(solo for timpani and multipercussion). Composed by Kirk J. Gay. Timpani/multipercussion solo. For 4 timpani, 4 concert toms, woodblock, sizzle cymbal, wind gong (1 player). Percussion Solos. Medium-Advanced. Score. 8 pages. Duration 6'20 . Published by Tapspace Publications

Flute and Piano

SKU: IS.FP7335EM

Composed by François Glorieux. Woodwinds - Flute. Metropolis Music Publishers #FP7335EM. Published by Metropolis Music Publishers (IS.FP7335EM).

ISBN 9790365073351.

Fran çois Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.

Score and Parts. By Johan De Meij. Amstel Concert Bands. Published by Amstel Music.

SATB choir, a cappella (SATB) - easy

SKU: OU.9780193954106

Composed by Charles Wood. Sacred choral - mixed voices. Church Music Society Publications. Vocal score. 8 pages. Duration 2'. Oxford University Press #9780193954106. Published by Oxford University Press (OU.9780193954106).

ISBN 9780193954106. 10 x 7 inches.

For SATB unaccompanied This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension.

Celebrate His Name this Christmas. Composed by Geron Davis, Dave Clark and Tony Wood. Arranged by David Sloan. Adult Musical. Choral score. Duration 36 minutes. Published by Word Music (WD.080689554179).

Choir and various instruments

SKU: MN.50-1703A

Composed by David M. Cherwien. Full score & instrument parts. MorningStar Music Publishers #50-1703A. Published by MorningStar Music Publishers (MN.50-1703A).

Parts include Wood Block Triangle Log Drum Available Editions: Choral Score, 50-1703 Full Score & Parts, 50-1703A (Printed) Full Score & Parts, file_50-1703A-E (Downloadable).

(16 Children's Songs and Rhymes) Edited by Gloria J. Kiester. Songbook and performance CD for voice. With explanatory notes and introductory text. Authentic songs as Indian children sing them, as heard on the enclosed CD; easy-to-learn melodies that are fun to sing; games, dances and fingerplays that invite active participation. Series: multicultural - songbook. Text language English, Hindi, and Tamil texts. 76 pages. Published by Alfred Publishing.

By Rose. For keyboard/instruments. Lent; Easter. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

Composed by Jacobo Duran- Loriga. Woodwinds - Bass Clarinet. Sheet music. Duration 10'30. Periferia Music #BC3250PM. Published by Periferia Music

Woodwinds (solos: ST - choir: SSATB - 2.2.0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4691-30

Christmas Day. Composed by Johann Sebastian Bach. Edited by Alfred Dorffel. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Set of parts. 46 pages. Duration 20'. Breitkopf and Haertel #OB 4691-30. Published by Breitkopf and Haertel (BR.OB-4691-30).

ISBN 9790004318980. 9 x 12 inches.

By Michael Joncas. For Voices: SATB. Instruments: 2 C instruments (woodwinds), brass quintet, timpani (instruments optional). Organ. Latin/Greek text often interspersed or used as refrain with English texts. Chamber Music Sacred. Level: easy/medium. 25 pages. Published by GIA Publications.

By Michael Joncas. For Voices: SATB, cantor, congregation. Instruments: 2 woodwinds, or brass quartet (2 trumpets, 2 trombones) and timpani (instruments optional). Ritual Prayer Series Sacred. Level: easy. 12 pages. Published by GIA Publications.

By Marty Haugen. For Voices: SATB, presider, cantor, assembly. Instruments: 2 woodwinds in C. Keyboard accompaniment. Ritual Prayer Series Sacred. Level: easy. 11 pages. Published by GIA Publications.

SATB. By Franz Joseph Haydn. Arranged by Michael S. Woodman. (SATB). Walton Choral. Size 6.8x10.5 inches. 12 pages. Published by Walton Music.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

SATB choir

SKU: ST.EM18

Composed by Thomas Tomkins. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Collection. Stainer & Bell Ltd. #EM18. Published by Stainer & Bell Ltd. (ST.EM18).

ISBN 9790220216930.

Thou gh better known as a composer of church and keyboard music, Tomkins wrote secular vocal music that offers a compendium of all the various styles: canzonets, balletts, madrigals and 'sacred songs'. Each was dedicated to one of his relatives, a friend or a colleague. The names of these 28 dedicatees form a fascinating list at the end of the book.

