Choral, Piano Accompaniment, Soprano (Vocal Score) - advanced to difficult

SKU: HL.49046144

Hymn to Hebrew Prayers from the Haggadah Vocal Piano Score. Composed by Erich Wolfgang Korngold. This edition: Saddle stitching. Sheet music. Vocal Score. Classical, Jewish, Sacred. Softcover. Composed 1941. Op. 30. 52 pages. Duration 10'. Schott Music #ED22966. Published by Schott Music (HL.49046144).

ISBN 9790001188678. UPC: 842819100119. 9x12 inches. German - English. Text: Jacob Sonderling.

Erich Wolfgang Korngold composed only two genuinely religious works: the Passover Psalm for soprano, mixed choir, organ and orchestra op. 30 and Prayer for tenor, female choir, harp and organ op. 32. Both compositions were written in 1941 in exile in California. The compositions had been commissioned by Jacob Nerdling, who led the Society for Jewish Culture in Los Angeles. For thePassover Psalm, Nerd personally created prayers from the Passover Haggadah.

Orchestra (Orchestra Parts)

SKU: HL.35003128

Orchestration. Composed by Joseph M. Martin. Shawnee Press. Print on demand - publisher prints this title after order is received. Anthem, General Worship, Psalm, Traditional, Worship. Full Score and Parts. Shawnee Press #LB5735. Published by Shawnee Press (HL.35003128).

UPC: 747510059790. 8.5x11.0x0.398 inches.

SKU: CA.206600

Composed by Various. Edited by Karl Heinz Mertens. This edition: Paperbound. Choral collections (mixed choir). Geistliche Musik fur Chor und Blaser. Sacred vocal music, Special days, Easter and Eastertide, Whitsun, Morning, midday, evening. Collection. Carus Verlag #CV 02.066/00. Published by Carus Verlag (CA.206600).

ISBN 9790007006365.

SATB choir - Level 3

SKU: CA.172100

Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Der Herr Ist Nahe Allen + Choral. Sacred, Motets; Occasions: Psalms; Use during church year: Easter and Eastertide. Full score. HoWV V.36. Duration 3 minutes. Carus Verlag #CV 01.721/00. Published by Carus Verlag (CA.172100).

ISBN 9790007088347. Key: E flat major. Language: German.

In combination with the 5th verse of the chorale Sei Lob und Ehr dem hochsten Gut by Johann Jakob Schutz, 1675 (= Der Herr ist nah, EG 326,5).

Choir

SKU: CA.9100300

Composed by Various. Edited by Armin Kircher. This edition: Paperbound. Choral collections. German title: Geistl.Chormusik Des 19.Jh. 5046001. Sacred vocal music, Hymn settings, Mass sections, Whole church year / Omni tempore, Wedding, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Mourning, death, Our Father. Choir Book. 56 pages. Carus Verlag #CV 91.003/00. Published by Carus Verlag (CA.9100300).

ISBN 9790007120788.

This collection is to be recommended as an addition to the current choral repertoire; it contains 19th-century a cappella music both Catholic and Protestant, with German and Latin words. There are short choral pieces in the straightforward chordal style, which impress with their homophonic writing, enabling the words to be understood clearly. This edition, rich in its variety, is especially valuable for small choirs, as it makes no severe demands on the performers; it also contains music for the Liturgy of the Mass and for each season of the Church Year.

SAB choir

SKU: GH.N05330

Psaltarpsalm 100. Composed by Gustaf Bjarnegard. Octavo. With Language: Swedish. 2 pages. Published by Gehrmans Musikforlag (GH.N05330).

ISBN 9790070031905. 185 x 262 mm inches.

Choir

SKU: CA.9100400

Composed by Various. Edited by Armin Kircher. This edition: Paperbound. Choral collections. German title: Chormusik Der Caecilianer - 5046201. Sacred vocal music, Hymn settings, Magnificats, Mass sections, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms. Choir Book. 64 pages. Carus Verlag #CV 91.004/00. Published by Carus Verlag (CA.9100400).

ISBN 9790007120573.

This selection enables unjustly neglected church choral music of the Cecilian Movement to be restored to use. The texts, all in Latin, reflect the Cecilian epoch from its beginnings in the early 19th century to the 20th century, and the generally easily performable nature of the music recommends it for use during church services. This choir book, representing the most important composers of the Cecilian Movement, provides a very valuable survey of the Cecilian repertoire.

Medium Voice. By Various. Vocal Collection. Size 9x12 inches. 116 pages. Published by G. Schirmer, Inc.

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. For Soli SATB, SATB Choir, Oboe, Bassoon, Strings (Violin, 2 Viola), Organ. BWV 131. Full score available separately - see item CA.3113100. Cantatas, Psalms, German; Stuttgart Urtext editions; Use during church year: Special Days. Set of instrumental parts (except strings). Language: German/English. Composed 1707/1708. 16 pages. Duration 24 min

Orchestra SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4007698

Symphony cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Douglass Seaton. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Lobgesang, Symphonie-Kantate (Kart). Innovative practice aids, Sacred vocal music, Praise and thanks. Critical commentary. Composed 1840. MWV A 18, Op. 52. 60 pages. Duration 65 minutes. Carus Verlag #CV 40.076/98. Published by Carus Verlag (CA.4007698).

ISBN 9790007217334. Language: German/English.

