Soloists, Piano (Sg-S-solo,piano)

SKU: BA.BA08166

Composed by Christoph Willibald Von Gluck. Edited by Benoît Dratwicki. Arranged by Hans Schellevis, Heinz Moehn, Jurgen Sommer, Konrad Rötscher, and Michael Töpel. This edition: urtext edition. Paperback. Christoph Willibald Gluck. Airs d'opera francais / French Operatic Arias | BARENREITER URTEXT. Soprano. Vocal Score, anthology. 148 pages. Baerenreiter Verlag #BA08166. Published by Baerenreiter Verlag (BA.BA08166).

ISBN 9790006563340. 29.7 x 21 cm inches. Text Language: French.

This edition contains French arias for soprano from operas composed by the opera reformer Christoph Willibald Gluck for the Paris Opera:

Iphignie en Aulide (1774)
Orphe et Euridice (1774)
L’arbre enchant (1775)
Cythère assige (1775)
Armide (1777)
Écho et Narcisse (1779)

The edition includes an informative text section containing a Foreword (Fr/Eng), a brief account of the dramatic situation as well as a literal English translation of every aria.


About the series:
Christoph Willibald Gluck. Airs d’opra français / French Operatic Arias

In collaboration with the Centre de musique baroque de Versailles (CMBV), all arias from Christoph Willibald Gluck’s French operas will be published for the first time in a collection of four volumes, ordered by voice type.

With their wide variety of arias and informative texts, these volumes constitute a valuable resource of works by one of the preeminent opera composers of the 18th century. They are suitable for opera singers and voice students and can be used in lessons, auditions and recitals.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

A Practical, Easy-to-Read Guide. Composed by Pam Phillips and Andrew Surmani. Book; Reference Textbooks; Textbook - General. 72 pages. Published by Alfred Music (AP.45961).

2Ob,2 horn,2 violins,viola,basso continuo (Oboes (2), Horns (2), Violins (2), Viola, Basso continuo)

SKU: BA.BA10988

Trauersinfonie. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen and Ulrich Wilker. This edition: urtext edition. Paperback. Score. Hob. I:44. Baerenreiter Verlag #BA10988_00. Published by Baerenreiter Verlag (BA.BA10988).

ISBN 9790006574933. 31 x 24.3 cm inches. Key: E minor.

Associating the term “Sturm und Drang” with Haydn’s creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his symphonies: works characterised by an impetuous, colourful tonal language, featuring minor keys prominently, with rapid tempo sequences and effects taken from contemporary opera such as tremolos and recitatives.

The Symphony in E minor Hob. I:44 was composed towards the end of this creative period and certainly showcases the “Sturm und Drang” dramatic style with its resolute unison main theme in the opening movement, a sustained dance and sensitive slow movement as well as a Presto finale. The work received the nickname “Mourning” Symphony in recent reception history because of its melancholic character and the anecdote that Haydn chose the third movement (Adagio) as his funeral music.
Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

30 Favorite Songs. By Various. Piano/Vocal/Guitar Songbook. Softcover. 120 pages. Published by Hal Leonard

Brass Band - Grade 3

SKU: BT.GOB-000845-130

Composed by Andreas Ludwig Schulte. Score Only. 24 pages. Gobelin Music Publications #GOB 000845-130. Published by Gobelin Music Publications (BT.GOB-000845-130).

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye, friends, goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song, ‘Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies, this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: ‘L'hitra'ot, Shalom’ (See you again, and farewell!).

