Flute and Piano (FLUTE AND PI)

SKU: HL.50488068

By Janos Szebenyi. By Franz Anton Rosler Rosetti. Baroque. EMB. Book [Softcover]. Editio Musica Budapest #Z3949. Published by Editio Musica Budapest (HL.50488068).

ISBN 9790080039496. 0.102 inches. Janos Szebenyi.

Already during his lifetime Rossler-Rosetti enjoyed great popularity. His operas and symphonies achieved great success, most of them appeared in printing. His Requiem was first performed at Prague at a memorial festival dedicated to Mozart. He composed several concertos for piano, violin, violoncello, flute, clarinet, bassoon, corno and various ensembles. Out of his 14 flute concertos the here published Concerto in D major is to be found on page 25 of the thematic catalogue Breitkopf supplement XII (1778). The contemporary handwritten orchestral parts of the work are preserved at the King Stephen Museum at Szekesfehervar. It got into the possession of the Museum in 1951 with therich book- and music-collection of the family Verebi-Vegh.

Rossler-Rosetti genoss noch bei Lebzeiten grosse Popularitat. Seine Opern und Sinfonien erzielten grossen Erfolg, ein beideutender Teil davon ist auch im Druck erschienen. Sein Requiem wurde in Prag 1792 anlasslich der Mozart-Gedenkfeierlichkei t aufgefuhrt. Er komponierte viele Konzerte fur Klavier, Violine, Violoncello, Flote, Klarinette, Fagott, Horn und verschiedene Ensembles. Von seinen vierzehn Flotenkonzerten ist das hier erscheinende D-Dur Konzert in Breitkopfs thematischem Katalog Supplement XII (1778) auf Seite 25 erwahnt. Das Werk wird im zeitgenossischen Manuskript der Orchesterstimmen im Istvan Kiraly (Konig Stephan) Museum zu Szekesfehervar aufbewahrt,wohin es 1951 mit der reichen Bucher- und Notensammlung der Familie Vegh von Vereb gelangte.

A Holiday Pops Presentation for 2-Part Voices. Arranged by Andy Beck, Alan Billingsley, Greg Gilpin, Mark Hayes, Larry Shackley, and Kirby Shaw. This edition: CD Kit. Classroom Resources; Classroom/Pre- School; Musicals; Musicals and Programs; Reproducible. Christmas; Secular; Winter. Book; Enhanced CD. 88 pages. Alfred Music #00-46827. Published by Alfred Music

Choir Secular

SKU: AP.48930

Arranged by Mark Hayes. This edition: SoundPax. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Novelty; Secular. Part(s). Alfred Music #00-48930. Published by Alfred Music (AP.48930).

UPC: 038081562544. English. Words by Deborah Craig-Claar; music from March of the Toys by Victor Herbert.

Presenting Victor Herbert's instantly recognizable March of the Toys with all-new hilarious lyrics! This festive feature reads like a wacky to-do list of holiday preparations with non-stop punchlines from the choir and a couple cameo soloists. Your fullest sounds, brightest faces, and biggest personalities are on full display with this theatrical celebration of the season. Get ready to giggle when handheld percussion instruments and sound effects (played by choristers) introduce a parade of unwanted out-of-town guests. It's a crazy cast of characters and Christmas chaos straight out of a comedic holiday movie. Mark Hayes provides a showy piano reduction and a grand orchestration (on the SoundTrax or SoundPax) from fanfare to finish.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

A Holiday Pops Presentation for 2-Part Voices. Arranged by Andy Beck, Alan Billingsley, Greg Gilpin, Mark Hayes, Larry Shackley, and Kirby Shaw. This edition: Teacher's Handbook. Classroom Resources; Classroom/Pre-School; Musicals; Musicals and Programs; Reproducible. Christmas; Secular; Winter. Book. 88 pages. Alfred Music #00-46828. Published by Alfred Music

SKU: AP.46829

A Holiday Pops Presentation for 2-Part Voices. Arranged by Alan Billingsley, Andy Beck, Greg Gilpin, Kirby Shaw, Larry Shackley, and Mark Hayes. This edition: Enhanced CD. Classroom Resources; Classroom/Pre-School; Musicals; Musicals and Programs; Reproducible; Songbooks. Christmas; Secular; Winter. Enhanced CD. Alfred Music #00-46829. Published by Alfred Music (AP.46829).

ISBN 9781470639990. UPC: 038081536965. English.

