Übergänge zur neuen Musik. Par STEIN GOTTFRIED. Übergänge Zur Neuen Musik/ Répertoire / 2 Flûtes à Bec Soprano Percussions Ad Libitum

Prenant son point de départ du 'Grandes Plaines du Jour' XVIIe siècle philosophe-Cyrano de Bergerac du poète, Hesketh puissamment fusionne une vaste gamme d'exécution et de techniques de composition dans ce travail de 12 minutes pour violon seul. Inspiré par l'imagination de Bergerac d'autres mondes et sociétés utopiques, le travail explore timbres et plages extrêmes tout en utilisant des techniques telles que la main gauche pizzicato et naturel harmoniques. Open-cinquième matériel, ce qui est naturel de l'instrument, est important et courts duos alternant entre arco et figures pizzicato ajoutent encore une autre dimension. / Violon

Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow ?did not get it?: History and Progress ? it was thought - were proceeding along one clear path and Brahms ? who was composing sonatas and symphonies instead of nocturnes and symphonic poems ? had taken the wrong way. Almost one century later, Schönberg wrote an essay, Brahms, der Fortschrittliche ( Brahms, the progressive ), in which he explained that it wasn?t like that at all. Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present ? and the future ? can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1 , I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places ? even imaginary ones ? where we can give happiness a form of its own. Nicola Campogrande, December 2020 / Date parution : 2022-10-12/ Répertoire / Violon et Piano

Par SCHRADIECK HENRY. Henry Schradieck chose the modest designation 'studies' for his exercises. Their musical substance, however, goes far beyond that of a study. They are character pieces which get their captivating musical expression particularly from the harmonic progression and expressive melodic lines while the rhythm remains relatively consistent to maximize the effect of practising. The pieces are basically caprices (capriccios) which disregard formal rules in an imaginative and playful manner. 24 Études Caprices by Jean Delphin Alard, the studies cover all major and minor scales of the circle of fifths. In addition to the original fingerings, this edition also contains alternative fingering variants which include both playing in the second position and modern change-of-position techniques like creeping and pivoting. Each study is preceded by short explanations of the editor Benjamin Bergmann concerning the contents and objectives of each study as well as by practical technical information on the performance. This edition is published in the Essential Exercises study series which contains proven practical study works for instrumental lessons / Niveau : Intermédiaire à Avancé / Etude / Violon

This collection of Great Violin Solos contains sixty well known film themes, classical pieces, jazz and blues standards, showtunes and popular hits arranged for beginner to intermediate violinists. / Violon

Play Showtime Book 1 presents hits from some of the greatest shows of all time, arranged for solo violin with piano accompaniment. Contents include Memory from Cats, Maria from West Side Story and On My Own from Les Miserables.  / Instrumental Music / Recueil / Violon et Piano