Instant no-frills arrangements of over 225 great blues numbers. Each song consists of melody line, chord symbols and lyrics (where appropriate). That's all there is to it! Just open the book and start playing.

The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Do

The ultimate resource for studying the work of Miles Davis! 50 note-for-note transcriptions of his recorded solos that you can now play on any C instrument. Includes: Airegin · All Blues · All of You · Au Privave · Bags' Groove · Billie's Bounce (Bill's Bounce) · Blue Haze · Budo · But Not for Me · Bye Bye Blackbird · Diane · Dig · Doxy · E.S.P. · Footprints · Four · Freddie Freeloader · A Gal in Calico · Green Haze · I Waited for You · I'll Remember April · If I Were a Bell · It Could Happen to You · It's Only a Paper Moon · Jeru · K.C. Blues · Love Me or Leave Me · Miles Ahead · Milestones · My Funny Valentine · Oleo · On Green Dolphin Street · The Serpent's Tooth · Seven Steps to Heaven · Sippin' at Bells · So What · Solar · Some Day My Prince Will Come · Stablemates · Stella by Starlight · Stuff · Summertime · The Surrey with the Fringe on Top · The Theme · Trane's Blues · Tune Up · Walkin' · Well You Needn't (It's over Now) · Woodyn' You · Yesterdays. / Instruments En C

Le livre réel est extrêmement précis, soignée et vise avant tout, pour un usage pratique. Cette deuxième édition nouvelle contient tunes qui sont réarrange et re-transcribed afin que vous pouvez étudier et jouer ces oeuvres avec précision. / Instruments En Do

Plus de 430 pages des airs par l'Europe 100 plus grands compositeurs de jazz. 100 % exactes approuvé par le compositeur graphiques, manuscrit facile à lire, tune grande sélection et plusieurs fonctionnalités supplémentaires comme lignes de basse échantillon, voicings de corde, rhythm section hits, annexe de tambour harmonie partsxtensive, etc.. Les fichiers MP3 en continu de plus des deux tiers des airs sont en ligne à www.shermusic.com afin de musiciens peuvent entendre les chansons pour eux-mêmes / Instruments En Do

Media Type : Book Level : Beginning Musical Genre : Bluegrass and Country Series : American Fiddle Method Number of pages : 56 Private studio teachers, school string programs and Suzuki teachers preparing for recitals will welcome these tasteful piano accompaniments for the violin, viola and cello editions of Volume 1of Brian Wicklund's American Fiddle Method. Acknowledged as the most widely used fiddle method in the country, Wicklund became aware of the increasing demand for a parallel piano accompaniment series and engaged his friend Bob Walser to take on the task of writing it. Collaborating closely with Wicklund, Walser was encouraged to adhere to the chord progressions suggested in the original books, but given leeway to add interesting variations in rhythm and harmony. The result is a book of arrangements that welcomes pianists to the jamming circle. Piano playing teachers, parents and siblings can now join in the fun, and fiddle tunes can be featured in concerts and recitals with the support of an accompanist. In addition, principals of accompaniment learned by playing these arrangements can be applied to accompanying other tunes, the voice or other instruments. The American Fiddle Method itself provides the beginner with the elements needed to become a proficient fiddler. Based on many years of teaching experience, the author introduces concepts and techniques that yield solid results. This method encourages creativity in the student by including variations of the tunes to illustrate how they can serve as a basis for improvisation.

Arrangeur: Samuel Applebaum. Par APPLEBAUM SAMUEL. String Tunes was compiled from melodies Samuel Applebaum used to teach his string students. Michael Katz has produced the accompaniment CD (in traditional, jazz and rock styles) to motivate students to practice and perform for friends and family. The melodies are arranged in progressive order from the first three notes students learn to hte end of level one in most method books. These well-known (and some not-as-well-known) melodies may be played as a solo or in unison with other string instruments (violin, viola, cello, bass). If you have a balance control on your compact disc player, you may eliminate the recorded melody by turning the balance all the wayto the right. The number of the melody in the book is the same as the CD track number. Each recorded accompaniment has a count off to get you started. When you perform, announce the name of the song of your audience. / Rép Classique / Recueil / Violon

Now you can be the feature Violin soloist on eight specially recorded arrangements from the classic cult comedy film The Blues Brothers. The CD contains full backing tracks, professionally arranged and recorded to help you learn the songs. The book is full of carefully selected and edited Violin arrangements with chord symbols in concert pitch, allowing any Guitar or Keyboard instrument to accompany. Take The Lead is an integrated series for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, and Violin. In each edition all the songs are in the same concert pitch key, so the different instruments can play together. All accompanying chord symbolsare in concert pitch for use by Piano or Guitar. / Niveau : Intermédiaire / TV, Film, Comédie musicale / Date parution : 2005-08-18/ Recueil / Violon et Piano

Take the lead and enjoy playing along to your favourite TV tracks. The book contains carefully selected and edited top line arrangements and chord symbols. The CD contains full backing tracks professionally arranged and recorded, and full demonstration tracks to help you learn the pieces. Take The Lead is an integrated series. In each edition all the songs are in the same concert pitch key, so the different instruments can play together. Suitable for intermediate players. / TV, Film, Comédie musicale / Date parution : 2005-05-27/ Recueil / Violon et Piano

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre les chansons folkloriques Lead British Isles ' est une collection de vieux favoris de partout dans le Royaume-Uni et l'Irlande. Ces arrangements simples, idiomatiques permettent de jeunes joueurs à jouer des airs connus comme les spectacles en solo ou dans le cadre d'un groupe. Avec un choix de sauvegarde de CD accompagnement ou en jouant avec guitare ou piano ' Prendre les devants ' offre une flexibilité ultime fois enseignant et les étudiants. / Musique traditionnelle anglaise, irlandaise, écoss / Date parution : 2005-05-27/ Recueil / Violon et Piano

Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre les Hits de film de conduire ' comporte des arrangements idiomatiques de thèmes de film classique offrant le plaisir répertoire que jeunes instrumentistes adoreront jouer. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Contenu : Vous pouvez laisser votre chapeau - le vent sous mes ailes - lundi bleu - Star Wars (titre principal) - parce que vous avez aimé Me - I sera toujours Love You-(Eve... / TV, Film, Comédie musicale / Date parution : 2005-05-27/ Recueil / Violon et Piano

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre la graisse de plomb ' contient tous les plus grands succès de cette comédie musicale populaire, y compris ' Summer Nights ', ' We Go Together ' et ' You're celui que je veux '. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces arrangements idiomatiques vont renforcer la confiance des joueurs et descendre une tempête en concert. / Niveau : Intermédiaire / Date parution : 2005-05-27/ Recueil / Violon et Piano