Performance/Accompaniment CD SKU: HP.C6295C Arranged by Marty Parks. Pian...(+)
Performance/Accompaniment
CD
SKU: HP.C6295C
Arranged by Marty Parks.
Piano with optional
Violin (Included). Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6295C.
Published by Hope
Publishing Company
(HP.C6295C).
UPC:
763628962951.
Ameri
can folk melody paired
with a classic hymn text
This setting of the
classic text, O God Our
Help in Ages Past paired
with the American folk
melody, CONSOLATION, is
full of energy and
enhanced by an optional
fiddle part.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/05. Published by
Carus Verlag
(CA.3100205).
ISBN
9790007041311. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score available
separately - see item
CA.3100200.
(All Creatures of Our God and King). Performed by First Call. By Asukulu 'Yunu M...(+)
(All Creatures of Our God
and King). Performed by
First Call. By Asukulu
'Yunu Mukalay, David
Maddux, Marty Mccall,
Mmunga Mwenebulongo
Mulongoy. Arranged by
Roger Emerson. (IPAKR).
Choral. Size 8.5x11
inches. 16 pages.
Published by Hal Leonard.
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Ach Gott, wie
manches. Sacred vocal
music, Cantatas, New
year. Single Part,
Cello/Double Bass.
Composed 1733/1734. BWV
58. 8 pages. Duration 17
minutes. Carus Verlag #CV
31.058/14. Published by
Carus Verlag
(CA.3105814).
ISBN
9790007043261. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score and part available
separately - see item
CA.3105800.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/14. Published by
Carus Verlag
(CA.3100214).
ISBN
9790007041373. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
(All Creatures of Our God and King). Performed by First Call. By Asukulu 'Yunu M...(+)
(All Creatures of Our God
and King). Performed by
First Call. By Asukulu
'Yunu Mukalay, David
Maddux, Marty Mccall,
Mmunga Mwenebulongo
Mulongoy. Arranged by
Roger Emerson. (SAB).
Choral. Size 6.7x10.5
inches. 16 pages.
Published by Hal Leonard.
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, New year.
Single Part, Organ.
Composed 1733/1734. BWV
58. 16 pages. Duration 17
minutes. Carus Verlag #CV
31.058/49. Published by
Carus Verlag
(CA.3105849).
ISBN
9790007206611. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score and part available
separately - see item
CA.3105800.
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Ach Gott, wie
manches. Sacred vocal
music, Cantatas, New
year. Single Part, Violin
2. Composed 1733/1734.
BWV 58. 4 pages. Duration
17 minutes. Carus Verlag
#CV 31.058/12. Published
by Carus Verlag
(CA.3105812).
ISBN
9790007043247. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score and part available
separately - see item
CA.3105800.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. Duration 20
minutes. Carus Verlag #CV
31.002/19. Published by
Carus Verlag
(CA.3100219).
ISBN
9790007135904. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
((Teach Me, O God)). Composed by Benjie-Ellen Schiller. For Choral (2-Part). Tra...(+)
((Teach Me, O God)).
Composed by Benjie-Ellen
Schiller. For Choral
(2-Part).
Transcontinental Music
Choral. Transcontinental
Music #993427. Published
by Transcontinental Music
2-part mixed voices,
assembly, piano
accompaniment, flute -
Beginning
SKU:
GI.G-4129
If You,
O God, Laid Bare Our
Guilt. Composed by
John B. Foley. Lent 5 A,
Ordinary Time 10 B.
Choral. Sacred. Octavo.
12 pages. GIA
Publications #4129.
Published by GIA
Publications (GI.G-4129).
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Sacred vocal music,
Cantatas, New year. Study
score. Composed
1733/1734. BWV 58. 56
pages. Duration 17
minutes. Carus Verlag #CV
31.058/07. Published by
Carus Verlag
(CA.3105807).
ISBN
9790007043216. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score available
separately - see item
CA.3105800.
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.058/21 oboe 1, 1x
31.058/22 oboe 2, 1x
31.058/23 oboe d'amore.
German title: Ach Gott,
wie manches Herzeleid 3.
Sacred vocal music,
Cantatas, New year. Set
of Orchestra Parts.
Composed 1733/1734. BWV
58. 6 pages. Duration 17
minutes. Carus Verlag #CV
31.058/09. Published by
Carus Verlag
(CA.3105809).
ISBN
9790007043223. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score and parts available
separately - see item
CA.3105800.
(All Creatures of Our God and King). Performed by First Call. By Asukulu 'Yunu M...(+)
(All Creatures of Our God
and King). Performed by
First Call. By Asukulu
'Yunu Mukalay, David
Maddux, Marty Mccall,
Mmunga Mwenebulongo
Mulongoy. Arranged by
Roger Emerson. (Showtrax
Cd). Choral. CD only.
Size 5x5.5 inches. 16
pages. Published by Hal
Leonard.
Chorale SATB SATB, Orgue [Octavo] GIA Publications
Composed by Gustav Holst (1874-1934), arranged by Richard Proulx. Vocal score fo...(+)
Composed by Gustav Holst
(1874-1934), arranged by
Richard Proulx. Vocal
score for SATB choir and
organ accompaniment. With
vocal score notation,
lyrics and organ
accompaniment. 8 pages.
Published by GIA
Publications.
Search Me, O God Chorale SATB SATB, Orgue [Octavo] Lorenz Publishing Company
Composed by Joshua Evanovich. For SATB choir, organ. Sacred Anthem, General, Len...(+)
Composed by Joshua
Evanovich. For SATB
choir, organ. Sacred
Anthem, General, Lent.
Octavo. Lorenz Publishing
Company #10/4671L.
Published by Lorenz
Publishing Company
SATB choir and keyboard accompaniment SKU: AU.9780800675561 Composed by J...(+)
SATB choir and keyboard
accompaniment
SKU:
AU.9780800675561
Composed by John Carter.
General. Augsburg Choral
Library. Anthem. Octavo.
Published by Augsburg
Fortress
(AU.9780800675561).
ISBN
9780800675561.
You
see the title We Sing the
Mighty Power, O God and
you think big and loud -
not with this exquisite
setting. Here the
composer takes the
awesome angle and treats
us to a setting of the
Isaac Watts text with
quiet reverence.
SATB choir and organ/orchestra/brass SKU: OU.9780193574212 Composed by Gu...(+)
SATB choir and
organ/orchestra/brass
SKU:
OU.9780193574212
Composed by Gustav,
Gustav Holst, Mack, and
Wilberg. Vocal score.
Duration 5.5'. Oxford
University Press
#9780193574212. Published
by Oxford University
Press (OU.9780193574212).
ISBN 9780193574212. 10
x 7 inches.
For
SATB and organ,
orchestra, or brass This
is a majestic setting of
the popular hymn 'O God
beyond all praising' to
Holst's tune 'Thaxted',
which is adapted from a
theme in 'Jupiter' from
The Planets. Wilberg's
beautiful treatment of
the first three-note
figure of the famous tune
builds gradually into a
rich, soaring four-part
texture.
