Composed by Chris Tomlin,
Jesse Reeves, Louie
Giglio, and Matt Maher.
Arranged by Lloyd Larson.
Rhythm parts: piano,
acoustic guitar, electric
bass, and drums.
Contemporary, Easter
Sunday, General Worship,
Death and Beyond, Eternal
Life, God's Love, Heaven
& Eternal Life, Jesus
Christ - Reign, Jesus
Christ - Resurrection,
Lamb of God,
Resurrection, Second
Coming of Christ. Octavo.
12 pages. Hope Publishing
Company #C6208. Published
by Hope Publishing
Company (HP.C6208).
UPC: 763628162085. By
Chris Tomlin, Jesse
Reeves, Louie Giglio &
Matt Maher. Isaiah
53:3-5, John 5:24-30, I
Corinthians 15:51-57, I
Thessalonians 4:13-18,
Revelation 4-5,
Revelation
21:4.
Popular
contemporary song by
Chris Tomlin,
Jesse Reeves,
Louie Giglio &
Matt Maher This
popular, contemporary
song has a theme of
rising to heaven to be
with Jesus, and offers
assurance. The victory is
won; he is risen from the
dead. And I will rise on
eagles' wings. Worthy is
the Lamb! This powerful
arrangement brings solace
and hope to the believer
for life everlasting.
Composed
by Steven R. Janco.
Sacred. Full score. With
guitar chord names. GIA
Publications #018040.
Published by GIA
Publications
(GI.G-018040).
What has made
this Mass rise to the top
in popularity in parishes
across the
English-speaking world?
Its adaptability. From
parishes with keyboard
and/or guitar and cantor
to cathedrals with a
large SATB choir and
multiple instruments
(organ, brass quartet,
timpani, handbells), Mass
of Wisdom has proven
itself as a “Mass
for the masses.â€
Its step-wise melodic
patterns make it easy to
learn without sounding
musically trite in any
way. Music directors
agree that the
through-composed Gloria
is one of the most
finely crafted of all
the new musical settings
of the prayer. That fine
crafting extends to all
components of this Mass,
especially the
acclamations sung during
the Eucharistic Prayer.
The multi-layered
Hosannas in the Sanctus
will delight the members
of the choir as well as
the singing assembly.
This is a Mass setting
that simply soars. It
is a perfect setting for
Ordinary Time, but music
directors tell us that
the Christmas and Easter
seasons are made more
glorious and joyful when
this setting is sung,
especially when the
additional
instrumentation is added.
Dioceses and parishes
that employed Mass of
Wisdom as the first
setting during the
implementation of the new
translation have found
themselves returning to
it time and time again.
It truly has become part
of the “Catholic
musical DNA†across
the United States and
beyond.
SATB choir, keyboard accompaniment, C instrument, guitar, keyboard SKU: GI.G-...(+)
SATB choir, keyboard
accompaniment, C
instrument, guitar,
keyboard
SKU:
GI.G-017348
Composed
by Alan J. Hommerding &
Michael O'Neill McGrath.
Children. Sacred. With
guitar chord names. GIA
Publications #017348.
Published by GIA
Publications
(GI.G-017348).
A whimsical,
delightful, and dazzling
book for children and
adults, sprung from the
imagination of adored
artist Michael O'Neill
Mcgrath and poet-composer
Alan Hommerding. Follow
along with St. Cecilia on
her exciting and colorful
journey across the world
(and beyond) as she
gathers together a group
of extraordinary musician
for her heavenly
orchestra. Learn about
familiar instruments
(piano, trumpet, and
flute) and
not-so-familiar
instruments (kora, zukra,
and the didgeridoo!),
while visiting the
fascinating spaces and
places where the music of
all God's children
resounds!
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488A
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A).
ISBN
9790300758909.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488).
ISBN
9790300758893.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011)
Jazz Ensemble - Grade 3 SKU: KN.61965S Composed by Jeff Jarvis. Jazz Jour...(+)
Jazz Ensemble - Grade 3
SKU: KN.61965S
Composed by Jeff Jarvis.
Jazz Journey. Kendor
Music Inc #61965S.
Published by Kendor Music
Inc (KN.61965S).
UPC:
822795619652.
This
tuneful funk chart
grooves from start to
finish, and has all the
characteristics that
makes Jarvis' bestselling
funk charts so popular
with advancing jazz
groups. Although it was
commissioned by Chuck
Wackerman for the
McAuliffe Middle School
program, this chart is
just as appropriate for
high school groups and
beyond. It has a catchy
melody supported by solid
secondary lines and
background figures, plus
some other fun twists.