Check out this amazing list of holiday pops presented in kickin' arrangements, spot-on for young singers! This is a ready-to-go program for choral concerts, a collection of cool Christmas songs to choose from year after year, or a fun-filled 30-minute musical when you incorporate the optional script (including roles for a popular principal, a dynamic party DJ, and a flexible number of students with spoken lines). Complete choreography (printed throughout the score) makes staging your show a cinch, and top-notch accompaniment tracks (on the enhanced CD) add a professional touch. Full-color cover art and student PDFs are also included on the CD. Recommended for grades 3--8. 100% reproducible! Titles: Karaoke Christmas * Gettin' in the Mood (For Christmas) * Frosty the Snowman * Run, Rudolph, Run * Candy Cane Lane * Jingle Bell Rock * Believe * Sparklejollytwinklejingle y * Karaoke Christmas (Bows).

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.48928

Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Novelty; Secular. Choral Octavo. 20 pages. Alfred Music #00-48928. Published by Alfred Music (AP.48928).

UPC: 038081562520. English. Words by Deborah Craig-Claar; music from March of the Toys by Victor Herbert.

Presenting Victor Herbert's instantly recognizable March of the Toys with all-new hilarious lyrics! This festive feature reads like a wacky to-do list of holiday preparations with non-stop punchlines from the choir and a couple cameo soloists. Your fullest sounds, brightest faces, and biggest personalities are on full display with this theatrical celebration of the season. Get ready to giggle when handheld percussion instruments and sound effects (played by choristers) introduce a parade of unwanted out-of-town guests. It's a crazy cast of characters and Christmas chaos straight out of a comedic holiday movie. Mark Hayes provides a showy piano reduction and a grand orchestration (on the SoundTrax or SoundPax) from fanfare to finish. Visit to download free staging suggestions: alfred.com/countdownstagi ng.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Orchestra 2(2nd dPicc).1.2.1: 2.2.1.0: Timp.Perc(3): Harp.Clst: Str (4-4-3-3-3 in set): Vocal soli (15 roles, SSSAATTBBBBBBBB)

SKU: AP.36-A538401

Arranged by Giacomo Puccini and ed./arr. by Ettore Panizza/ Libretto by Giovacchino Forzano after a story mentioned in Dante Alighieri's Divine Comedy. Light Opera, Orchestra Accompaniment, Conductor Score. Kalmus Opera Library. Score. LudwigMasters Publications #36-A538401. Published by LudwigMasters Publications (AP.36-A538401).

ISBN 9798892700825. UPC: 659359931277. English.

Gianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a death, the work premiered at the Metropolitan Opera on December 14, 1918. It tells the story of four family members anxiously discussing the contents of their very recently deceased family member, Buoso Donati, only to discover to their horror that he had left everything to a monastery. Gianni Schicchi, not related to the family, arrives and concocts a scheme to have a new will written as nobody but the family knows Buoso is dead. But when the notary arrives Schicchi, pretending to be a Buoso on the mend, dictates that his house, mule, and mills should be left to Gianni Schicchi, which allows him to offer marriage between his daughter Lauretta and Donati family member Rinuccio. Lauretta's soprano aria, O mio babbino caro (Oh, my dear papa), is among the most well known in opera and is frequently sung as an encore in recitals or concerts. Instrumentation: 2(2nd dPicc).1.2.1: 2.2.1.0: Timp.Perc(3): Harp.Clst: Str (4-4-3-3-3 in set): Vocal soli (15 roles, SSSAATTBBBBBBBB). This orchestra reduction is completed by Ettore Panizza. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Quartet Violin 1, Violin 2, Viola, Cello - Grade 3

SKU: AP.36-52703028

Composed by Bert Ligon. Performance Music Ensemble; Quartet; String Quartet. Latham Music. Score and Part(s). Latham Music Enterprises #36-52703028. Published by Latham Music Enterprises (AP.36-52703028).

ISBN 9781682962084. UPC: 746241248886. English.

The perfect variety album for holiday gigs or concerts. These arrangements include some fun quotes from classical tunes you will recognize and as usual, are evenly and lusciously scored by Bert Ligon to give everyone a shot at the tune. Contents: I'll Be Home for Christmas, Sleigh Ride, Have Yourself a Merry Little Christmas, and You're a Mean One, Mr. Grinch.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Choir Sacred (Women's Choir)

SKU: AP.45659

Performance Music Ensemble; Single Titles. Alfred Choral Designs. Sacred. Choral Octavo. 8 pages. Alfred Music #00-45659. Published by Alfred Music (AP.45659).

UPC: 038081513980. English. Victor C. Johnson.

