For God has Loved the World so Well, BWV 68. By Johann Sebastian Bach. Arranged ...(+)
For God has Loved the
World so Well, BWV 68. By
Johann Sebastian Bach.
Arranged by Hans
Grischkat. (Study
Score). Schott. 38 pages.
Published by Eulenburg.
For
Orchestra (2013) Music of
Our Time Series.
Composed by Ryan
Wigglesworth. Arranged by
Ryan Wigglesworth. This
edition: Saddle
stitching. Sheet music.
Study Score. Classical.
Softcover. Composed 2013.
60 pages. Duration 1020
seconds. Schott Music
#ED13930. Published by
Schott Music
(HL.49045520).
ISBN
9790220137198. UPC:
841886028876.
8.25x11.75x0.2
inches.
Locke's
Theatre, an orchestral
work in three short
movements, takes as its
departure point
incidental music written
for Shakespeare's The
Tempest by the
seventeenth-century
English composer Matthew
Locke. Aspects of Locke's
idiosyncratic and
daringly advanced
harmonic and rhythmic
language were to be
adopted (some might say
perfected) by his younger
friend and protege Henry
Purcell. But it is the
very rawness and
directness of Locke's
theatre music that I
wished to acknowledge and
emulate. In each of my
work's three movements -
entitled respectively
'The First Music',
'Rustic Music', and
'Curtain Music (with
Storm)' - the baroque
originals, though very
often submerged, remain a
constant, shadowy
presence. Locke's Theatre
was commissioned by the
Aldeburgh Festival to
mark the centenary of
Benjamin Britten's birth.
-Ryan Wigglesworth.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 36 pages. Duration
65'. Breitkopf and
Haertel #OB 14619-15.
Published by Breitkopf
and Haertel
(BR.OB-14619-15).
ISBN
9790004344774. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
SATB Choir a Cappella SKU: HL.48187531 Composed by Darius Milhaud. Heugel...(+)
SATB Choir a Cappella
SKU: HL.48187531
Composed by Darius
Milhaud. Heugel.
Classical. Softcover. 12
pages. Heugel & Cie
#HE31212. Published by
Heugel & Cie
(HL.48187531).
UPC:
888680843786. 0.116
inches.
Composed by
Darius Milhaud, Valaisian
Quatrains is a piece for
SCBT a capella, based on
poems by Rainer Maria
Rilke. This piece
features five different
parts, each one from a
poem, whose lyrics are
inspired by the Valais
area in Switzerland. The
composition includes
polytonality and
polyrhythms that make it
highly lyrical, cheerful
and nice to sing. The
five poems selected are:
1. Pays, arrete a
mi-chemin / Country that
stops half-way... 2. Rose
de lumiere / Rose of
Light 3. L'annee tourne /
The year revolves 4.
Chemins qui ne menent
nulle part / Paths that
take you nowhere 5. Beau
papillon / Lovely
butterfly Darius Milhaud
(1892-1974) was a
composer and a teacher
who was also known to be
part of Les Six. His
composition were known to
use politonality and to
include some
characteristics drawns
from the jazz genre..
Workbook
(English/French/German
Language Edition).
Composed by Jim McNeely.
Keyboard/Piano;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music. Jazz. Book and CD.
Advance Music
#01-ADV9014. Published by
Advance Music
(AP.1-ADV9014).
ISBN
9783892210368. UPC:
805095090147.
English.
The Art of
Comping is a hands-on,
first-of-its-kind
workbook which encourages
practice of this
often-overlooked aspect
of jazz piano playing. It
provides specific
suggestions and chord
voicings for each tune
and the CD features both
demonstration and
play-along tracks.
Titles:
Introduction * General
Suggestions * Blues for
Wanda * Crossroads *
'Round Midnight' * Karita
* Give and Take * Last
Minute * Suggested
Listening.
Choral SA choir, piano SKU: CF.CM9425 No. 3 from Mark the Music!. ...(+)
Choral SA choir, piano
SKU: CF.CM9425
No. 3 from Mark the
Music!. Composed by
David Ashley White. Fold.
Performance. With
Standard notation. 8
pages. Duration 1 minute,
1 seconds. Carl Fischer
Music #CM9425. Published
by Carl Fischer Music
(CF.CM9425).
