Harp SKU: BA.BA11304-71 Composed by Camille Saint-Saens. Edited by Christ...(+)
Harp
SKU:
BA.BA11304-71
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
12. 10 pages.
Baerenreiter Verlag
#BA11304_71. Published by
Baerenreiter Verlag
(BA.BA11304-71).
ISBN
9790006566211. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08809-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA08809-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Albert Dunning. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. KV
287 (271b, 271 H). 19
pages. Baerenreiter
Verlag #BA08809_74.
Published by Baerenreiter
Verlag (BA.BA08809-74).
ISBN 9790006568994.
32.5 x 25.5 cm inches.
Key: B-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Fanfare Band - Grade 2 SKU: BT.GOB-000629-020 Composed by Bruce Fraser. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000629-020
Composed by Bruce Fraser.
Set (Score & Parts). 48
pages. Gobelin Music
Publications #GOB
000629-020. Published by
Gobelin Music
Publications
(BT.GOB-000629-020).
The Scottish
composer, Bruce Fraser,
has always devoted
himself to educational
music. In this
composition, in which his
love for Scotland can be
heard, again, he has
clearly considered the
possibilities of the
orchestra. A
delightful concert piece
which can be performed
well by beginning bands.
De Schotse
componist Bruce Fraser
heeft zich tot op dit
moment altijd bijzonder
ingezet voor de
educatieve muziek. Ook in
dit werk, waar hij zijn
voorliefde voor Schotland
laat horen, is er goed
nagedacht over de
mogelijkheden vanhet
orkest. Een prachtig
concertwerk dat zeer goed
speelbaar is voor de
beginnende orkesten.
Fanfare Fantastique Orchestre d'harmonie [Conducteur et Parties séparées] RWS Music Company
Pre 1 SKU: CL.RWS-2040-00 Young Concert Band. RWS Very Beginning Band Ser...(+)
Pre 1
SKU:
CL.RWS-2040-00
Young
Concert Band. RWS Very
Beginning Band Series.
Score and set of parts.
Composed 2020. Duration 2
minutes, 15 seconds. RWS
Music Company
#RWS-2040-00. Published
by RWS Music Company
(CL.RWS-2040-00).
Written as an
opener for your beginning
band concert, Fanfare
Fantastique is bold,
exciting and aggressive
work that will clearly
make a strong musical
statement. Active
percussion combined with
powerful melodic lines in
the brass and woodwinds,
this new contemporary
classic by Robert W.
Smith will make your
young band sound mature
and artistically
accomplished. Appropriate
for any concert or
festival performance.
By Johannes Brahms. Edited by Maurice Hinson. For Piano. Piano Collection. Maste...(+)
By Johannes Brahms.
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Advanced (grade 6
). Book. 20 pages.
Published by Alfred
Publishing.
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000286-140 Composed by Bruce ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000286-140
Composed by Bruce Fraser.
Score Only. 13 pages.
Gobelin Music
Publications #GOB
000286-140. Published by
Gobelin Music
Publications
(BT.GOB-000286-140).
The Scottish
composer, Bruce Fraser,
has always devoted
himself to educational
music. In this
composition, in which his
love for Scotland can be
heard, again, he has
clearly considered the
possibilities of the
orchestra. A
delightful concert piece
which can be performed
well by beginning bands.
De Schotse
componist Bruce Fraser
heeft zich tot op dit
moment altijd bijzonder
ingezet voor de
educatieve muziek. Ook in
dit werk, waar hij zijn
voorliefde voor Schotland
laat horen, is er goed
nagedacht over de
mogelijkheden vanhet
orkest. Een prachtig
concertwerk dat zeer goed
speelbaar is voor de
beginnende orkesten.
(A Choral Medley). By Anthony Drewe, music by George Stiles. Arranged by Andy Be...(+)
(A Choral Medley). By
Anthony Drewe, music by
George Stiles. Arranged
by Andy Beck. Choir
Secular. This edition:
SoundTrax CD. CD; Choral
Octavo. Pop Choral. Form:
Medley. Broadway.
Published by Alfred Music
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04744-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04744-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
184(166a), No. 26.
Duration 9 minutes.
