Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
In
our new edition of this
often performed work,
many details pertaining
to performance-practical
matters have been
revised.
Cantata;
Baroque. Full score. 80
pages. Duration 43'.
Breitkopf and Haertel #PB
4713. Published by
Breitkopf and Haertel
(BR.PB-4713).
ISBN
9790004210499. 9 x 12
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV 213.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 52 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-11.
Published by Breitkopf
and Haertel
(BR.OB-4713-11).
ISBN
9790004333709. 12.5 x 10
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 20 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-26.
Published by Breitkopf
and Haertel
(BR.OB-4713-26).
ISBN
9790004333747. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
In
our new edition of this
often performed work,
many details pertaining
to performance-practical
matters have been
revised.
Cantata;
Baroque. Choral score. 12
pages. Duration 43'.
Breitkopf and Haertel
#ChB 4713-02. Published
by Breitkopf and Haertel
(BR.CHB-4713-02).
ISBN
9790004407936. 7.5 x 10.5
inches. German /
French.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV 213.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 12 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-19.
Published by Breitkopf
and Haertel
(BR.OB-4713-19).
ISBN
9790004333730. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 12 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-15.
Published by Breitkopf
and Haertel
(BR.OB-4713-15).
ISBN
9790004333716. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 8 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-16.
Published by Breitkopf
and Haertel
(BR.OB-4713-16).
ISBN
9790004333723. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library). For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Part. 44 pages.
Duration 160'. Breitkopf
and Haertel #OB 4949-26.
Published by Breitkopf
and Haertel
(BR.OB-4949-26).
ISBN
9790004326329. 10 x 12.5
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library). For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Part. 24 pages.
Duration 160'. Breitkopf
and Haertel #OB 4949-16.
Published by Breitkopf
and Haertel
(BR.OB-4949-16).
ISBN
9790004326305. 10 x 12.5
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Composed by Johann
Sebastian Bach. Arranged
by Horst Hempel. Choir;
Softbound.
Orchester-Bibliothek
(Orchestral Library). For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Part. 144 pages.
Duration 160'. Breitkopf
and Haertel #OB 4949-11.
Published by Breitkopf
and Haertel
(BR.OB-4949-11).
ISBN
9790004326282. 12.5 x 10
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library). For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Part. 32 pages.
Duration 160'. Breitkopf
and Haertel #OB 4949-15.
Published by Breitkopf
and Haertel
(BR.OB-4949-15).
ISBN
9790004326299. 10 x 12.5
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Viola (solos: SATB -
choir: SATB - 2.2(2ob
d'am) 2ob da cac.0.1 -
2.3.0.0 - timp - str -
bc)
SKU:
BR.OB-4949-19
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library). For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Part. 24 pages.
Duration 160'. Breitkopf
and Haertel #OB 4949-19.
Published by Breitkopf
and Haertel
(BR.OB-4949-19).
ISBN
9790004326312. 10 x 12.5
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Woodwinds (solos: SATB -
choir: SATB - 2.2(2ob
d'am) 2ob da cac.0.1 -
2.3.0.0 - timp - str -
bc)
SKU:
BR.OB-4949-30
Wind
set. Composed by
Johann Sebastian Bach.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library). For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Set of parts.
156 pages. Duration 160'.
Breitkopf and Haertel #OB
4949-30. Published by
Breitkopf and Haertel
(BR.OB-4949-30).
ISBN
9790004326336. 10 x 12.5
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SATB -
2.2(2ob d'am) 2ob da
cac.0.1 - 2.3.0.0 - timp
- str - bc)
SKU:
BR.PB-4949
Composed
by Johann Sebastian Bach.
Choir; Softbound.
Partitur-Bibliothek
(Score Library).
For
the composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Oratorio/passion;
Baroque. Full score. 272
pages. Duration 160'.
Breitkopf and Haertel #PB
4949. Published by
Breitkopf and Haertel
(BR.PB-4949).
ISBN
9790004207376. 9 x 12
inches.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces (here
primarily from the
Congratulatory Cantatas
BWV 213 and 214) and
skilfully adapted them to
the new text. It is
likely that Bach began
working on the music
during the Advent period
of 1734. Besides the
first performance which
took place during the
Christmas season 1734/35,
it seems quite probable
that other performances
were held during Bachs
lifetime, since the
original, partly
autographic performance
material discloses traces
of frequent
use.
For the
composition of the
Christmas Oratorio, Bach
made use of the parody
method - as he did in
other large vocal works
as well - that is, he
drew upon previously
written pieces and
skilfully adapted them to
the new text.
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Second violin (2. Violin) SKU: BA.BA10068-75 Cantata for Whit Monday(+)
Second violin (2. Violin)
SKU: BA.BA10068-75
Cantata for Whit
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 68. 5
pages. Baerenreiter
Verlag #BA10068_75.
Published by Baerenreiter
Verlag (BA.BA10068-75).
ISBN 9790006490462.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA10078-79 Cantata for the 14th Sunday after Trinity...(+)
Viola
SKU:
BA.BA10078-79
Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. BWV
78. 6 pages. Baerenreiter
Verlag #BA10078_79.
Published by Baerenreiter
Verlag (BA.BA10078-79).
ISBN 9790006490578.
32.5 x 25.5 cm
inches.
Study score
= TP 1078.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Nos. 199-371 (For Organ or Piano). Composed by Johann Sebastian Bach (1685-1750)...(+)
Nos. 199-371 (For Organ
or Piano). Composed by
Johann Sebastian Bach
(1685-1750). Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Baroque;
Masterwork. Book. 96
pages. Kalmus Classic
Edition #00-K03048.
Published by Kalmus
Classic Edition
Composed by Johann
Sebastian Bach. Arranged
by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts. 3
(score); 4 (parts) pages.
Duration 2 minutes, 20
seconds. FLEX Editions
#FX073850. Published by
FLEX Editions
(FL.FX073850).
Organ 1. Composed
by Johann Sebastian Bach.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Oratorio/passion;
Baroque. Part. 92 pages.
Duration 200'. Breitkopf
and Haertel #OB 4950-11.
Published by Breitkopf
and Haertel
(BR.OB-4950-11).
Recorder SKU: HL.49002919 Piano Reduction with Solo Parts. Compose...(+)
Recorder
SKU:
HL.49002919
Piano
Reduction with Solo
Parts. Composed by
Johann Sebastian Bach.
Edited by Edgar Hubert
Hunt. This edition:
Folding. Sheet music.
Edition Schott.
Classical. Piano
reduction with solo part.
12 pages. Schott Music
#ED11708. Published by
Schott Music
(HL.49002919).
ISBN
9790220112140. UPC:
073999473773.
9.0x12.0x0.05
inches.
2
alto-recorders, violin,
string orchestra and
basso continuo.