ISBN
9781491142332. UPC:
680160630394. 6.875 x
10.5 inches. Text:
William Shakespeare.
William
Shakespeare.
The
writing of David Ashley
White demonstrates a
varied approach to
texture, mood, and
voicing. His choral
cycle, Mark the Music!,
takes its title from
Lorenzo's Admonition in
The Merchant of Venice.
Full Fathom Five, which
uses text from The
Tempest, is mysterious
and laden with
opportunities for drama
and storytelling. This
movement for women's
voices can stand alone or
be paired with the tenor
and bass movement (CM9439
IV.O Mistress Mine), or
with SATB three-movement
(Mark the Music!, CM9469)
all with piano
accompaniment.
Composed by Virginia
Croft. Carl Fischer First
Plus String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 8 pages. Carl
Fischer Music #FAS35.
Published by Carl Fischer
Music (CF.FAS35).
ISBN
9780825861079. UPC:
798408061074. 8.5 X 11
inches. Key: G
major.
Your
orchestra will really
sparkle with this sempre
pizzicato piece. So, put
down the bows and enjoy
this tuneful original
piece from award winning
educator Virginia Croft.
A real
treat!. Sparklers is a
lively adventure in
pizzicato technique, in
which every string voice
takes an important role
along the way. The middle
section at m.20, in which
the little motives are
passed rapidly among the
sections of the
orchestra, may offer some
counting challenges to
your students and will
certainly keep them
alert! Put down your bows
and sparkle!
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1732. BWV 177. 8 pages.
Duration 13 minutes.
Carus Verlag #CV
31.177/11. Published by
Carus Verlag
(CA.3117711).
ISBN
9790007209810. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and part available
separately - see item
CA.3117700.
SKU: KV.3612538 Composed by Sarah Watts and Rebecca Holt. This edition: s...(+)
SKU: KV.3612538
Composed by Sarah Watts
and Rebecca Holt. This
edition: spiral-bound.
Hot Keys. Book , CD.
Published by Kevin Mayhew
Publishers (KV.3612538).
ISBN 9781848677869.
200mm x 280.5mm
inches.
Improvisati
on and creativity are
encouraged from the
start, with duets
throughout the book to
introduce ensemble
playing. Although aimed
at students from 13
years, the up-beat pieces
and approach make it just
as suitable for
adults.
Hot Keys
teaches piano technique
and music literacy in a
rounded and imaginative
way. Both note reading
and pattern recognition
are of equal importance
to creative opportunities
such as composition,
improvisation and playing
by ear. Many of the
pieces have words to aid
note and rhythm learning,
and there are inspiring
accompaniments for the
teacher to play. The
innovative ideas and
exercises encourage a
good foundation and make
learning the piano an
enjoyable experience.
Teacher and student parts
are both available on the
CD and MP3 backing
tracks, which also
include a rhythm
section.
This
book takes the student
from complete beginner to
Grade 1 standard in
classical or jazz
piano.
SATB chorus and organ - Medium-difficult / medium-difficult acc. SKU: JK.0096...(+)
SATB chorus and organ -
Medium-difficult /
medium-difficult acc.
SKU: JK.00969
Composed by John Bacchus
Dykes. Arranged by Nancy
L. Oliver. Choral SATB,
Difficulty Medium Hard,
Languages Spanish, Organ
Choir, Hope, Jesus Christ
- Friend, Jesus Christ -
Savior, Peace. Christian,
Inspirational. Duration
2:45. Jackman Music
Corporation #00969.
Published by Jackman
Music Corporation
(JK.00969).
Psalm
104:34, Enos
1:27.
Reverent
hymn arrangement for
mixed chorus (SATB) and
organ, beginning in
unison and gradually
broadening to a full
eight part
choir--particularly
appropriate for a stake
choir. Includes both
English and Spanish
text. Composer: John
B. Dykes Arranger:
Nancy L. Oliver
Lyricist: attributed to
Bernard of Clair Vaux
Difficulty:
Medium-difficult /
medium-difficult acc.
Performance time:
2:45 Preference: Psalm
104:34, Enos 1:27.
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1.5
SKU:
CF.FAS70F
16.
Composed by Bill Calhoun.
