By Anton Bruckner (1824-1896). Edited by Simon Halsey. Choir Sacred. SATB choir....(+)
By Anton Bruckner
(1824-1896). Edited by
Simon Halsey. Choir
Sacred. SATB choir. Book;
Choral (Sacred); Choral
Worship Collection;
Worship Resources. Faber
Edition: Choral Programme
Series. Sacred. Published
by Faber Music
Composed by Antonin Dvorak (1841-1904). Edited by Robert Simon. This edition: ur...(+)
Composed by Antonin
Dvorak (1841-1904).
Edited by Robert Simon.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 45, No. 1.
Baerenreiter Verlag
#BA10401. Published by
Baerenreiter Verlag
(BA.BA10401).
Accordion; Treble Recorder - intermediate SKU: HL.49011300 For Treble ...(+)
Accordion; Treble
Recorder - intermediate
SKU: HL.49011300
For Treble Recorder
and Accordion.
Composed by Eduard Pü
and tz. Edited by
Antonello Simone and
Dorothee Simone. This
edition: Saddle
stitching. Sheet music.
Originalmusik fur
Blockflote (Recorder
Library). Classical.
Composed 1994. 16 pages.
Schott Music #OFB 191.
Published by Schott Music
(HL.49011300).
ISBN
9790001126182. UPC:
073999377378.
9.0x12.0x0.078
inches.
Eduard Putz
(1911-2000) was one of
the few 20th-century
composers who thought to
mediate and forge links
between so-called
'serious' and 'light'
music. In his 'Serenade'
(1994) elements of jazz
and contemporary styles
are combined to provide
fun and enjoyment for
players and listeners
alike.
SATB chorus, piano SKU: CA.402605 Composed by Anton Bruckner. Edited by S...(+)
SATB chorus, piano
SKU: CA.402605
Composed by Anton
Bruckner. Edited by Simon
Halsey, Jan Schumacher.
Choral collection. Carus
Verlag #402605. Published
by Carus Verlag
(CA.402605).
ISBN
9790007302054.
German.
At times
Romantic, at other times
with a jazzy touch, the
Choral collection
Bruckner. Secular choral
music is full of exciting
discoveries and new
arrangements at various
levels of difficulty.
Anton Bruckner’s
secular choral music is
often overshadowed by his
great symphonies and
sacred choral works
– unfairly, as
choral experts Simon
Halsey and Jan Schumacher
prove with their small
but fine selection of
choral music inspired by
secular texts.
Bruckner left
only a few movements for
mixed choir; instead, his
music for male voices
constitutes a far larger
body of work. For this
collection, renowned
arrangers from Germany,
England, Denmark, and
Italy have specially
reworked the most
beautiful of these choral
movements for SATB,
enabling this great
repertoire to be
performed by mixed
choirs. Two original SATB
compositions are also
included. Furthermore,
the choral collection
features arrangements of
songs originally written
for solo voice and piano
with texts by such poets
as Heinrich Heine and
Emanuel Geibel. Another
highlight is an
arrangement of the Adagio
from Bruckner’s
String Quintet WAB 112,
which Heribert Breuer has
created for choir to a
text by Georg
Trakl.- 16 SATB
settings, several with
keyboard
accompaniment-
Selected by Simon Halsey
and Jan
Schumacher-
Modern SATB arrangements
of male-voice works and
solo songs, as well as
original compositions
- Affordable
complete volume
(editionCHOR) as well as
separate editions
available in print and
digitally.-
Introductory price valid
until 31.10.2023, then
27.00 EUR
(editionCHORLEITUNG) and
15.00 EUR (editionCHOR,
minimum order: 20
copies)
SATB chorus, piano SKU: CA.402600 Composed by Anton Bruckner. Edited by S...(+)
SATB chorus, piano
SKU: CA.402600
Composed by Anton
Bruckner. Edited by Simon
Halsey, Jan Schumacher.
Gattungen vokal: Secular
choral music. Choral
collection. Carus Verlag
#402600. Published by
Carus Verlag (CA.402600).
ISBN 9790007294045.
German.
At times
Romantic, at other times
with a jazzy touch, the
Choral collection
Bruckner. Secular choral
music is full of exciting
discoveries and new
arrangements at various
levels of difficulty.
Anton Bruckner’s
secular choral music is
often overshadowed by his
great symphonies and
sacred choral works
– unfairly, as
choral experts Simon
Halsey and Jan Schumacher
prove with their small
but fine selection of
choral music inspired by
secular texts.