Men delssohn describes to his friend Klingemann the 1840 work as a 'symphony for chorus and orchestra'... First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words 'Everything which has breath, Praise the Lord'; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices. This work is now available in carus music, the choir app! Score available separately - see item CA.4007600.

By Regi Stone, Randy Cox. Arranged by J. Daniel Smith. (2 part). This edition: EH1001. Fred Bock Publications. 8 pages. Published by Epiphany House Publishing.

Organ (Organ)

SKU: HL.49032191

Composed by Heinz Engl. Edited by Sandor Margittay. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 68 pages. Schott Music #ED 6759. Published by Schott Music (HL.49032191).

ISBN 9790001118057. 12.0x8.75x0.207 inches.

SATB choir

SKU: CA.411135

Composed by Dimitri Stepanowitsch Bortniansky. Separate edition with choral collection. Sacred concertos, Sacred vocal music, Christmas Carols, Christmas, Peace and justice, Praise and thanks, Psalms. Full score. 8 pages. Duration 5 minutes. Carus Verlag #CV 04.111/35. Published by Carus Verlag (CA.411135).

ISBN 9790007170905. Key: G major. Text language: Church Slavonic.

Score available separately - see item CA.411100.

By William Bay. For Guitar (All). Methods. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 146 pages. Published by Mel Bay Publications, Inc.

Aus: Biblische Lieder. By Antonin Dvorak. Arranged by Jarmil Burghauser. For SATB Choir, 2 Trumpets, 2 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass. Full score available separately - see item CA.7007100. Psalms, German; Occasions: Praise and thanks. Part: Violoncello. Language: Czech/German. Composed 1894. 99 no. 7. 2 pages. Duration 3 min. Published by Carus Verlag (German import).

By Antonio Vivaldi. Arranged by Hal H. Hopson. (2-part). Accessible Anthem Series. Sacred. Print Music Single (2-part Mixed). 8 pages. Published by Hope Publishing Company.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

SKU: GI.G-10000KL

This edition: Keyboard Looseleaf edition. Sacred. 2748 pages. GIA Publications #10000KL. Published by GIA Publications (GI.G-10000KL).

This is the six-volume, looseleaf keyboard edition of Gather IV. The 8.5” x 11” size has 2-page spreads that are organized to reduce page turns. They are three-hole punched and come with two large binders.  The larger print makes for easier reading. It includes guitar chords, melody line, full choral harmonizations when available, and complete keyboard accompaniments for every musical item in the hymnal (except for the Lectionary Psalms in the back of the book). For complete Lectionary Psalm accompaniments, you must purchase G-10600 Lectionary Psalms as found in Gather, Fourth Edition. A convenient service binder is included.   Gather, Fourth Edition has been intentionally designed to be GIA’s most representative and relevant Catholic hymnal to date.    The musical contents represent the contemporary Catholic church, featuring a culturally diverse roster of composers and a wider breadth of musical styles.   Gather, Fourth Edition is also designed to work seamlessly with various digital assets, making it accessible and relevant in our technology-based world. It is the first hardbound GIA hymnal to be fully coordinated for use with OneLicense, GIA’s Hymnals App, and the new GIA Choral Cloud Subscription.

Chorus (with soloists) and orchestra (solos: AAB - choir: SSAATTBB - 0.2.0.1 - 0.2.0.0 - str - bc)

SKU: BR.CHB-3641-02

Psalm 100 HWV 279. Composed by George Frideric Handel. Choir; stapled. Chor-Bibliothek (Choral Library). Psalm; Baroque. Choral score. 28 pages. Duration 15'. Breitkopf and Haertel #ChB 3641-02. Published by Breitkopf and Haertel (BR.CHB-3641-02).

ISBN 9790004405451. 7.5 x 10.5 inches.

George Frideric Handel's musical setting of the English translation of Psalm 100 (O Be Joyful) has become known under the name of Utrecht Jubilate. The composer wrote the score together with the Te Deum HWV 278 in spring 1713. Both works were given their first performance on 7 July of that year in London's St. Paul's Cathedral for the celebration of the Peace Treaty of Utrecht, which, for England, ended the long military confrontation between the European powers and the France of Louis XIV in the War of Spanish Succession.

Chorus (with soloists) and piano (solos: AAB - choir: SSAATTBB - 0.2.0.1 - 0.2.0.0 - str - bc)

SKU: BR.EB-6611

Psalm 100 HWV 279. Composed by George Frideric Handel. Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Choir; Softbound. Edition Breitkopf. Psalm; Baroque. Piano/Vocal Score. 64 pages. Duration 15'. Breitkopf and Haertel #EB 6611. Published by Breitkopf and Haertel (BR.EB-6611).

ISBN 9790004168318. 7.5 x 10.5 inches.

George Frideric Handel's musical setting of the English translation of Psalm 100 (O Be Joyful) has become known under the name of Utrecht Jubilate. The composer wrote the score together with the Te Deum HWV 278 in spring 1713. Both works were given their first performance on 7 July of that year in London's St. Paul's Cathedral for the celebration of the Peace Treaty of Utrecht, which, for England, ended the long military confrontation between the European powers and the France of Louis XIV in the War of Spanish Succession.

Composed by Henry Purcell (1659-1695). Arranged by Hal H. Hopson. Hal Hopson Choral Series. Baroque. Octavo. Published by MorningStar Music Publishers (MN.50-6116).