Score. By Antonio Vivaldi. (Score). Orchestra. Book only. 41 pages. Published by Ricordi.

By K D Lang. Arranged by Audrey Snyder. Pop Choral Series. Ballad, Concert, Light Concert, Pop. Octavo. 8 pages. Published by Hal Leonard

SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.7004411

Offertorium. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Offertorium In A Tres Sunt. Sacred vocal music. Single Part, Violin 1. Composed 1815. D 181. 2 pages. Duration 4 minutes. Carus Verlag #CV 70.044/11. Published by Carus Verlag (CA.7004411).

ISBN 9790007227791. Key: A minor. Language: Latin.

Score available separately - see item CA.7004400.

Orchestra SATB vocal soli, SATB choir, 1-2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3910713

Psalm cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Ich danke dem Herrn. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks, Psalms. Single Part, Viola. TVWV 7:14. 6 pages. Duration 25 minutes. Carus Verlag #CV 39.107/13. Published by Carus Verlag (CA.3910713).

ISBN 9790007055387. Key: F major. Language: German/English.

An impressive festive cantata with a solo trumpet part and three powerful choruses; a work in which Telemann proves himself a brilliant and imaginative architect of musical grand form. Score and part available separately - see item CA.3910700.

STB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes, taille (english horn), 2 violins, 2 violas, basso continuo

SKU: CA.3101949

Cantata for Michaelmas. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Es erhub sich ein Streit. Sacred vocal music, Cantatas, Special days. Single Part, Organ. Composed 1726. BWV 19. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.019/49. Published by Carus Verlag (CA.3101949).

ISBN 9790007204969. Language: German/English.

Sco re available separately - see item CA.3101900.

Score. By Antonio Vivaldi. Arranged by Gian Francesco Malipiero, Fritz Zobeley. (Score). String Solo. Book only. Size 8x10.75 inches. 30 pages. Published by Ricordi.

Viola, string orchestra and basso continuo

SKU: M2.MOS-40134-02

Composed by Christoph Graupner. Corona - Werkreihe fur Kammerorchester. Vocal/piano score. Möseler Verlag #MOS 40134-02. Published by Möseler Verlag (M2.MOS-40134-02).

ISBN 9790203710349.

By Boyce. For Mixed Choir and Organ. CMSR65. Published by Oxford University Press.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo

SKU: CA.3111607

Cantata for 25th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Anselm Hartinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Du Friedefurst, Herr Jesu Christ. Sacred vocal music, Cantatas, End of the church year. Study score. Composed 1724. BWV 116. 36 pages. Duration 21 minutes. Carus Verlag #CV 31.116/07. Published by Carus Verlag (CA.3111607).

ISBN 9790007094218. Language: German/English.

Sco re available separately - see item CA.3111600.

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

By Don Messer. For Fiddle. Other Instrument - Fiddle. Book. 136 pages. Published by Alfred Publishing.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700305

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/05. Published by Carus Verlag (CA.9700305).

ISBN 9790007131777. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Grade 3

SKU: CA.4061818

Coronation Mass. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Kronungsmesse). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1779. KV 317. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.618/18. Published by Carus Verlag (CA.4061818).

ISBN 9790007219666. Key: C major. Language: Latin.

Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4061800.

(Kantate zum Himmelfahrtsfest). By Johann Sebastian Bach (1685-1750). Edited by Marker, Michael. For SATB Soli, SATB Choir, 2 Oboe, 3 Trumpet, Timpani, 2 Violin, Viola, Basso Continuo. This edition: paperbound. BWV 43. Full score available separately - see item CA.3104300. Cantatas; Stuttgart Urtext editions; Use during church year: Ascension. Piano/Vocal score. Language: German/English. Composed 1726. 32 pages. Duration 25 min

By Dietrich Buxtehude. Edited by Graulich, Gunter. Arranged by Paul Horn. For Bass Solo, (Choir-)Soli SS (or select SSB Choir), SSATB Choir, 2 Violins, 2 Viola da Gamba (2 Viola), Basso continuo. BuxWV 31. Cantatas; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Score. Language: German/English. 36 pages. Duration 14 min. Published by Carus Verlag (German import).

SATB choir, 2 violins, basso continuo

SKU: CA.9119649

Composed by Franz Ignaz Lipp. Edited by Konrad Ruhland. Music from East Bavaria. German title: Stella Coeli Extirpavit 1605701. Sacred vocal music. Single Part, Organ. 4 pages. Carus Verlag #CV 91.196/49. Published by Carus Verlag (CA.9119649).

ISBN 9790007233488. Language: Latin.

Score available separately - see item CA.9119600.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105809

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.058/21 oboe 1, 1x 31.058/22 oboe 2, 1x 31.058/23 oboe d'amore. German title: Ach Gott, wie manches Herzeleid 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.058/09. Published by Carus Verlag (CA.3105809).

ISBN 9790007043223. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

SATB choir, 2 clarinos/trumpets, [timpani], 2 violins, basso continuo - Level 2

SKU: CA.9101313

Composed by Michael Haydn. Edited by Elmar Schloter. Ave Maria 5046401. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1784. MH 388. 4 pages. Duration 3 minutes. Carus Verlag #CV 91.013/13. Published by Carus Verlag (CA.9101313).

ISBN 9790007230142. Key: E major. Language: Latin.

E-Dur (E major). Score and part available separately - see item CA.9101300.

SATB choir, 2 trumpet, 2 violin, viola, basso continuo

SKU: CA.9231405

Composed by Francesco Maria Benedetti. Edited by Jurgen Heller. German title: Gaudete, Exultate + Concerto 5045301. Sacred vocal music. Choral Score. 8 pages. Carus Verlag #CV 92.314/05. Published by Carus Verlag (CA.9231405).

ISBN 9790007117337. Key: C major. Language: Latin.

Score available separately - see item CA.9231400.

By Heinrich Ignaz Franz von Biber (1644-1704). Edited by Ruhland, Konrad. For 5 Recorder, 2 Violin, 2 Viola, Cello, Basso Continuo. Full score available separately - see item CA.9122000. Music of the 17th Century. Part: Violins 1-2. Language: all languages. 4 pages