(Serie I - France 1600-1800). Edited by Jean Saint-Arroman, Philippe Lescat. For Clarinet. Facsimiles. Methodes and Traites. Grade 0. 304 pages

(Serie I - France 1600-1800). Edited by Philippe Lescat, Jean Saint-Arroman. For Flute. This edition: Facsimile. Methodes & Traites. Score. 296 pages. Published by Anne Fuzeau Productions - France

(Serie IV - Italie 1600-1800). Edited by Vittorio Ghielmi, Paolo Biordi. For Viola da gamba. Facsimiles. Methodes and Traites. Grade 0. 256 pages

(Serie I - France 1600-1800). Edited by Philippe Lescat, Jean Saint-Arroman. For Flute. This edition: Facsimile. Methodes & Traites. Score. 600 pages. Published by Anne Fuzeau Productions - France

(Serie I - France 1600-1800). Edited by Caroline Delume. For Guitar. Facsimiles. Methodes & Traites. Grade 0. 512 pages

(Serie I - France 1600-1800 - Integrale de l'oeuvre theorique en 3 volumes). Edited by Jean Saint-Arroman, Bertrand Porot. Facsimiles. Methodes and Traites. Grade 0. 304 pages

For Piano. Includes complete printed music score with both primo and secondo piano parts, and a compact disc featuring the duets in two formats: split-channel stereo with secondo part on the left channel, primo on the right, so you can play either part; and then again with just the secondo part in stereo so you can perform the primo part alongside. Published by Music Minus One.

(Revised Edition). Composed by Johannes Brahms (1833-1897). For Piano Solo (Piano). Henle Music Folios. Softcover. G. Henle #HN1216. Published by G. Henle

Flute/recorder and orchestra

SKU: BR.MR-2195B

Score and parts. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Musica Rara.

A variable solo concerto in A minor

Solo concerto; Early classical. Score and parts. 134 pages. Duration 25'. Breitkopf and Haertel #MR 2195b. Published by Breitkopf and Haertel (BR.MR-2195B).

ISBN 9790004488423. 9 x 12 inches.

The concertos in A minor, B flat major and A major constitute a small but amazingly flexible group in Carl Philipp Emanuel Bach's work catalogue. They were written as violoncello concertos between 1750 and 1753, and have all been transmitted in alternative versions as flute and harpsichord concertos as well. C. P. E. Bach wrote the Cello Concerto in A minor Wq 170 at the Berlin court of King Frederick the Great. The flute version Wq 166 was probably written shortly thereafter, even if the only surviving source dates from after the composer's death. We can see how interchangeable the solo instruments were through the amazing circumstance that editor Ulrich Leisinger was able to draw upon the version for harpsichord solo Wq 26 for this new edition. The cadenzas to the first and second movements proved to be easily adaptable to the flute, which should inspire soloists to create their own versions.

A variable solo concerto in A minor.

ST vocal soli, SATB/SATB/SATB/SATB choir, organ

SKU: CA.2708303

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Sacred vocal music, Masses, Latin. Vocal score. FWV. 104 pages. Duration 23 minutes. Carus Verlag #CV 27.083/03. Published by Carus Verlag (CA.2708303).

ISBN 9790007182090. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

Chamber Orchestra (Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flote, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug)

SKU: HL.49013871

Waltz. Composed by Josef Strau. Edited by Max Villinger. Sheet music. Domesticum. Classical. Individual part. Op. 164. 12 pages. Duration 8'. Schott Music #DOM 441-13. Published by Schott Music (HL.49013871).

ISBN 9790001029124.

Composed by Nicolas de Grigny (1672-1703). Edited by David Ponsford. Paperback (Soft Cover). Classical. Ut Orpheus #HS 280. Published by Ut Orpheus

Score and Parts. By Wolfgang Amadeus Mozart. Arranged by S. Franko. (Violin). This edition: piano reduction. String Solo. Size 9x12 inches. 40 pages. Published by Schirmer.

Composed by Camille Saint-Saens (1835-1921), edited by Reiner Zimmermann. Op. 168. Instrumental solo book for bassoon solo and piano accompaniment. With solo part, standard notation, piano accompaniment and introductory text. Text language English, German and French. 27 pages. Published by C.F. Peters.

(Jazz Play-Along Volume 168). By Tadd Dameron. For C Instruments, Bass Clef Instruments, Bb Instruments, Eb Instruments. Jazz Play Along. Softcover with CD. 80 pages. Published by Hal Leonard

Composed by Georg Philipp Telemann (1681-1767). Arranged by Michael and Kimberly Davenport. For bass clarinet and piano. Classical; baroque period. Piano score and part. Published by Alea Publishing

For Alto Sax and Piano. Composed by Georg Philipp Telemann (1681-1767). Edited by Jean-Marie Londeix. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL25008. Published by Alphonse Leduc

Guitar solo

SKU: BR.DV-32004

Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 68 pages. Deutscher Verlag fur Musik #DV 32004. Published by Deutscher Verlag fur Musik (BR.DV-32004).

ISBN 9790200425024. 9 x 12 inches.

The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known.

Composed by Bartolomeo Montalbano (1600-1651). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Ernst Fritz Schmid, Ernst Hess. For violin I, violin II, viola I, viola II and cello. Urtext of the New Mozart Edition. Format: set of performance parts (parts only, score not included). Classical period. 316 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).