SWS. Carl Fischer First
Plus String Orchestra
Series. Full score. 60
pages. Carl Fischer Music
#FAS70F. Published by
Carl Fischer Music
(CF.FAS70F).
ISBN
9780825888885. UPC:
798408088880. 8.5 x 11
inches.
Bill
Calhoun’s
popularity as a composer
is growing quickly; and
no wonder, given his
knack for writing
exciting, elegant and
well-scored works for
young performance groups.
Night Flight’s
fearless melody takes the
players and audience on a
musical journey of flight
into the night sky. A
perfect selection to
showcase your developing
string orchestra at a
contest or festival
performance.
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Ernst Herttrich.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Part.
16 pages. Duration 33'.
Breitkopf and Haertel #OB
15115-15. Published by
Breitkopf and Haertel
(BR.OB-15115-15).
ISBN
9790004340646. 10 x 12.5
inches.
Tchaikovsky
had the printing of his
epoch-making violin
concerto supervised with
great care, and he even
examined the proofs
himself for the
publication of the
version for violin and
piano in 1878, which was
followed by the
orchestral parts the
following year and the
score in 1888. After many
editions and respective
arrangements by Leopold
Auer in 1899, Fritz
Kreisler in 1939 and,
most recently, by
Konstantin G. Mostras and
David Oistrakh, based on
Auer comes an Urtext
edition that takes into
account all surviving
sources and critically
evaluates them, a matter
of great importance for
both scholars and
performing artists.
Choir; rhythm SKU: HP.C5355R Composed by Chris Tomlin. Arranged by Jack S...(+)
Choir; rhythm
SKU:
HP.C5355R
Composed by
Chris Tomlin. Arranged by
Jack Schrader.
Contemporary, Hymntune,
Christmas, General
Worship, Commitment,
Devotion, Humility,
Sacred. Rhythm Parts.
Hope Publishing Company
#C5355R. Published by
Hope Publishing Company
(HP.C5355R).
UPC:
763628253554. By Chris
Tomlin. Romans 12:1-2,
Revelation 4:8,10, Psalms
90:1-6.
Popular
worship song by Chris
Tomlin This popular
worship song from Chris
Tomlin is gien an
artistic treatment by
arranger Jack Schrader.
The inclusion of a verse
of Take My Life and Let
It Be is an especially
poignant moment,
high-lighting the theme
of devotion and
commitment.
Score Only.
Composed by Stephen
Bulla. Arranged by
Stephen Bulla. Series;
String Orchestra. FJH
Developing Strings.
Score. Duration 1:59. The
FJH Music Company Inc
#98-ST6022S. Published by
The FJH Music Company Inc
(FJ.ST6022S).
English.
Take
your audience on a
musical journey in this
simplified melodic
setting of the timeless
spiritual Joshua Fit the
Battle of Jericho. Cellos
and basses are doubled
throughout with very
limited demands on the
entire ensemble.
Rehearsal piano part is
included.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Hauschild combines
source criticism with the
demands of performance
practice, while keeping
the Critical Notes brief
(it goes without saying
that they are in the
score). His editorial
emendations can thus be
checked immediately.
Symphony; Classical.
Part. 16 pages. Duration
27'. Breitkopf and
Haertel #OB 5238-15.
Published by Breitkopf
and Haertel
(BR.OB-5238-15).
ISBN
9790004335420. 10 x 12.5
inches.
Ludwig van
Beethoven composed his
Eighth Symphony op. 93 in
1811/1812. As a
consequence of the
wartime upheavals of
those years, the world
premiere of the work did
not take place until 27
February 1814 in Vienna
under the composer's
direction.Hauschilds new
edition is based on all
the major primary
sources. With masterful
expertise, Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately. Whoever
seeks more about how the
Breitkopf new edition
differs from other
available editions will
also find this
information quickly and
easily.
Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately.
SBar solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orches...(+)
SBar solo voices,
children's and SATB
choirs, orchestra/chamber
ensemble (Orchestra:
2.2.2.2-2.2.0.0-timp.perc
(2 players).hp-str
Chamber ensemble: fl, ob,
cl, bsn, hn, timp, perc
(1 or 2 players), hp, db,
org) - easy
SKU:
OU.9780193380950
Composed by John Rutter.
