(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
For Bassoon & String
Quartet. Composed by
Wynton Marsalis. Chamber
Music, String
Quartet/Quintet,
Woodwinds, Bassoon,
Chamber Music, Mixed
Ensemble. Set of Parts.
Subito Music Corporation
#29110011. Published by
Subito Music Corporation
(SU.29110011).
Set of parts
Also Available: Full
Score (Cat.
#29110010)Bassoon &
String Quartet Duration:
ca. 13' Composed: 1999
Published by: Wynton
Marsalis (administered by
Skayne's Music).
For Bassoon & String
Quartet. Composed by
Wynton Marsalis. Chamber
Music, String
Quartet/Quintet,
Woodwinds, Bassoon,
Chamber Music, Mixed
Ensemble. Full Score.
Subito Music Corporation
#29110010. Published by
Subito Music Corporation
(SU.29110010).
Score only Also
available: Set of Parts
(Cat. #29110011)Bassoon &
String Quartet Duration:
ca. 13' Composed: 1999
Published by: Wynton
Marsalis (administered by
Skayne's Music).
Composed
by Steven R. Janco.
Sacred. Full score. With
guitar chord names. GIA
Publications #018040.
Published by GIA
Publications
(GI.G-018040).
What has made
this Mass rise to the top
in popularity in parishes
across the
English-speaking world?
Its adaptability. From
parishes with keyboard
and/or guitar and cantor
to cathedrals with a
large SATB choir and
multiple instruments
(organ, brass quartet,
timpani, handbells), Mass
of Wisdom has proven
itself as a “Mass
for the masses.â€
Its step-wise melodic
patterns make it easy to
learn without sounding
musically trite in any
way. Music directors
agree that the
through-composed Gloria
is one of the most
finely crafted of all
the new musical settings
of the prayer. That fine
crafting extends to all
components of this Mass,
especially the
acclamations sung during
the Eucharistic Prayer.
The multi-layered
Hosannas in the Sanctus
will delight the members
of the choir as well as
the singing assembly.
This is a Mass setting
that simply soars. It
is a perfect setting for
Ordinary Time, but music
directors tell us that
the Christmas and Easter
seasons are made more
glorious and joyful when
this setting is sung,
especially when the
additional
instrumentation is added.
Dioceses and parishes
that employed Mass of
Wisdom as the first
setting during the
implementation of the new
translation have found
themselves returning to
it time and time again.
It truly has become part
of the “Catholic
musical DNA†across
the United States and
beyond.
Score and Parts Percussion Quartet (Score & Parts) SKU: HL.48024487 Fo...(+)
Score and Parts
Percussion Quartet (Score
& Parts)
SKU:
HL.48024487
For
Percussion Quartet Score
and Parts. Composed
by David T. Little.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 16 pages.
Duration 240 seconds.
Boosey & Hawkes
#M051802203. Published by
Boosey & Hawkes
(HL.48024487).
ISBN
9781540038982. UPC:
888680890827.
9.0x12.0x0.147
inches.
Speak
Softly was originally
composed in 2003 for
Jessica Fogel's
site-specific dance
triptych Red Trail to
Open Field. The concert
version was completed the
following August in
Aspen, Colorado. The
title refers to President
Theodore Roosevelt's
foreign policy
catchphrase, Speak softly
and carry a big
stick..
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most
enduringly and frequently
played orchestral work,
Prairie Light is a
fascinating musical
companion to three of
Georgia
O’Keeffe’s
most unusual paintings,
Light Coming on the
Plains, Canyon with
Crows, and Starlight
Night. This work is ideal
for performances using
visual projections of the
paintings, and is
frequently programmed for
subscription concerts as
well as those for
educational settings.
Duration: 14’
Parts available on
rental. This work for
full orchestra was
inspired by three
paintings of the noted
Americanartist Georgia
O’Keeffe. These
three watercolors were
done in 1917 while the
artist was living in
Canyon, Texas (near
Amarillo), and deal
primarily with color and
shape. Consequently, the
music is primarily
concerned with broad
lines and shapes rather
than rhythms, with subtle
washes of color rather
than constant harmonic
movement, and with
arching melody instead of
linear counterpoint.The
first movement, Light
Coming on the Plains, is
an elliptical-shaped
painting, deep blue to
indigo with a
“horizon†at
the bottom that seems
flat and unchanging. The
sun hasn’t risen
yet, although it does in
the course of this
movement, but it seems
instead to be providing
light from behind the
canvas. The music is
unmoving in terms of
rhythm or harmony
(although there is a
modulation midway
through), a color-infused
mantra of sound that is
almost Eastern.At the
height of the sun, we
proceed to the second
movement, entitled Canyon
with Crows. The canyon is
red-orange, with black
crows circling above
friendly unfolding hills.
The music is gentle but
lively and more rhythmic,
with the birds
represented by solo oboe,
clarinet, and sometimes
flute. Halfway through,
the brass have a chorale
version of the opening
motive, played very
slowly, over the unending
triplets of woodwinds and
strings. At the end of
the movement, the
birds return for a
duo-cadenza, accompanied
by the dying rays of the
sun in muted strings and
the ongoing triplets of
the solo quartet.The
stage is set for the
final movement, Starlight
Night. In
O’Keeffe’s
painting, the stars are
represented by
regularly-spaced
rectangles of bright pale
yellow on a blue-black
sky, with the same shape
to the field of vision
and the horizon that is
found in Light Coming on
the Plains. The stars
become audible: harp,
celesta, glockenspiel,
and string pizzicati all
lend a sparkle while a
solo flute introduces a
slowly unfolding theme.
