Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Violon / 40 pages / niveau : Facile - Elémentaire / Partition

This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Violon

Louis Andriessen fête son 70e anniversaire en 2009. Ce volume dans la partition de poche Hawkes série rassemble deux grandes travaille pour quatuor à cordes, jardin de Eros (2002) et... miserere... (2004) et a 'des bonus arrangement par le compositeur de b mineur Prélude Bach de 1 livre de la 48'. La partie d'alto, complétée par Andriessen, commence avec six barres par Igor Stravinski, prises de l'arrangement du compositeur ce dernier pour les chaînes. / Quatuor A Cordes

Edizione critica di Italo Vescovo. Par PAGANINI NICCOLO. Paganini's Tema variato for solo violin (M.S. 82) is a work dating from the composer's juvenile period, written between the end of the eighteenth century and the beginning of the nineteenth, a period in which works such as his (M.S. 1) for violin and guitar, the posthumous 'Grande concerto' (E minor concerto M.S. 75), and Inno patriottico for violin (M.S. 81) were composed. Organised as a theme followed by seven variations, the piece showcases a decidedly virtuosic musical writing, with numerous technical gestures that seem to prelude the Capricci op. 1 (rapid arpeggiated passages, wide leaps, double stops, etc.) together with a search for unusual effects, such as 'organetto” and 'flagioletto” (the use of simple or double harmonics). The Tema variato is a significant work both in terms of its historical-instrumental importance and its musical quality, where the carefully thought-out organization of the variations, each with its own distinctive character, is evident. This critical edition is based on the manuscript kept in the Historical Archives of the Municipality of Genoa (ms. 1793) compared with the 1999 Suvini Zerboni edition. / Niveau : Avancé / Répertoire / Violon