Shalom Chaverim is een oud hebreeuws (afscheids)lied, dat oorspronkelijk aan het eind van een viering of bijeenkomst gezongen werd. Dit werd en wordt meestal in ‘canon’ gedaan. Vrij vertaald luidt de tekst: ‘Dag makkers, dag, totziens!’. De verschillende stemmingen bij een afscheid zijn bijzonder fraai door Andreas Schulte in zijn ‘Variations on Shalom Chaverim’ verwerkt. Zelf zegt de componist over het lied: ‘Alhoewel de toonsoort van de melodie in mineuris, is de teneur van het lied positief. je wenst elkaar alle goeds toe. Maar afscheid doet soms pijn. Wanneer je het tempo van de melodie verlaagt en ‘blue-notes’ toevoegt in de samenklanken, is dit direct voelbaar.’ Schulte doelthiermee op de eerste variatie. De tweede variatie is zeer intens met mogelijk nog diepere gevoelens. Met een hoog tempo en oosterse elementen in de melodie, eindigt Variations on Shalom Chaverim, opgewekt en positief: ‘L'hitra'ot,Shalom’ (Tot ziens, het ga je goed!).

Fanfare Band - Grade 3

SKU: BT.GOB-000844-020

Composed by Andreas Ludwig Schulte. Set (Score & Parts). 12 pages. Gobelin Music Publications #GOB 000844-020. Published by Gobelin Music Publications (BT.GOB-000844-020).

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye, friends, goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song, ‘Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies, this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: ‘L'hitra'ot, Shalom’ (See you again, and farewell!).

Shalom Chaverim is een oud hebreeuws (afscheids)lied, dat oorspronkelijk aan het eind van een viering of bijeenkomst gezongen werd. Dit werd en wordt meestal in ‘canon’ gedaan. Vrij vertaald luidt de tekst: ‘Dag makkers, dag, totziens!’. De verschillende stemmingen bij een afscheid zijn bijzonder fraai door Andreas Schulte in zijn ‘Variations on Shalom Chaverim’ verwerkt. Zelf zegt de componist over het lied: ‘Alhoewel de toonsoort van de melodie in mineuris, is de teneur van het lied positief. je wenst elkaar alle goeds toe. Maar afscheid doet soms pijn. Wanneer je het tempo van de melodie verlaagt en ‘blue-notes’ toevoegt in de samenklanken, is dit direct voelbaar.’ Schultedoelt hiermee op de eerste variatie. De tweede variatie is zeer intens met mogelijk nog diepere gevoelens. Met een hoog tempo en oosterse elementen in de melodie, eindigt Variations on Shalom Chaverim, opgewekt en positief:‘L'hitra'ot, Shalom’ (Tot ziens, het ga je goed!).

E-Z Play Today Volume 79. By Various. E-Z Play Today. Country. Softcover. 104 pages. Published by Hal Leonard (HL.248709).

Fanfare Band - Grade 3

SKU: BT.GOB-000844-120

Composed by Andreas Ludwig Schulte. Score Only. Gobelin Music Publications #GOB 000844-120. Published by Gobelin Music Publications (BT.GOB-000844-120).

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye, friends, goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song, ‘Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies, this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: ‘L'hitra'ot, Shalom’ (See you again, and farewell!).

Shalom Chaverim is een oud hebreeuws (afscheids)lied, dat oorspronkelijk aan het eind van een viering of bijeenkomst gezongen werd. Dit werd en wordt meestal in ‘canon’ gedaan. Vrij vertaald luidt de tekst: ‘Dag makkers, dag, totziens!’. De verschillende stemmingen bij een afscheid zijn bijzonder fraai door Andreas Schulte in zijn ‘Variations on Shalom Chaverim’ verwerkt. Zelf zegt de componist over het lied: ‘Alhoewel de toonsoort van de melodie in mineuris, is de teneur van het lied positief. je wenst elkaar alle goeds toe. Maar afscheid doet soms pijn. Wanneer je het tempo van de melodie verlaagt en ‘blue-notes’ toevoegt in de samenklanken, is dit direct voelbaar.’ Schultedoelt hiermee op de eerste variatie. De tweede variatie is zeer intens met mogelijk nog diepere gevoelens. Met een hoog tempo en oosterse elementen in de melodie, eindigt Variations on Shalom Chaverim, opgewekt en positief:‘L'hitra'ot, Shalom’ (Tot ziens, het ga je goed!).

