A delightful collection of well-loved piano solos (and one song) by Haydn, Mozart, and Beethoven; arranged - with equal difficulty parts - for violin, cello and piano. Whether just for pleasure, or a public concert, or as GCSE/A-level ensembles, these pieces will be very useful, with the added bonus of having familiarity in another form. They would also make appealing encores for amateur or professional chamber musicians. Level: Grades 6-7; Early Advanced-Advanced. / Ensemble Music, Instrumental Music / Recueil / Piano, Violon et Violoncelle

Church Sonatas in Three Parts, Op. I [Sonate da Chiesa a trè] (ded. to Queen Christina of Sweden)
Sonata No. 1 in F Major
Sonata No. 2 E Minor
Sonata No. 3 in A Major
Sonata No. 4 in A Minor
Sonata No. 5 in B-flat Major
Sonata No. 6 in B Minor
Sonata No. 7 in C Major
Sonata No. 8 in C Minor
Sonata No. 9 in G Major
Sonata No. 10 in G Minor
Sonata No. 11 in D Minor
Sonata No. 12 in D Major
Chamber Sonatas in Three Parts, Op. 2 [Sonate da Camera a trè] (ded. To Cardinal Benedetto Pamphili)
Sonata No. 1 in D Major
Sonata No. 2 in D Minor
Sonata No. 3 in C Major
Sonata No. 4 in E Minor
Sonata No. 5 in B-flat Major
Sonata No. 6 in G Minor
Sonata No. 7 in F Major
Sonata No. 8 in B Minor
Sonata No. 9 in F-sharp Minor
Sonata No. 10 in E Major
Sonata No. 11 in E-flat Major
Sonata No. 12 in G Major (Chaconne)
Church Sonatas in Three Parts, Op. 3 [Sonate da Chiesa a trè] (ded. to Duke Francesco II of Modena)
Sonata No. 1 in F Major
Sonata No. 2 in D Major
Sonata No. 3 in B-flat Major
Sonata No. 4 in B Minor
Sonata No. 5 in D Minor
Sonata No. 6 in G Major
Sonata No. 7 in E Minor
Sonata No. 8 in C Major
Sonata No. 9 in F Minor
Sonata No. 10 in A Minor
Sonata No. 11 in G Minor
Sonata No. 12 in A Major
Chamber Sonatas in Three Parts, Op. 4 [Sonate da Camera a trè] (ded. to Cardinal Pietro Ottoboni)
Sonata No. 1 in C Major
Sonata No. 2 in G Minor
Sonata No. 3 in A Major
Sonata No. 4 in D Major
Sonata No. 5 in A Minor
Sonata No. 6 in E Major
Sonata No. 7 in F Major
Sonata No. 8 in D Minor
Sonata No. 9 in B-flat Major
Sonata No. 10 in G Major
Sonata No. 11 in C Minor
Sonata No. 12 in B Minor
Six Violin Sonatas, Op. 5, Part 1 [VI Sonate a Violino Solo] (ded. to Electress Sophie Charlotte of Brandenburg)
Sonata No. 1 in D Major
Sonata No. 2 in B-flat Major
Sonata No. 3 in C Major
Sonata No. 4 in F Major
Sonata No. 5 in G Minor
Sonata No. 6 in A Major
Preludes, Allemandes, Correntes, Gigues, Sarabandes, Gavottes and Follia, Op. 5, Part 2 [Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte, e Follia] (ded. To Electress Sophie Charlotte of Brandenburg)
Sonata No. 7 in D Minor
Sonata No. 8 in E Minor
Sonata No. 9 in A Major
Sonata No. 10 in F
Sonata No. 11 in E Major
Follia in D Minor (Sonata No. 12)

The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of violin music. Tomaso Albinoni: Sonata op. VI n. 7 - Arcangelo Corelli: Follia op. V [n. 12] - Francesco Geminiani, Sonata op. IV n. 11 H. 95 -Pietro Antonio Locatelli: Sonata op. VI n. 5 - Pietro Nardini: Sonata op. V n. 3 - Gaetano Pugnani: Sonata op. VII n. 1 - Giuseppe Tartini: Sonata op. I n. 10 B. g 10 ['Didone abbandonata?] - Francesco Maria Veracini: Sonata op. II n. 8 - Giovanni Battista Viotti: Sonata op. IV n. 4 W. V/4 - Antonio Vivaldi: Sonata RV 10 / Violon Et Piano

Décelé très tôt, le talent incroyable de Mozart ne pouvait être à son époque que considéré comme un don de Dieu. Enfants prodiges, Wolfgang Amadeus et Maria Anna, sa soeur aînée de cinq ans, furent célébrés comme tels lors de leurs voyages en Europe occidentale entre 1763 et 1766. Les Sonates K. 6-9 'avec accompagnement de violon' virent le jour à Paris. C'est une musique d'une fraîcheur et d'une variété extraordinaires, dans laquelle la partie de violon vient appuyer le piano, contrairement aux grandes sonates pour violon ultérieures (voir HN 77-80), où le violon est traité d'égal à égal avec le piano. Si cette musique se destine tout particulièrement à l'enseignement du piano et du violon, elle fera aussi la joie de musiciens 'chevronnés' qui pourront révéler ces trésors. / Violon Et Piano

Cohen Mary (Editor). Par COHEN MARY. Concert Repertoire for Violin combines imaginative arrangements with original pieces, all of which have been carefully selected and written for players of Grade 4-7 standard. The pieces are varied and fun and will help players to improve technically as they move towards tackling the more advanced repertoire. Air From Suite In D BWV 1068 (JS Bach) Badinerie From Suite In B Minor BWV 1067 (JS Bach) Chanson De Matin (Elgar) Corrente From Sonata Op 2 No 4 RV 20 (Vivaldi) Habanera (Bizet) Hungarian Dance No 4 (Brahms) Serenade (Solo) (Sculthorpe) Serenade (Tchaikovsky) Sicilienne (Paradis) Solveig's Song (Grieg) Torch Dance (German) Without Care (Reinecke) / Niveau : Assez Facile / Date parution : 2006-10-26/ Répertoire / Violon et Piano

A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo part for the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer. / Violon

Maintenant disponible à la vente pour la première fois, la partie de la trompette solo pour ce chef-d'oeuvre durable du répertoire concerto peut être utilisée aux côtés de la partie de piano solo (publiée comme M-003-01703-7, BH 2396) et orchestrale matériel en location de Boosey and Hawkes. / Violon Et Piano

Par . Flexi Violin 2 is a refreshingly diverse collection for violin with both piano and violin duet accompaniments from leading educational authors Paul Harris and Jessica O?Leary. Suitable for Grade 3 to 5 (Intermediate) level players, it features a wide range of composers and the pieces have both piano and violin duet accompaniments. / Date parution : 2022-09-20/ Recueil / 1-2 Violons et Piano

Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost. Along with his suite for solo violin published in 1683 in Le Mercure Galant, these suites for unaccompanied violin are the first in their medium and undoubtedly served as an inspiration for Bach?s Six Sonatas and Partitas for Solo Violin.This edition is a modern transcription of Westhoff?s unique notation and provides editorial fingering and bowing suggestions. A facsimile of the only extant 1696 publication, which is housed in the Somogyi Károly Városi és Megyei Könyvtár in Szeged, Hungary, is included in the back of this edition for reference. This edition was created with the intention of making these suites more accessible, and to be used as a pedagogical tool in preparation for the study of solo Bach. / Date parution : 2022-07-20/ Recueil / Violon