Violin 2 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-16

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-16. Published by Breitkopf and Haertel (BR.OB-5558-16).

ISBN 9790004344668. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-19

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-19. Published by Breitkopf and Haertel (BR.OB-5558-19).

ISBN 9790004344675. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-23

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-23. Published by Breitkopf and Haertel (BR.OB-5558-23).

ISBN 9790004344682. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

By Janet Vogt. For piano. Take A Bow. Secular Christmas. Level: Level 1. Educational piano sheet. Published by Heritage Music Press. (70/1263H)

By Mack Wilberg. For Mixed Choir and Piano Duet. Published by Oxford University Press.

By Michael Burkhardt. For SATB choir, SA, TB. Medium-Difficult. Octavo. Published by MorningStar Music Publishers

Violin 1 (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.OB-15100-15

Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Breitkopf and Haertel #OB 15100-15. Published by Breitkopf and Haertel (BR.OB-15100-15).

ISBN 9790004339640. 10 x 12.5 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)

The first definitive author's version -.

SKU: BA.BVK00687-02

Composed by Wisso Weiß and Yoshitake Kobayashi. This edition: Complete edition. Half-leather binding. New Bach Edition (NBA). Series IX, Addenda, Volume 1. Book, Complete edition. 143/111 pages. Baerenreiter Verlag #BVK00687_02. Published by Baerenreiter Verlag (BA.BVK00687-02).

ISBN 9790006306145. 31.5 x 21.4 cm inches. Language: German.

Text volume with illustrations.

Orchestra - Grade 1.5

SKU: AP.49056S

Composed by Susan H. Day. 5 or More; MakeMusic Cloud; Performance Music Ensemble; Single Titles; Solo Small Ensembles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Score. 12 pages. Duration 2:15. Highland/Etling #00-49056S. Published by Highland/Etling (AP.49056S).

ISBN 9781470645717. UPC: 038081564197. English.

This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental-- -free of charge.

Perfect for advanced beginning orchestra, Apache Peak by Susan H. Day, takes its title from the Apache Peak, the 2nd highest mountain peak (13,441 ft) in the Indian Peaks Wilderness of Colorado. This piece tries to capture the excitement and wonder of the breathtaking mountain scenery with melodies for all, easy rhythms, terraced dynamics, and an exciting conclusion. (2:15) This title available in MakeMusic Cloud.

Choir

SKU: HP.C5322C

Arranged by Joel Raney. Piano Accompaniment with Optional 4-Hand Piano. Communion, Hymntune, Commemoration, Lent, Holy Week, Communion, Commitment, Cross of Christ, Devotion, Discipleship, Redemption, Sacrifice, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5322C. Published by Hope Publishing Company (HP.C5322C).

UPC: 763628953225. By Elizabeth Clephane. 1 Corinthians 10:4, Galatians 2:20, Galatians 6:14, Isaiah 32:2, Luke 23:49, Mark 15:39-41, Matthew 6:1-6,16-21, Matthew 27:54-56, Philippians 3:10.

Popular hymn by Elizabeth Clephane and Frederick Mayer Joel Raney's lush choral writing and full-range 4-hand piano accompaniment lend drama to this time honored hymn that reminds us that because Christ died, was buried and rose again, believers can take their stand with confidence beneath his cross. Perfect for Holy Week or anytime throughout the church year.

Organ

SKU: CA.1817800

Composed by Charles Marie Widor. Edited by Georg Koch. Free organ music. Full score. Op. 13,2. 64 pages. Duration 35 minutes. Carus Verlag #CV 18.178/00. Published by Carus Verlag (CA.1817800).

ISBN 9790007187217. Language: all languages.

Widor's early organ symphonies op. 13 have a quite special character because of their suite-like structure. The six-movement Symphony II also combines different types of movement in an unusual way; for example, it includes a Praeludium Circulare, which explores all the twelve keys, a Salve Regina based on the Gregorian antiphon of the same name, and a grand Toccata as the Finale, an interesting precursor of the famous Toccata from the 5th Symphony. The Carus edition is based on the Paris edition of 1928/29, the last one to be published during Widor's lifetime. The corrections which the composer made after the publication of the 1928-29 edition have also been taken into consideration. As well as this, earlier editions have been consulted for comparison to clarify individual variant readings. Editorial suggestions on the performance of individual passages complete the new edition. Great organ works: Series A: - Symphony II op. 13 no. 2 - Symphony IV op. 13 no. 4 - Symphony V op. 42 no. 1 - Symphony VI op. 42 no. 2 - Symphony Romane op. 73 in preparation Subscription offer for Series A:20% discount off the retail price.

SAB choir, piano accompaniment, guitar, C instrument - Beginning

SKU: GI.G-7156

Composed by Kathy Powell. Ordinary Time 30 C. Choral. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7156. Published by GIA Publications (GI.G-7156).

UPC: 785147715603. English. Text by Mary Louise Bringle. Scripture: Psalm 17:8, Psalm 22:15, Psalm 30:5, Psalm 57:1, Psalm 91:1–6, Psalm 126:5–6, Deuteronomy 32:11, Luke 13:34.

With echoes of Psalms 91 and 126, and the use of some feminine images of God, this SAB piece is a celebration of confidence and comfort at being held in God's love. It has a most interesting harmonic development that takes us on a journey of harmonic progressions that does not resolve to tonic until the final measure. Guitar part is optional.

Piano - Intermediate

SKU: AP.47082

Composed by Shirley Mier. Duet or Duo; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. The Alfred Duet Series. Recital. Score. 8 pages. Alfred Music #00-47082. Published by Alfred Music (AP.47082).

ISBN 9781470640408. UPC: 038081539959. English.