Baerenreiter Verlag
#BA04744_75. Published by
Baerenreiter Verlag
(BA.BA04744-75).
ISBN
9790006455126. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Cello (Violoncello) SKU: BA.BA07894-82 Suite for Orchestra. Compos...(+)
Cello (Violoncello)
SKU: BA.BA07894-82
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 6 pages.
Baerenreiter Verlag
#BA07894_82. Published by
Baerenreiter Verlag
(BA.BA07894-82).
ISBN
9790006564231. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Pre 1 SKU: CL.032-5035-01 Composed by Shanley. Jazz Ensemble. Extra score...(+)
Pre 1
SKU:
CL.032-5035-01
Composed by Shanley. Jazz
Ensemble. Extra score.
C.L. Barnhouse
#032-5035-01. Published
by C.L. Barnhouse
(CL.032-5035-01).
Want to help
your beginning jazz band
develop strong rhythmic
reading skills and also
teach them important
lingo? Musicians
sometimes refer to
playing in a rest as
falling in a hole, and
Don’t Fall In!
offers plenty of holes
(rests) for students to
practice avoiding. This
chart also features
clearly-written rhythm
section parts, reasonable
ranges for the woodwinds
and brass, and an
accessible solo section
for beginning
improvisers. Your
students will fall in
love with Don’t
Fall In!
First violin (1. Violin) SKU: BA.BA10130-74 Cantata for the Feast of S...(+)
First violin (1. Violin)
SKU: BA.BA10130-74
Cantata for the Feast
of St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. BWV
130. 5 pages.
Baerenreiter Verlag
#BA10130_74. Published by
Baerenreiter Verlag
(BA.BA10130-74).
ISBN
9790006490943. 32.6 x
25.6 cm
inches.
Study score
= TP 1130.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chamber Music String Quartet SKU: PR.14440455S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440455S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation. 53
pages. Duration 22
minutes. Theodore Presser
Company #144-40455S.
Published by Theodore
Presser Company
(PR.14440455S).
UPC:
680160030873.
After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson.
Glorioso Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-140 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-140
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2017. 76
pages. De Haske
Publications #DHP
1175789-140. Published by
De Haske Publications
(BT.DHP-1175789-140).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.
Second violin (2. Violin) SKU: BA.BA04863-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04863-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut
Mahling. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. K. 207, No.
1. 8 pages. Baerenreiter
Verlag #BA04863_75.
Published by Baerenreiter
Verlag (BA.BA04863-75).
ISBN 9790006457731.
32.5 x 25.5 cm inches.
Key: B-flat
major.
About
Barenreiter Urtext
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Bärenreiter Urtext
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possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
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have to play -
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slight yellow tinge which
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Organ SKU: BA.BA04291-67 Composed by George Frideric Handel. Edited by Ge...(+)
Organ
SKU:
BA.BA04291-67
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
254. 23 pages.
Baerenreiter Verlag
#BA04291_67. Published by
Baerenreiter Verlag
(BA.BA04291-67).
ISBN
9790006532391. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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Organ-solo (Organ solo) SKU: BA.BA08343-67 Composed by George Frideric Ha...(+)
Organ-solo (Organ solo)
SKU: BA.BA08343-67
Composed by George
Frideric Handel. Edited
by Terence Best and
William D. Gudger. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
4/3, HWV 291.
Baerenreiter Verlag
#BA08343_67. Published by
Baerenreiter Verlag
(BA.BA08343-67).
ISBN
9790006522156. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) - Level 3 SKU: BA.BA10402-75 Composed by Antoni...(+)
Second violin (2. Violin)
- Level 3
SKU:
BA.BA10402-75
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/2. 8
pages. Baerenreiter
Verlag #BA10402_75.
Published by Baerenreiter
Verlag (BA.BA10402-75).
ISBN 9790260108257.
32.5 x 25.5 cm inches.
Key: G minor.
About
Barenreiter Urtext
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Bärenreiter Urtext
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editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
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First violin (1. Violin) SKU: BA.BA10031-74 Cantata for the 1st Easter...(+)
First violin (1. Violin)
SKU: BA.BA10031-74
Cantata for the 1st
Easter Day. Composed
by Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. BWV 31. 5
pages. Duration 23
minutes. Baerenreiter
Verlag #BA10031_74.