Bruckner left
only a few movements for
mixed choir; instead, his
music for male voices
constitutes a far larger
body of work. For this
collection, renowned
arrangers from Germany,
England, Denmark, and
Italy have specially
reworked the most
beautiful of these choral
movements for SATB,
enabling this great
repertoire to be
performed by mixed
choirs. Two original SATB
compositions are also
included. Furthermore,
the choral collection
features arrangements of
songs originally written
for solo voice and piano
with texts by such poets
as Heinrich Heine and
Emanuel Geibel. Another
highlight is an
arrangement of the Adagio
from Bruckner’s
String Quintet WAB 112,
which Heribert Breuer has
created for choir to a
text by Georg
Trakl.- 16 SATB
settings, several with
keyboard
accompaniment-
Selected by Simon Halsey
and Jan
Schumacher-
Modern SATB arrangements
of male-voice works and
solo songs, as well as
original compositions
- Affordable
complete volume
(editionCHOR) as well as
separate editions
available in print and
digitally.-
Introductory price valid
until 31.10.2023, then
27.00 EUR
(editionCHORLEITUNG) and
15.00 EUR (editionCHOR,
minimum order: 20
copies)
Brass quartet - Grade 3 SKU: RM.SL10779 Composed by Georg Frederich Haend...(+)
Brass quartet - Grade 3
SKU: RM.SL10779
Composed by Georg
Frederich Haendel.
Arranged by Simone
Maffioletti. Brass
quartet. Chamber music.
Duration 2 minutes.
Editions Robert Martin
#SL10779. Published by
Editions Robert Martin
(RM.SL10779).
Allegro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 4-5
SKU:
BT.DHP-1053790-010
From the Clarinet
Concerto in Eb Major, Op.
36. Composed by Franz
Krommer. Arranged by
Timothy Topolewski. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053790-010. Published by
De Haske Publications
(BT.DHP-1053790-010).
9x12 inches.
English-German-French-Dut
ch.
Der erste Satz
des Klarinettenkonzerts,
das Allegro, ist
kühn und brilliant in
seinen technischen
Anforderungen in den
schnellen Passagen und
flüssig und
ausdrucksvoll in den
lyrischen Abschnitten. Er
ist eine spannende
Herausforderung für
Klarinettisten von heut
und war sehr
wahrscheinlich ein
virtuoses Stück für
Klarinettisten im
frühen 19.
Jahrhundert.Wie so viele
Komponisten der Klassik,
beschrieb Krommer die
Aritkulation von kaum
mehr als ein paar Phrasen
seiner Soli für
Bläser. Infolgedessen
nahmen sich die einzelnen
Spieler viel Freiheiten,
wo und wann sie
angestoßen oder
gebunden spielten.
Artikulation für
Bläser, genau wie
Bogenbewegung für
Streicher, mussflexibel
in ihrer Auslegung und
Durchführung sein. Die
richtige Spielweise
ergibt aus dem
technischen Können und
der Ausdrucksstärke
des jeweiligen Spielers.
Der Dirigent sollte dies
zusammen mit seinem
Solisten erarbeiten.
Allegro Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clari...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053790-140
From the Clarinet
Concerto in Eb Major, Op.
36. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2005. 64
pages. De Haske
Publications #DHP
1053790-140. Published by
De Haske Publications
(BT.DHP-1053790-140).
9x12 inches.
English-German-French-Dut
ch.
Der erste Satz
des Klarinettenkonzerts,
das Allegro, ist
kühn und brilliant in
seinen technischen
Anforderungen in den
schnellen Passagen und
flüssig und
ausdrucksvoll in den
lyrischen Abschnitten. Er
ist eine spannende
Herausforderung für
Klarinettisten von heut
und war sehr
wahrscheinlich ein
virtuoses Stück für
Klarinettisten im
frühen 19.
Jahrhundert.Wie so viele
Komponisten der Klassik,
beschrieb Krommer die
Aritkulation von kaum
mehr als ein paar Phrasen
seiner Soli für
Bläser. Infolgedessen
nahmen sich die einzelnen
Spieler viel Freiheiten,
wo und wann sie
angestoßen oder
gebunden spielten.
Artikulation für
Bläser, genau wie
Bogenbewegung für
Streicher, mussflexibel
in ihrer Auslegung und
Durchführung sein. Die
richtige Spielweise
ergibt aus dem
technischen Können und
der Ausdrucksstärke
des jeweiligen Spielers.
Der Dirigent sollte dies
zusammen mit seinem
Solisten erarbeiten.
Allegro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 Fro...(+)
Concert Band and Clarinet
Solo - Grade 4-5
SKU:
BT.DHP-1053790-040
From the Clarinet
Concerto in Eb Major, Op.
36. Composed by Franz
Krommer. Arranged by
Timothy Topolewski. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053790-040. Published by
De Haske Publications
(BT.DHP-1053790-040).
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/3.
Baerenreiter Verlag
#BA10403_00. Published by
Baerenreiter Verlag
(BA.BA10403).