CONTENTS
Adieu, ye city-poisoning towers (SSATB)
Cloris, whenas I woo (SSATB)
Come, shepherds sing with me (SSATB)
Fond men, that do so highly prize (SST (or A))
Fusca, in thy starry eyes (SSATB)
How great delight (SST)
It is my well-beloved's voice (SSATTB)
Love, cease tormenting (SSA (or T))
Music divine (SSATTB)
No more I will thy love (SATB)
O let me die for true love (SATB)
O let me live for true love (SATB)
Oft did I marle (SSAATB)
Our hasty life away dost post (SST)
Oyez! Has any found a lad? (SATB)
Phyllis, now cease to move me (SSATB)
Phyllis, yet see him dying (SSATB)
See, see the shepherds' Queen (SSATB)
Sure there is no god of love (SSA)
The fauns and satyrs tripping (SSATB)
To the shady woods (SSATB)
Too much I once lamented (SSATB)
Turn unto the Lord (SSATTB)
Was ever wretch tormented? (ST (or A) TB)
Weep no more, thou sorry Boy (SATB)
When David heard (SAATB)
When I observe (SSAATB)
Woe is me (SSATBB)
Yet again, as soon revived (SAT (or A) B).

SKU: HL.48024944

Trumpet and Piano. Composed by Jonathan Freeman-Attwood and Thomas Oehler. Boosey & Hawkes Chamber Music. Softcover. 114 pages. Boosey & Hawkes #M060136528. Published by Boosey & Hawkes (HL.48024944).

ISBN 9781784545543. UPC: 840126946819. 9.25x12.0x0.337 inches.

If there was ever a composer in the modern era from whom instrumentalists would hanker for a sonata or concerto, Richard Strauss must be right up there. His wide-ranging orchestral and operatic creations bleed with gloriously idiomatic writing for every instrument, and yet only the piano, violin, clarinet (in tandem with the bassoon), oboe and horn can really claim to have bespoke solo works from the composer's seamlessly productive pen, and collectively they form only a small proportion of the composer's output. No mere transcription, this three-movement Sonata after Richard Strauss extends well beyond a redeployment of the composer's music to fit a new idiom, filling the gaping chasm of 'serious' late-Romantic recital material for trumpet players, to be performed in toto or as Drei Konzertstücke. Thomas Oehler and Jonathan Freeman-Attwood have drawn on a wide range of Strauss's works to create the new offering, including the Violin Sonata, Von den Hinterweltlern (Also sprach Zarathustra), the Serenade for Winds ('From an invalid's workshop') and Zerbinetta's Aria (Ariadne auf Naxos).

By Various. Edited by Kreuels, Matthias / Ducker, Martin / Essl, Jurgen / Geismann, Wilm / Kohlmann, Mathias / Langer, Leo / Ochs, Jurgen / Drescher, Thomas / Frohlich, Brigitte / Maag, Jurgen / Rommelspacher, Stephan. Sacred, Hymns, Hymn settings, Magnificat, Masses, Latin, Mass Sections, Motets, Psalms, German, Psalms, Latin; Choral Collections, Mixed Choir; Occasions: Eucharist, Communion, Peace and Justice, Prayer, First Communion, Confirmation, Praise and thanks, F. Choral collection. 256 pages

For Three Trombones. Composed by Anton Bruckner (1824-1896). Edited by Dominik Rahmer. Sheet Music. Paperbound. Henle Music Folios. For Alto, Tenor and Bass Trombones. additional parts in bass clef for alto and tenor trombones. Classical. Score and Parts. 14 pages. G. Henle #HN1157. Published by G. Henle

(2 (2pic).2.2.2-4.2.3.0-timp .2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str)

SKU: HL.49002518

Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1947-1952. 413 pages. Duration 150'. Schott Music #ED 10778. Published by Schott Music (HL.49002518).

ISBN 9790220120466. UPC: 073999913347. 9.0x12.0x1.015 inches. English.

Like few other theatre worksThe Magic Flute, A Midsummer Night's DreamTippett's first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer's businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

(Score with CD). By Johan De Meij. Score. Amstel Music. Grade 5-6. Book with CD. Amstel Music #AM06. Published by Amstel Music

For Piano. Popular, Classical, Weddings. Sheet Music. 128 pages. Published by Wise Publications.

(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music Inc.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44012271

Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2013. Anglo Music Press #AMP358140. Published by Anglo Music Press (HL.44012271).

UPC: 888680057664. English-German-French-Dut ch.

Looking Up, Moving On was commissioned by the Tokyo Kosei Wind Orchestra and was part of a tour programme they gave in May 2012, a tour which included many areas that had been devastated by the 2011 earthquake and tsunami.The theme of the piece is the powerful ability of mankind to overcome such disasters and look forward to a positive future; it opens in an appropriately optimistic mood, featuring bright orchestral colours and extensive syncopation. A chorale-like fanfare is soon introduced on horns and euphonium, answered by chirpy woodwinds. The mood subsides until an alto saxophone introduces a brief quotation from the composer's The Sun Will RiseAgain, which was written to raise funds for victims of the 2011 disaster. The mood soon changes and the horns introduce a noble theme under woodwind flourishes. This leads to the main Vivo section of the piece which is characterised again by strong syncopations as part of a florid theme in the low woodwinds. This melody undergoes varied development by all sections of the band until the horn fanfare returns triumphally on the brass. This is extended and leads to a faster coda which brings together previous material in counterpoint to close the work in optimistic mood.