Published by Baerenreiter
Verlag (BA.BA10031-74).
ISBN 9790006503193.
32.5 x 25.5 cm
inches.
Study score
= TP 1031.
About
Barenreiter Urtext
Orchestral
Parts
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Bärenreiter Urtext
Orchestral
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editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
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Flute, piano SKU: BR.EB-6723 Composed by Johann Joachim Quantz. Edited by...(+)
Flute, piano
SKU:
BR.EB-6723
Composed
by Johann Joachim Quantz.
Edited by F. Nagel and W
Radeke. Solo instruments;
Softcover. Edition
Breitkopf. Variations;
Baroque. Score. 52 pages.
Breitkopf and Haertel #EB
6723. Published by
Breitkopf and Haertel
(BR.EB-6723).
ISBN
9790004169254. 9 x 12
inches.
This
edition of the 28
variations on the aria
Ich schlief, da traumte
mir for flute and bassa
continuo by Johann
Joachim Quantz, published
here for the first time,
is based on a manuscript
in the Preussischen
Staatsbibliothek in
Berlin, whose title
reads: Solo Traverso cole
Basso Achtundzwantzig
Variation es uber die
Arie Ich schlief da
traumte mir del Sigr:
Qvanz The high degree
which the art of flute
playing had reached at
that time is very clearly
displayed in this set of
variations, a form
unusual in Quantz's
output. For this reason,
this work is very
suitable as a study as
weil as for performance.
The realization of the
figured bass and the
indications of phrasing
merely represent one of
many possibilities, and
are only intended as
suggestions. The source
is in places full of
errors, and these have
been tacitly corrected.
Frank Nagel, Basel, June
1974.
Second violin (2. Violin) SKU: BA.BA09052-75 Composed by Felix Bartholdy ...(+)
Second violin (2. Violin)
SKU: BA.BA09052-75
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 101.
Duration 8 minutes.
Baerenreiter Verlag
#BA09052_75. Published by
Baerenreiter Verlag
(BA.BA09052-75).
ISBN
9790006522729. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
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Bärenreiter Urtext
Orchestral
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editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
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String Ensemble (Parts) SKU: HL.48024809 Realisation for String Septet...(+)
String Ensemble (Parts)
SKU: HL.48024809
Realisation for String
Septet by Rudolf Leopold
Parts. Composed by
Richard Strauss. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 60
pages. Duration 1440
seconds. Boosey & Hawkes
#M060136665. Published by
Boosey & Hawkes
(HL.48024809).
ISBN
9781784545604. UPC:
888680978990.
9.0x12.0x0.169
inches.
In 1990 a
short score of Strauss's
late masterpiece
Metamorphosen was
discovered in Switzerland
and acquired by the
Bavarian State Library in
Munich. It is headed
'Metamorphosen. Andante
(für 2 Violinen, 2
Bratschen, 2 Celli[,]
Contrabass) Richard
Strauss'. This gives rise
to the assumption that
the composer had clearly
conceived the piece as
scored for seven strings
and then changed his
mindon receiving a
commission from Paul
Sacher to write a work
for a larger string
group. The short score
bears the date 31 March
1945 at the end, the full
score for twenty-three
strings having already
been started on 13 March.
Rudolf Leopold, concert
cellist and professor of
cello at the University
of Music, Graz, prepared
the septet performing
version of Metamorphosen,
of which the study score
was published in 1996. He
explains that, for the
most part, the 23-part
version consists of
doublings. “In the
realisation of the
'original version' for
string sextet and double
bass I have made use of
both the short score and
the final score so that
the complete tonal image
appears in a chamber
music format whilst
retaining certain
interesting details from
the short score (for
example the original
closing
modulation).â€.
Composed by Georg Philipp
Telemann. Edited by
Friedrich Noack. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. TWV
55. 5 pages. Baerenreiter
Verlag #BA02987_82.
Published by Baerenreiter
Verlag (BA.BA02987-82).
ISBN 9790006428670.
32.5 x 25.5 cm inches.
Key: G major.
About
Barenreiter Urtext
Orchestral
Parts
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Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through