ISBN
9790260104730. 31 x 24.3
cm inches. Key: A-flat
major. Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/2.
Baerenreiter Verlag
#BA10402_00. Published by
Baerenreiter Verlag
(BA.BA10402).
ISBN
9790260104723. 24.3 x 31
cm inches. Key: G minor.
Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal
source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Lyric Fairy Tale in
Three Acts. Composed
by Antonin Dvorak. Edited
by Jonáš Hájek
and Robert Simon. This
edition: urtext edition.
Hardback. Performance
score. Opus 114.
Baerenreiter Verlag
#BA10438. Published by
Baerenreiter Verlag
(BA.BA10438).
ISBN
9790260109384. 31.7 x
25.5 cm inches. Text
Language: Czech, English,
German. Preface: Simon,
Robert. Text: Jaroslav
Kvapil.
Der neue
Klavierauszug einer der
meistgespielten
tschechischen Opern,
Dvoráks Rusalka,
bildet einen Bestandteil
der neuen Urtextedition
des Werkes, in der nach
mehr als sechzig Jahren
der Notentext den
gegenwärtigen
Editionsregeln angepasst
wurde. Anders als bei der
vorangegangenen
kritischen Ausgabe von
Jarmil Burghauser aus dem
Jahre 1960, dokumentiert
der Herausgeber Robert
Simon alle redaktionellen
Eingriffe. Die neue
Edition widmet auch dem
Libretto gebührende
Aufmerksamkeit, unter
sorgfältiger
Auswertung aller
erhaltenen Quellen,
darunter des
Klavierauszuges von Josef
Famera (1883â1914),
der nach Dvoráks Tod
veröffentlicht (1905)
und dessen Manuskript
noch vom Komponisten
autorisiert worden
war.
Dieser
historische Klavierauszug
wurde einer
gründlichen Revision
durch den Arrangeur Petr
Koronthály unterzogen,
der ihn unter maximaler
Berücksichtigung des
Originals und der
Beibehaltung von dessen
Qualitäten in eine
Bearbeitung gebracht hat,
die einer neuen
Urtextedition und den
aktuellen Bedürfnissen
der Aufführungspraxis
entspricht. Die
Neuausgabe enthält das
Vorwort des Herausgebers
zur Entstehung der Oper
und ihres historisch
ersten Klavierauszugs,
auÃerdem werden in der
Einleitung Hinweise zur
Aussprache des
tschechischen
Gesangstextes
veröffentlicht.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Vocal, Piano - Level 3 SKU: BA.BA10440 Composed by Antonin Dvorak. Edited...(+)
Vocal, Piano - Level 3
SKU: BA.BA10440
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek and
Robert Simon. This
edition: urtext edition.
Stapled. Aria from the
opera âRusalkaâ
op. 114 for Soprano and
Piano. Performance score.
Baerenreiter Verlag
#BA10440. Published by
Baerenreiter Verlag
(BA.BA10440).
ISBN
9790260109889. 30 x 23 cm
inches. Text Language:
Czech, English, German.
Preface: Simon, Robert.
Text: Jaroslav
Kvapil.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Lyric Fairy Tale in
Three Acts. Composed
by Antonin Dvorak. Edited
by Jonáš Hájek
and Robert Simon.
Arranged by Petr
Koronthály. This
edition: urtext edition.
Paperback. Based on the
Period Piano Reduction
(1905). Vocal Score. Opus
114. Baerenreiter Verlag
#BA10438-90. Published by
Baerenreiter Verlag
(BA.BA10438-90).
ISBN
9790260109391. 27 x 19 cm
inches. Text Language:
Czech, English, German.
Preface: Simon, Robert.
Text: Jaroslav
Kvapil.
SATB choir SKU: ST.W182 Composed by Anthony Herschel Hill. SATB unaccompa...(+)
SATB choir
SKU:
ST.W182
Composed by
Anthony Herschel Hill.
SATB unaccompanied.
Choral. Octavo. Stainer &
Bell Ltd. #W182.
Published by Stainer &
Bell Ltd. (ST.W182).
ISBN
9790220207617.
Anto
ny Herschel Hill's
Ave Verum Corpus
for unaccompanied SATB is
one of a number of
liturgical works by this
gifted composer. Written
for Prebendary John
Pearce and the choir of
St Simon Zelotes,
Chelsea, London, Hill's
setting projects the awe
and mystery of the text
through a rich variety of
harmony that particularly
exploits the lower
registers of the
individual voices to
great effect. If you have
a really good choir, take
advantage of this and buy
it. For pure musicianship
little else has equalled
it recently; the sense of
architecture is superb,
the climaxes are clean,
controlled and never
contrived, and the final
section, 'miserere mei',
uses a wonderfully
restrained sense of
chromaticism. What a
magic piece.
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