After this theme has been
heard twice and the sky
has begun to really
brighten, there is a
sudden interruption: a
xylophone and a piano
begin another
“mantra†in
brittle staccato chords.
This is the same
mechanical eternity as
O’Keeffe’s
regularly-spaced square
stars, and it continues
on its own as the night
progresses. The music
builds and grows as the
moon rises and arcs, then
falls as the pre-dawn
light that opened the
work returns to bring it
to a close. Acycle of
light, changing with the
movements of sun, moon,
and stars, appearing
differently from various
points of view
For SATB & Brass
Quintet. Composed by
Paul Leavitt.
Vocal/Choral, Sacred
Choral, Chamber Music,
Brass Quartet/Quintet.
Accompanied by brass
ensemble. Choral Octavo.
Subito Music Corporation
#YR2L13v2P. Published by
Subito Music Corporation
(SU.YR2L13V2P).
Also Available:
Full Score & Set of Brass
Parts (Cat. #YR2L13X)SATB
& brass quintet Composed:
2005 Published by: Barton
Rhodes Press Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
Soli SATB Voices, SATB Choir, 2 Ob, 2 Fg, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.70...(+)
Soli SATB Voices, SATB
Choir, 2 Ob, 2 Fg, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.7005304
Composed by Franz
Schubert. Edited by
Salome Reiser. Carus
plus: Innovative practice
aids; Sacred vocal music,
Magnificats; use during
church year: Advent,
Christmas; Carus sheet
music series: Vocal
scores XL; Stuttgart
Editions (Urtext):
Stuttgart Schubert
Edition; occasions:
Feasts of the Blessed
Virgin M. Stuttgart
Urtext Edition: Stuttgart
Schubert Edition. XL in
large print. Innovative
practice aids, Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Vocal score.
Composed 1815. D 486. 28
pages. Duration 9
minutes. Carus Verlag #CV
70.053/04. Published by
Carus Verlag
(CA.7005304).
ISBN
9790007240936. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.7005300.
New Dancing Shoes Suite Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Subito Music
Woodwind Quintet SKU: SU.32040050 For Woodwind Quintet. Composed b...(+)
Woodwind Quintet
SKU:
SU.32040050
For
Woodwind Quintet.
Composed by Amy Riebs
Mills. Woodwinds,
Woodwind Ensemble,
Chamber Music, Woodwind
Quartet/Quintet. Score &
Parts. Subito Music
Corporation #32040050.
Published by Subito Music
Corporation
(SU.32040050).
Woodwind
Quintet (Flute, Oboe,
Clarinet, Horn, Bassoon)
Duration: 6' Composed:
2012 Published by: Amy
Mills Music, LLC 3
movements I. Seven Toes
Down II. En Pointe III.
Muddy Boots This charming
suite has three short
movements, each with its
own character. The suite
bursts open with
breathless energy. Seven
Toes Down is modal, in
7/8 time, with people
dancing in bare feet on
bare ground, so
vigorously that it kicks
up the dust. En Pointe
opens with a lovely
waltz, then it focuses in
on the tiny, delicate
movements of a ballerina
high up on her toes.
Muddy Boots is big strong
guys, covered with dirt
from a hard day of work,
practicing one-upmanship.
Different players have
the chance to show what
they can do, surrounded
by their friends. Then we
catch another glimpse of
the ballerina before
closing playfully with
Seven Toes Down.
Difficulty Level: 4
(Advanced) See composer
website for audio
sample.
Violin, Oboe, Cello & Piano SKU: SU.32040060 For Violin, Oboe, Cello &...(+)
Violin, Oboe, Cello &
Piano
SKU:
SU.32040060
For
Violin, Oboe, Cello &
Piano. Composed by
Amy Riebs Mills. Chamber
Music, Piano
Quartet/Quintet. Score &
Parts. Subito Music
Corporation #32040060.
Published by Subito Music
Corporation
(SU.32040060).
Violin, Oboe,
Cello & Piano Duration:
6' Composed: 2012
Published by: Amy Mills
Music, LLC 3 movements I.
Seven Toes Down II. En
Pointe III. Muddy Boots
This charming suite has
three short movements,
each with its own
character. The suite
bursts open with
breathless energy. Seven
Toes Down is modal, in
7/8 time, with people
dancing in bare feet on
bare ground, so
vigorously that it kicks
up the dust. En Pointe
opens with a lovely
waltz, then it focuses in
on the tiny, delicate
movements of a ballerina
high up on her toes.
Muddy Boots is big strong
guys, covered with dirt
from a hard day of work,
practicing one-upmanship.
Different players have
the chance to show what
they can do, surrounded
by their friends. Then we
catch another glimpse of
the ballerina before
closing playfully with
Seven Toes Down.
Difficulty Level: 4
(Advanced) See composer
website for audio
sample.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.