Par SULYOK IMRE. Musica Arcaica par contemporaine du compositeur hongrois Imre Sulyok, arrangé pour quintette à vent./ Répertoire / Quintette à vent

Conducteur + Parties. Par PHILIPS JULIAN. / Répertoire / Quintette à Vent et Piano

Par SCHWERTSIK KURT. / Répertoire / Quintette à vent (Piccolo, Hautbois, Clarinettes e

Arr. Abeal. Par HAHN REYNALDO. An arrangement by Antonio Lagares Abeal for wind quintet of perhaps Hahn's most well-known work. An arrangement by Antonio Lagares Abeal for wind quintet of perhaps Hahn's most well-known work./ Répertoire / Quintette à vent

Variable Wind Quintet (With Percussion Ad Lib.). Par TRADITIONAL. La Golondrina, célèbre mélodie traditionnelle, arrangée par Henk Hogestein, pour ensemble à 5 voix et percussions optionnelles (Bongos, Maracas and Tambourin).Part 1 Fl Htb Cl. Si? Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si? Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Sax. T. Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes / Niveau : Facile / Répertoire / Quintette à vent Variable avec Percussions Ad. Lib

This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861).The sextet version deftly integrates the original wind parts into the string texture.The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart's piano concertos K. 413 to 415 and later for the Chopin concertos.This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.- First ever publication of this arrangement- Includes a separate solo part as was customary in Beethoven's day- Provides new possibilities for soloists to perform this work / Quatuor A Cordes Et Piano

Par SCHUBERT FRANZ. / Répertoire / Violoncelle, Quintette à vent et Contrebasse

Transcription Pour Flûte, Hautbois Ou Cor Anglais, Clarinette, Cor En Fa et Basson. Par DEBUSSY CLAUDE. Score + Parties. This volume enriches the wind quintet repertoire with a masterpiece of the most refined chamber music literature, composed in a valuable historical period which did not give birth to novel pieces of relevant importance for this kind of ensemble. The present version, which generates from the study and expertise of a musician who devoted more than twenty years of his artistic career to the wind quintet, yearns to be a meta-arrangement. Indeed, the musical material is expressed in a language so profound and so universal that it can be played by instruments different from the original ones without losing any of its significance. / Niveau : Avancé / Répertoire / Flûte Traversière hautbois ou Cor Anglais, Clarine

Wind Quintet. Par AHO KALEVI. Wind Quintet/ Répertoire / Flûte Traversière, Hautbois, Clarinette, Cor et Ba

for piano and woodwind quintet. Par JALBERT PIERRE. Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano. The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added. - Pierre Jalbert / Niveau : Avancé / Répertoire / Flûte Traversière (Piccolo), Hautbois, Clarinette,