By Various. Super Easy Songbook. Country. Softcover. 112 pages. Published by Hal Leonard

Brass Band - Grade 3

SKU: BT.GOB-000845-030

Composed by Andreas Ludwig Schulte. Set (Score & Parts). 30 pages. Gobelin Music Publications #GOB 000845-030. Published by Gobelin Music Publications (BT.GOB-000845-030).

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye, friends, goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song, ‘Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies, this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: ‘L'hitra'ot, Shalom’ (See you again, and farewell!).

Shalom Chaverim is een oud hebreeuws (afscheids)lied, dat oorspronkelijk aan het eind van een viering of bijeenkomst gezongen werd. Dit werd en wordt meestal in ‘canon’ gedaan. Vrij vertaald luidt de tekst: ‘Dag makkers, dag, totziens!’. De verschillende stemmingen bij een afscheid zijn bijzonder fraai door Andreas Schulte in zijn ‘Variations on Shalom Chaverim’ verwerkt. Zelf zegt de componist over het lied: ‘Alhoewel de toonsoort van de melodie in mineuris, is de teneur van het lied positief. je wenst elkaar alle goeds toe. Maar afscheid doet soms pijn. Wanneer je het tempo van de melodie verlaagt en ‘blue-notes’ toevoegt in de samenklanken, is dit direct voelbaar.’ Schulte doelthiermee op de eerste variatie. De tweede variatie is zeer intens met mogelijk nog diepere gevoelens. Met een hoog tempo en oosterse elementen in de melodie, eindigt Variations on Shalom Chaverim, opgewekt en positief: ‘L'hitra'ot,Shalom’ (Tot ziens, het ga je goed!).

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000843-140

Composed by Andreas Ludwig Schulte. Score Only. Gobelin Music Publications #GOB 000843-140. Published by Gobelin Music Publications (BT.GOB-000843-140).

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye, friends, goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song, ‘Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies, this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: ‘L'hitra'ot, Shalom’ (See you again, and farewell!).

Shalom Chaverim is een oud hebreeuws (afscheids)lied, dat oorspronkelijk aan het eind van een viering of bijeenkomst gezongen werd. Dit werd en wordt meestal in ‘canon’ gedaan. Vrij vertaald luidt de tekst: ‘Dag makkers, dag, totziens!’. De verschillende stemmingen bij een afscheid zijn bijzonder fraai door Andreas Schulte in zijn ‘Variations on Shalom Chaverim’ verwerkt. Zelf zegt de componist over het lied: ‘Alhoewel de toonsoort van de melodie in mineuris, is de teneur van het lied positief. je wenst elkaar alle goeds toe. Maar afscheid doet soms pijn. Wanneer je het tempo van de melodie verlaagt en ‘blue-notes’ toevoegt in de samenklanken, is dit direct voelbaar.’ Schultedoelt hiermee op de eerste variatie. De tweede variatie is zeer intens met mogelijk nog diepere gevoelens. Met een hoog tempo en oosterse elementen in de melodie, eindigt Variations on Shalom Chaverim, opgewekt en positief:‘L'hitra'ot, Shalom’ (Tot ziens, het ga je goed!).

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000843-010

Composed by Andreas Ludwig Schulte. Set (Score & Parts). 81 pages. Gobelin Music Publications #GOB 000843-010. Published by Gobelin Music Publications (BT.GOB-000843-010).

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye, friends, goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song, ‘Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies, this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: ‘L'hitra'ot, Shalom’ (See you again, and farewell!).

Shalom Chaverim is een oud hebreeuws (afscheids)lied, dat oorspronkelijk aan het eind van een viering of bijeenkomst gezongen werd. Dit werd en wordt meestal in ‘canon’ gedaan. Vrij vertaald luidt de tekst: ‘Dag makkers, dag, totziens!’. De verschillende stemmingen bij een afscheid zijn bijzonder fraai door Andreas Schulte in zijn ‘Variations on Shalom Chaverim’ verwerkt. Zelf zegt de componist over het lied: ‘Alhoewel de toonsoort van de melodie in mineuris, is de teneur van het lied positief. je wenst elkaar alle goeds toe. Maar afscheid doet soms pijn. Wanneer je het tempo van de melodie verlaagt en ‘blue-notes’ toevoegt in de samenklanken, is dit direct voelbaar.’ Schultedoelt hiermee op de eerste variatie. De tweede variatie is zeer intens met mogelijk nog diepere gevoelens. Met een hoog tempo en oosterse elementen in de melodie, eindigt Variations on Shalom Chaverim, opgewekt en positief:‘L'hitra'ot, Shalom’ (Tot ziens, het ga je goed!).

