his books on
music pedagogy. Jacob had
an early success with his
Viola Concerto of 1926
which was premiered at a
Promenade concert and
which was the beginning
of a series of strong
contributions to Viola
repertoire. This Sonatina
for Viola and Piano
demonstrates his
sensitive writing for the
instrument. It works very
well when performed on
clarinet as well.While
many composers of the
20th century rejected
serialism, atonality and
other avant garde effects
in favour of Romanticism,
Jacob was much morean
adherent to the musical
models of the classic and
baroque eras, while still
encompassing modern
harmonies. His work Music
for a Festival, for
symphonic wind band and
brass ensemble, was used
for the post-war Festival
of Britain and he
arranged the British
national anthem for the
coronation of Queen
Elizabeth II.