This edition: paperback.
Choral Works (inc.
Oratorios). Contemporary,
Choral Works. Children's
choir part. 32 pages.
Duration 37'. Oxford
University Press
#9780193380950. Published
by Oxford University
Press (OU.9780193380950).
ISBN 9780193380950. 10
x 7 inches.
For
soprano and baritone
soloists, children's
choir, adult choir, and
orchestra or chamber
ensemble The text is that
of a standard Latin Missa
brevis, to which several
relevant English poetic
texts have been added.
The first and last of
these are taken from
Bishop Thomas Ken's
renowned morning and
evening hymns for the
scholars of Winchester
College. They give the
whole work the framework
of a complete day, from
waking to sleeping,
within which other texts
and moods appear like
events in that day or
landmarks in a life.
Vocal scores are
available on sale or on
hire from the publisher.
Instrumental material is
available on hire from
the publisher.
Arranged by Benjamin Harlan. For SATB choir and congregation (SATB). Shawnee Pre...(+)
Arranged by Benjamin
Harlan. For SATB choir
and congregation (SATB).
Shawnee Press. Sacred,
Thanksgiving. 16 pages.
Shawnee Press #A8888.
Published by Shawnee
Press
Chorus (with soloists) and orchestra SKU: BR.PB-5651 Fragments Symphon...(+)
Chorus (with soloists)
and orchestra
SKU:
BR.PB-5651
Fragments Symphoniques
- Urtext of the
Suites. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Choir; Softbound.
Partitur-Bibliothek
(Score Library). Suite;
Early modern. Sheet
Music. Breitkopf and
Haertel #PB 5651.
Published by Breitkopf
and Haertel (BR.PB-5651).
ISBN 9790004215487.
10.5 x 14
inches.
The ballet,
a masterpiece of
Impressionist
orchestration, is now
followed by new Urtext
editions of the
well-known Daphnis
Suites, both edited by
Ravel expert
Jean-Francois Monnard.
Ravel extracted two
suites, two Fragements
Symphoniques: the work
now known as the First
Suite was published
before the first
performance of the
ballet. It served as a
test for the composer,
who wanted to present the
just orchestrated pages
in concert. Suite No. 1
was premiered in April
1911, but its reception
was disastrous. It was
not until three years
later that Suite No. 2
was performed. It takes
up the third and last
part of the ballet
unchanged. It is largely
thanks to this suite,
with its richness of
color in the famous Lever
du jour, that the work is
known.The large format of
the conducting score as
well as the orchestral
parts allow good
readability and support
the clarity and
transparency of the
modern notation. The
already published piano
reduction EB 9422 can
also be used for the
suites due to the double
bar count and information
about the layout of the
suites.
Chorus (with soloists) and orchestra SKU: BR.PB-5652 Fragments Symphon...(+)
Chorus (with soloists)
and orchestra
SKU:
BR.PB-5652
Fragments Symphoniques
- Urtext of the
Suites. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Choir; Softbound.
Partitur-Bibliothek
(Score Library). Suite;
Early modern. Sheet
Music. Breitkopf and
Haertel #PB 5652.
Published by Breitkopf
and Haertel (BR.PB-5652).
ISBN 9790004215494.
10.5 x 14
inches.
The ballet,
a masterpiece of
Impressionist
orchestration, is now
followed by new Urtext
editions of the
well-known Daphnis
Suites, both edited by
Ravel expert
Jean-Francois Monnard.
Ravel extracted two
suites, two Fragements
Symphoniques: the work
now known as the First
Suite was published
before the first
performance of the
ballet. It served as a
test for the composer,
who wanted to present the
just orchestrated pages
in concert. Suite No. 1
was premiered in April
1911, but its reception
was disastrous. It was
not until three years
later that Suite No. 2
was performed. It takes
up the third and last
part of the ballet
unchanged. It is largely
thanks to this suite,
with its richness of
color in the famous Lever
du jour, that the work is
known.The large format of
the conducting score as
well as the orchestral
parts allow good
readability and support
the clarity and
transparency of the
modern notation. The
already published piano
reduction EB 9422 can
also be used for the
suites due to the double
bar count and information
about the layout of the
suites.