Looking Up, Moving On is gecomponeerd in opdracht van het Tokyo Kosei Wind Orchestra. Het werk maakte deel uit van een programma uit mei 2012, dat werd uitgevoerd tijdens een tournee waarbij veel regio's werden bezocht die waren verwoest door de aardbeving en tsunami van 2011.Het thema van het werk is het buitengewone vermogen van de mens om dergelijke rampen te boven te komen en vooruit te kijken naar een positieve toekomst. De opening is dan ook optimistisch van karakter, met heldere orkestrale kleuren en een rijkelijke syncopering. Al snel wordt er een koraalachtige fanfare geintroduceerd door de hoorns en het euphonium, waarop een levendig antwoord volgt in dehoutblazerssectie. De sfeer wordt dan steeds kalmer totdat een altsaxofoon een kort citaat laat horen uit een eerder werk van de componist, The Sun Will Rise Again, dat werd geschreven om geld in te zamelen voor de slachtoffers van de ramp uit 2011. De stemming slaat vlug weer om: de hoorns introduceren een nobel thema, dat weerklinkt onder versieringen in het hout. Dit leidt naar het Vivo, het hoofdgedeelte, dat eveneens wordt gekenmerkt door sterke syncoperingen, als onderdeel van een sierlijk thema in het lage hout. De melodie ondergaat een gevarieerde ontwikkeling binnen alle secties van het orkest, totdat de hoornfanfare op triomfantelijke wijze terugkeert in het koper. De fanfare wordt vervolgens verder uitgewerkt en voert ons mee naar een snellere coda, die voorafgaand materiaal in contrapunt samenbrengt en de compositie in optimistische stemming afsluit.

Looking Up, Moving Down wurde vom Tokyo Kosei Wind Orchestra in Auftrag gegeben und war Teil des Konzertprogramms einer Tour im Mai 2012, welche viele Gebiete einschloss, die vom Erdbeben und Tsunami im Jahr 2011 zerstort worden waren. Thema dieses Stuckes ist die gewaltige Fahigkeit der Menschheit, uber solche Katastrophen hinwegzukommen und voll Optimismus in die Zukunft zu blicken; es beginnt dementsprechend in einer positiven Stimmung mit strahlenden Orchesterfarben und einer ausgepragten Synkopierung. Schon bald wird eine choralartige Fanfare auf den Hornern und im Euphonium vorgestellt, die von munteren Holzblasern beantwortet wird. Die Stimmung flaut ab, bis einAltsaxophon ein kurzes Zitat aus The Sun Will Rise Again anspielt, das der Komponist zur Spendenbeschaffung fur die Opfer des Unglucks 2011 geschrieben hatte. Kurz darauf folgt ein Stimmungswechsel und die Horner prasentieren ein stattliches Thema, begleitet von Fanfaren in den Holzblasern. Dies fuhrt zum mit Vivo uberschriebenen Hauptteil des Stuckes, der wiederum von starken Synkopierungen gepragt ist, die Teil eines bluhenden Themas in den tiefen Holzblasern sind. Diese Melodie durchlauft eine vielgestaltige Entwicklung durch alle Instrumentengruppen des Blasorchesters, bis das Blech mit der Hornfanfare triumphal zuruckkehrt. Dies wird erweitert und fuhrt zu einer schnelleren Coda, in dem verschiedenes zuvor gehortes Material kontrapunktisch zusammenkommt, um das Werk in einer optimistischen Stimmung zu beenden.

Looking Up, Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette piece faisait partie du programme de la tournee effectuee par l'orchestre en mai 2012, qui s'est produit dans de nombreuses regions devastees par le tremblement de terre et le tsunami de 2011.La composition a pour theme l'immense capacite humaine a surmonter de telles catastrophes et envisager l'avenir de facon positive. Elle debute justement dans un climat optimiste comportant de vives couleurs orchestrales et des passages syncopes. Les cors et les euphonium introduisent bientot une fanfare en forme de choral a laquelle repondent des bois petillants. L'ambiance s'apaise jusqu'a ce qu'unsaxophone alto introduise un court extrait de The Sun Will Rise Again, du meme compositeur, une piece ecrite pour collecter des fonds en faveur des victimes du desastre de 2011. Le climat change hativement lorsque les cors introduisent un theme noble par-dessus des fioritures executees par les bois. Vient ensuite la principale section vivo de la piece, qui se caracterise, encore une fois, par des syncopes tres marquees dans le cadre d'un theme fleuri assure dans le registre grave des bois. Cette melodie fait l'objet de divers developpements par tous les pupitres de l'orchestre jusqu'au retour triomphant de la fanfare soutenue par les cuivres. Celle-ci se prolonge pour mener a une coda plus rapide qui rassemble les elements precedents en contrepoint pour clore la piece dans un climat optimiste.