(String orchestra)

SKU: BA.BA08830

Composed by Edvard Grieg. Edited by Christoph Rinne-Schroeder. This edition: urtext edition. Stapled. Score. Opus 40. Baerenreiter Verlag #BA08830_00. Published by Baerenreiter Verlag (BA.BA08830).

ISBN 9790006567621. 31 x 24.3 cm inches. Preface: Rinne-Schroeder, Christoph.

To celebrate the 200th birthday of the playwright Ludvig Holberg, a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a “powdered wig piece” (as Grieg wrote to his publisher) that hearkens back to Holberg’s era – a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian “air” and an impetuous “rigaudon”.
Later Grieg arranged his “Suite in the Olden Style” for string orchestra. This version became one of his most popular compositions.

For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Jean-Philippe Rameau (1683-1764). Edited by Benoit Dratwicki / Julien Dubruque / Sylvie Bouissou. For Soprano voice solo / Mezzo-Soprano voice solo. This edition: Urtext edition. Paperback. Operatic arias. Piano reduction. Published by Baerenreiter Verlag

Collection. Arranged by John Leavitt. Choral Collection. Softcover Media Online. 52 pages. Published by Hal Leonard (HL.158471).

2-part equal voices, 2-part mixed voices, piano accompaniment - Early intermediate

SKU: GI.G-9957

Composed by Wayland Rogers. Children. Global Encounters for Young Choirs. Music Education. 8 pages. GIA Publications #9957. Published by GIA Publications (GI.G-9957).

UPC: 785147995708. English. Text by Kazuaki Tanahashi.

In my opinion our world is currently in great need of reestablishing strong connections one to another, be it with family and friends, neighbors and strangers, nations and nations, or with those of different cultures and religions. In his important book, I and Thou, philosopher-theologian Martin Buber says that the most meaningful life is centered on relationship. As a musician, I felt compelled to express the I-THOU thesis through the human voice. In searching for the right words to express this sentiment, I was fortunate to find Kazuaki Tanahashi’s eloquent poem, “Encounter.” Mr. Tanahashi is a poet, Zen artist, scholar and peace activist.  This combined-voices version has been adapted from an SATB scoring that features prominently in the original song cycle, I-THOU, written for vocal quartet, commissioned and premiered in 2018 by Fourth Coast Ensemble in Chicago. —Wayland Rogers About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.

by Frank Zucco. For keyboard accordion. All styles. Level: Beginning-Intermediate. Book. Solos. Size 8.75x11.75. 56 pages. Published by Mel Bay Pub., Inc.

Guitar (fingerpicking) - Beginning-Intermediate

SKU: MB.98339M

Composed by Larry McCabe. Saddle-stitched, Style, Rhythm and Chords. McCabe's 101. Rock and Blues. Book and online audio. 48 pages. Mel Bay Publications, Inc #98339M. Published by Mel Bay Publications, Inc (MB.98339M).

ISBN 9780786690022. 8.75 x 11.75 inches.

This user-friendly book, with access to online audio, shows how to transform standard three-chord blues changes into harmonically sophisticated jazz-blues progressions.The book covers chord substitution, twelve-bar blues, minor blues, eight-bar blues, and sixteen-bar blues. Chord frames are supplied for guitarists. Blank treble and bass staves are included for writing songs, licks, and solos. An absolute goldmine for all musicians, students, blues songwriters, recording studios, ad agencies, and anyone who plays blues music. This truly amazing learning/reference work, designed for beginners and pros alike, also contains an appendix featuring a wealth of information about modern blues progressions and how to create them. Online audio download available.