A beautiful melody in the primo part opens this lyrical intermediate-level duet. Underneath this melody is an ostinato figure in the secondo that provides rhythmic energy. In the middle section, the secondo introduces a new flowing melody. Both melodies require performers to shape the phrases and take time to let them sing. Students are challenged to focus on balance and tempo changes to create an expressive performance.

SATB vocal soli, SATB choir, 2 violins, basso continuo

SKU: CA.4063300

Composed by Johann Valentin Rathgeber. Edited by Wilfried Dotzauer. Arranged by Wilfried Dotzauer. This edition: Paperbound. German title: Missa Suavis est Dominus. Sacred vocal music, Masses, Latin. Full score. Composed 1721. Op. 1, No. 3. 48 pages. Duration 12 minutes. Carus Verlag #CV 40.633/00. Published by Carus Verlag (CA.4063300).

ISBN 9790007074906. Key: A major. Language: Latin.

The technical demands made on the vocal soloists (and also on the instrumentalists) are no greater in the soli than in the tutti sections. Therefore there ist no need for highly accomplished solo singers; members of the choir can take the solo parts. This Mass can also be performed accompanied only by an organ.

Orchestra String Orchestra - medium easy

SKU: CF.CAS23

Composed by James Uhl. Carl Fischer Concert String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS23. Published by Carl Fischer Music (CF.CAS23).

ISBN 9780825858222. UPC: 798408058227. 8.5 X 11 inches. Key: A minor.

A strong new composition for advancing groups, this dark and mysterious piece is both lyrical and lush. Reminiscent of Danse Macabre by Saint-Saëns, this work would be a great addition to any fall concert!.
Diabolique (Dya- baw- leek), a. 1. Of the Devil 2. Fiendish: devilish: wicked.Danse Diabolique is a moody piece. It is meant to evoke images of a moonlit Halloween night, alive with fiendish creatures engaged in a demonic dance. Inspired by the work of French composer Camille Saint-Saëns, this piece is best characterized by the expressive marking, sinister.The melody of this 6/8 piece is played in a smooth, legato style in contrast to the crisp pizzicato accompaniment. Care should be taken never to rush the pizzicato passages. Dynamics should be emphasized throughout, and sixteenth notes should be played off the string, with accuracy, in a spiccato style.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra String Orchestra - Grade 2

SKU: FJ.ST6219S

Score Only. Composed by William Owens. Series; String Orchestra. FJH Developing Strings. Halloween; Light Concert; Novelty. Score. Duration 1:45. The FJH Music Company Inc #98-ST6219S. Published by The FJH Music Company Inc (FJ.ST6219S).

English.

Driving rhythmic patterns and a brisk tempo are at the center of this eerie musical journey on a fictitious phantom train. Haunting melodic lines along with moments of discord paint a vivid picture of a doomed phantom juggernaut in eternal search of a final destination. Climb aboard and take a ride-if you dare!

SAT vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, 2 violins, viola, basso continuo

SKU: CA.3114409

Cantata for the Sunday Septuagesima. Composed by Johann Sebastian Bach. Edited by Klaus Burmeister. This edition: urtext. 1x 31.144/21 oboe 1, 1x 31.144/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. German title: Nimm, was dein ist, und gehe hin 2. Sacred vocal music, Cantatas, Special days, Holy Week. Set of Orchestra Parts. Composed 1724. BWV 144. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.144/09. Published by Carus Verlag (CA.3114409).

ISBN 9790007208301. Key: B minor. Language: German/English.

Sco re available separately - see item CA.3114400.

SAT vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, 2 violins, viola, basso continuo

SKU: CA.3114411

Cantata for the Sunday Septuagesima. Composed by Johann Sebastian Bach. Edited by Klaus Burmeister. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nimm, was dein ist, und gehe hin. Sacred vocal music, Cantatas, Special days, Holy Week. Single Part, Violin 1. Composed 1724. BWV 144. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.144/11. Published by Carus Verlag (CA.3114411).

ISBN 9790007208318. Key: B minor. Language: German/English.

Sco re available separately - see item CA.3114400.

Composed by Linda R. Lamb. For handbell choir (2 octaves) (with optional 2 octave handchimes). Christmas, New Year. Level 1. Handbell score. SoundForth #20/1800SF. Published by SoundForth

Choral (Studiotrax CD)

SKU: HL.35016436

Composed by Joseph M. Martin. Shawnee Sacred. Choral. Shawnee Press #MD5504. Published by Shawnee Press (HL.35016436).

UPC: 747510073826. 5x6 inches. J. Paul Williams/Joseph M. Martin.

Uses: General

Scriptu re: Genesis 1; Psalm 107:25

One of the most successful anthems from the writing team of Williams and Martin, this monumental composition is a glorious affirmation of the Living God. Music of scope combines with a message of power in this sacred tone poem which takes its inspiration from the book of Job. Dynamic writing makes this piece a transforming experience for your choir. Score and Parts (fl 1-2, ob/eng hn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113011

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/11. Published by Carus Verlag (CA.3113011).

ISBN 9790007207830. Text language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.

By Helen Marlais with Peggy O'Dell and Kristen Avila. For piano. The FJH Pianist's Curriculum!. Instructional. Book

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS126F

Composed by Sam Gelfer. Full score. 8 pages. Duration 2 minutes, 2 seconds. Carl Fischer Music #FAS126F. Published by Carl Fischer Music (CF.FAS126F).

ISBN 9781491162927. UPC: 680160921676. Key: B minor.

Take your orchestra on a soaring journey with upward rising phrases in this original work for young players. All sections explore the key of B minor with no extended finger patterns in this exciting theme. The first violin section ventures into notes on the E string, and all students will get to practice easy hooked bowing. Ascension offers students an adventure in a new key and tonality within a dramatic performance piece.