A delicate piano introduction leads the listener to an elegant setting of Christina Rossetti's inquisitive poem. Well-conceived voice leading makes the fully realized choral harmony beautifully singable, and each voice part gets a turn with the celestial melody. Text painting, lyrical lines, warm suspensions, emotional range---it's all here, ready to amaze audiences and adjudicators.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Secular (2-Part choir)

SKU: AP.46324

Composed by Lon Beery. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Novelty; Secular. Choral Octavo. 12 pages. Alfred Music #00-46324. Published by Alfred Music (AP.46324).

UPC: 038081527031. English. Words by Pamela Beery.

Mrs. Claus is ready to take center stage after years of working behind the scenes! A sassy holiday novelty for treble voices featuring solo passages that can be sung by a single Mrs. Claus or divided up between several singers. Suitable for choreography, with or without the optional ragtime-y SoundTrax CD!

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Secular

SKU: AP.48929

Arranged by Mark Hayes. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Novelty; Secular. CD. Alfred Music #00-48929. Published by Alfred Music (AP.48929).

UPC: 038081562537. English. Words by Deborah Craig-Claar; music from March of the Toys by Victor Herbert.

Presenting Victor Herbert's instantly recognizable March of the Toys with all-new hilarious lyrics! This festive feature reads like a wacky to-do list of holiday preparations with non-stop punchlines from the choir and a couple cameo soloists. Your fullest sounds, brightest faces, and biggest personalities are on full display with this theatrical celebration of the season. Get ready to giggle when handheld percussion instruments and sound effects (played by choristers) introduce a parade of unwanted out-of-town guests. It's a crazy cast of characters and Christmas chaos straight out of a comedic holiday movie. Mark Hayes provides a showy piano reduction and a grand orchestration (on the SoundTrax or SoundPax) from fanfare to finish.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Sacred (SATB choir)

SKU: AP.45657

Performance Music Ensemble; Single Titles. Alfred Choral Designs. Sacred. Choral Octavo. 8 pages. Alfred Music #00-45657. Published by Alfred Music (AP.45657).

UPC: 038081513966. English. Victor C. Johnson.

A delicate piano introduction leads the listener to an elegant setting of Christina Rossetti's inquisitive poem. Well-conceived voice leading makes the fully realized choral harmony beautifully singable, and each voice part gets a turn with the celestial melody. Text painting, lyrical lines, warm suspensions, emotional range---it's all here, ready to amaze audiences and adjudicators.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.EB-11238

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Solo instruments; stapled. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Piano reduction. 44 pages. Duration 9'. Breitkopf and Haertel #EB 11238. Published by Breitkopf and Haertel (BR.EB-11238).

ISBN 9790201812380. 9.5 x 12 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Double bass (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-27

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Duration 9'. Breitkopf and Haertel #OB 15155-27. Published by Breitkopf and Haertel (BR.OB-15155-27).

ISBN 9790004344972. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Fanfare Band (Score) - Grade 4

SKU: HL.4007979

Fanfare Band. Composed by Otto M. Schwarz. Concert. Duration 240 seconds. Hal Leonard #SDP069-21-101. Published by Hal Leonard (HL.4007979).

All the best! These words expressing good fortune are often heard at occasions such as birthdays, or other changes life may bring. The music association in Rickenbach, Germany, wanted an upbeat concert work to celebrate its anniversary, as a kind of signature tune for the band. Otto M. schwarz had already composed several pieces in this genre, such as Fire & Ice, Last Call, and Funky Brass, to name but a few, and is constantly trying to transport new sounds and bold rhythmic ideas into the world of wind music. schwarz composes original works for wind band and his pieces are specifically tailored to exploit all the possibilities of this instrumentation. All the Best will be a huge success with musicians and audience alike, whether as a congratulatory piece, a concert-opener, or as a rousing encore.

Violoncello (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-23

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-23. Published by Breitkopf and Haertel (BR.OB-15155-23).

ISBN 9790004344965. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin 1 (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-15

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-15. Published by Breitkopf and Haertel (BR.OB-15155-15).

ISBN 9790004344934. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Viola (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-19

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-19. Published by Breitkopf and Haertel (BR.OB-15155-19).

ISBN 9790004344958. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Study score (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15159-07

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Study Score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15159-07. Published by Breitkopf and Haertel (BR.PB-15159-07).

ISBN 9790004215647. 6.5 x 9 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin 2 (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-16

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-16. Published by Breitkopf and Haertel (BR.OB-15155-16).

ISBN 9790004344941. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Woodwinds (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-30

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Set of parts. 50 pages. Duration 9'. Breitkopf and Haertel #OB 15155-30. Published by Breitkopf and Haertel (BR.OB-15155-30).

ISBN 9790004344989. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.