The solo section has very
accessible chord changes,
and everyone has
interesting parts to play
throughout. A guitar
chord chart by Jim
Greeson is included in
each set. Duration
4:25.
SKU: HL.1349224 Accurate Recreation of the Ultimate Ring Modulator for...(+)
SKU: HL.1349224
Accurate Recreation of
the Ultimate Ring
Modulator for
Experimental Tones.
Warm Guitar Pedals.
Guitar Pedal. Warm Audio
#WA-RB. Published by Warm
Audio (HL.1349224).
UPC: 850031640382.
6.25x8.0x4.2
inches.
From light
Lo-Fi modulation all the
way to the piercing sound
of infinity
ring-modulation, the Warm
Audio RingerBringer
accurately recreates the
ultimate all-analog ring
modulation effect used
for experimental tones.
With LFO, MOD, FREQ &
RATE controls, generate
layered frequencies and
harmonics, explore a wide
range of sonic
possibilities for guitar
& beyond, and design
your own sounds from the
ground up. Sporting
premium components
including hand-selected
op-amps and transistors,
the RingerBringer
delivers true-to-spec
performance of the
boutique original. The
ideal platform for the
sonic tinkerer,
RingerBringer brings
together a distinct set
of controls, extensive
in/out options, and rich
sonic texture to inspire
boundless sonic
experimentation.
SKU: HL.1341904 Red Panda. Guitar Pedal. Red Panda #RPL-109. Published by...(+)
SKU: HL.1341904
Red Panda. Guitar Pedal.
Red Panda #RPL-109.
Published by Red Panda
(HL.1341904).
UPC:
665760908494. 3.5x5.0x3.0
inches.
Radius goes
far beyond traditional
ring modulation. With
precise control over the
balance and frequency
ratios of both sidebands,
you'll have more advanced
control than with any
ring mod that has come
before. Organic, complex
harmonic structures,
bell-like tones, metallic
textures, frequency
shifting, soft tremolo,
and bubbly phaser sounds
are all on tap. Pitch
tracking, a push-to-tune
footswitch, and picking
dynamics make it
responsive and
predictable in concert.
In the studio, Radius has
well-spaced controls for
tabletop use and a full
MIDI implementation for
DAW integration. The
24-bit 96 kHz codec,
audiophile op amps and
stereo input/output make
it equally at home in the
studio or control room.
Radius is a musical ring
modulator and frequency
shifter that lets you
modfy the timbre of your
instrument in new ways.
With a multi-waveform
LFO, step modulator, and
MIDI-playable carrier
oscillator, Radius
modernizes classic
electronic techniques for
the future. Features:
• Stereo ring
modulator and frequency
shifter •
Continuous mix between
ring modulation and
frequency shifting
• Selectable 2X
frequency ratios for
upper and lower sidebands
• Frequency
shifting with feedback
• Three carrier
frequency ranges (low,
high, quantized) •
Carrier frequency pitch
tracking (monophonic, +/-
100%) •
Pust-to-tone carrier
oscillator •
MIDI-playable carrier
oscillator •
Multi-waveform LFO
(triangle, square,
random, intelligent
random, X mod +/-)
• Step modulator
(1-8 steps), programmable
via front panel •
Tap tempo and MIDI clock
sync • Envelope
follower •
Envelope-triggered LFO
(one-shot ramp, pulse,
random, step mod) •
Configurable AUX switch
(tap, tune, preset, LFO)
• USB and TRS MIDI
• Full MIDI
implementation • 96
kHz sampling rate •
Web editor with preset
upload/download •
User-installable firmware
updates (USB) Designed
and assembled in USA.
Requires a 9V DC 250 mA
power supply (not
included).
Vocal ensemble (2 med. Voices, key of F) SKU: HP.8926 Composed by Albert ...(+)
Vocal ensemble (2 med.
Voices, key of F)
SKU:
HP.8926
Composed by
Albert E. Brumley.
Arranged by Joel Raney.
Death and Beyond, General
Worship, Sacred. Vocal
Score. Hope Publishing
Company #8926. Published
by Hope Publishing
Company (HP.8926).
UPC: 763628189266. By
Albert E.
Brumley.
Medley of
well-loved gospel greats
by Albert E.
Brumley Brimming with
nostalgia, this Joel
Raney medley features
snippets of many
well-loved gospel greats,
all centering on heaven,
beginning and ending with
I'll fly away, O glory!
Choirs will have fun with
this delightful
toe-tapper and the
exciting rhythm parts
which take it to the next
level. The Rhythm Parts
include Guitar, Bass, B3
(or Synth) & Percussion
(Conga or Hand Drum).