SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111911
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Single Part,
Violin 1. Composed 1723.
BWV 119. 4 pages.
Duration 27 minutes.
Carus Verlag #CV
31.119/11. Published by
Carus Verlag
(CA.3111911).
ISBN
9790007048754. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and part available
separately - see item
CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111909
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. 2x 31.119/21 2
flutes, 1x 31.119/22 oboe
1, 1x 31.119/23 oboe 2,
1x 31.119/24 oboe 3, 5x
31.119/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. Preise,
Jerusalem Neuausgabe
U.Wolf. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks. Set of Orchestra
Parts. Composed 1723. BWV
119. 36 pages. Duration
27 minutes. Carus Verlag
#CV 31.119/09. Published
by Carus Verlag
(CA.3111909).
ISBN
9790007048747. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and parts available
separately - see item
CA.3111900.
Jazz Ensemble standard jazz ensemble with opt. flute, clarinet & F horn - Grade ...(+)
Jazz Ensemble standard
jazz ensemble with opt.
flute, clarinet & F horn
- Grade 1
SKU:
KN.41928S
Composed by
George Shutack Doug
Beach. Jazz Foundations
Series. Kendor Music Inc
#41928S. Published by
Kendor Music Inc
(KN.41928S).
UPC:
822795419288.
Take
a strong R&B groove, add
a fun-to-play melody with
a catchy hook, stir in
some solid ensemble
writing, and you have the
recipe for a rock chart
that will be a hit with
students and audiences
alike. The solo section
features a 16-bar blues
that will be a great
vehicle for young
soloists to develop their
jazz chops. Scored at the
very easy level for 5
horns with rhythm section
and expandable to full
big band, written or ad
lib solos for all and
optional parts for flute,
clarinet and horn in F
are included. Duration
4:52.
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Shin Augustinus
Kojima. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 28 pages.
Breitkopf and Haertel #PB
14590. Published by
Breitkopf and Haertel
(BR.PB-14590).
ISBN
9790004211120. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
The piano
reduction and the study
score (,,Studien-Edition)
are available at G. Henle
Verlag.
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 24 pages. Breitkopf
and Haertel #OB 5533-20.
Published by Breitkopf
and Haertel
(BR.OB-5533-20).
ISBN
9790004341209. 10 x 12.5
inches.
Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated.
Voice(s) and orchestra (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1....(+)
Voice(s) and orchestra
(solos: SATB - 0.0.0.0. -
2.1.0.0. - hp - org -
str: 1.1.2(obl.).1.1.)
SKU: BR.PB-5533
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling. Voice;
Softbound.
Partitur-Bibliothek
(Score Library).
The
present setting of the
Seven Last Words of Jesus
Christ grippingly depicts
the story of Christ's
Crucifixion in fourteen
Musical Dialogues. Listen
to the world premiere
recording of this major
work of the Neapolitan
Baroque, performed by the
Akadem. Solo concerto;
Baroque. Full score. 80
pages. Breitkopf and
Haertel #PB 5533.
Published by Breitkopf
and Haertel (BR.PB-5533).
ISBN 9790004212622. 10
x 12.5
inches.
Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated.
Composed by Kathryn
Griesinger. Series;
String Orchestra. FJH
Beginning Strings.
Masterwork Arrangement.
Score and Part(s). The
FJH Music Company Inc
#98-ST6503. Published by
The FJH Music Company Inc
(FJ.ST6503).
UPC:
241444414672.
English.
Feature
every section of your
orchestra in this
swashbuckling piece!
Three distinct pirate
themes are given to the
violins, violas, and
cellos/basses to allow
all players a chance to
shine. All seafaring
melodies stay in first
position with minimal
low-two finger patterns
and lots of doubling for
a big, full sound. Each
section takes an
adventurous turn into new
tonalities before joining
forces at the end for a
triumphant finale!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Shin
Augustinus Kojima.
Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Part. 8 pages.
Breitkopf and Haertel #OB
14590-27. Published by
Breitkopf and Haertel
(BR.OB-14590-27).
ISBN
9790004336434. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Shin
Augustinus Kojima.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 14590-16.
Published by Breitkopf
and Haertel
(BR.OB-14590-16).
ISBN
9790004336403. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Shin
Augustinus Kojima.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 14590-23.
Published by Breitkopf
and Haertel
(BR.OB-14590-23).
ISBN
9790004336427. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Shin
Augustinus Kojima.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical. Set
of parts. 14 pages.
Breitkopf and Haertel #OB
14590-30. Published by
Breitkopf and Haertel
(BR.OB-14590-30).
ISBN
9790004336441. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
Orchestra String Orchestra - Grade 0.5 SKU: FJ.ST6537 Composed by Morgan ...(+)
Orchestra String
Orchestra - Grade 0.5
SKU: FJ.ST6537
Composed by Morgan
Denney. MakeMusic Cloud;
String Orchestra. FJH
Beginning Strings. Score
and Part(s). The FJH
Music Company Inc
#98-ST6537. Published by
The FJH Music Company Inc
(FJ.ST6537).
UPC:
241444438824.
English.
Depicting
a scenic drive up the
historic first road in
Rocky Mountain National
Park, this highly
accessible work is based
on a D major scale with
stepwise motion in all
parts and string
crossings on open
strings. Musical motifs
are shared throughout the
ensemble as the beauty of
nature takes center stage
in this peaceful, yet
joyful work.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Viola
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-19
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: viola part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-19.
Published by Breitkopf
and Haertel
(BR.OB-5299-19).
ISBN
9790004339312. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violoncello
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-23
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: cello part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-23.
Published by Breitkopf
and Haertel
(BR.OB-5299-23).
ISBN
9790004339329. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violin 2
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-16
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: violin 2
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-16.
Published by Breitkopf
and Haertel
(BR.OB-5299-16).
ISBN
9790004339305. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Double bass
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-27
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: double bass
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 4 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-27.
Published by Breitkopf
and Haertel
(BR.OB-5299-27).
ISBN
9790004339336. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Woodwinds
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-30
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: wind parts.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois Monnard's
new Urtext edition is the
first to be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Set of parts. 134
pages. Duration 16'.
Breitkopf and Haertel #OB
5299-30. Published by
Breitkopf and Haertel
(BR.OB-5299-30).
ISBN
9790004339343. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Kantate zum 2.
Weihnachtstag.
Composed by Georg Philipp
Telemann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: O Jesu
Christ, dein Kripplein
ist. Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 1. TVWV 1:1200. 8
pages. Duration 15
minutes. Carus Verlag #CV
39.492/11. Published by
Carus Verlag
(CA.3949211).
ISBN
9790007056315. Language:
German/English.
Two
straightforward four-part
choral movements frame
three solo movements. The
tonal language of this
easily performable work,
taken from a cantata
publication of 1748,
combines baroque
pictorial quality and
playfulness with rococo
grace and sensitivity.
Score and part available
separately - see item
CA.3949200.
Vespers
1610. Composed by
Claudio Monteverdi.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Marienvesper. Innovative
practice aids, Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. SV 206. 24
pages. Duration 90
minutes. Carus Verlag #CV
27.801/11. Published by
Carus Verlag
(CA.2780111).
ISBN
9790007202699. Language:
Latin.
As with
scarcely any other work
of the 17th century,
Monteverdi's Vespers has
found its way into
today's repertoire.
Nevertheless, the Vespers
still leaves open many
questions. The new
edition, with its
critical examination of
the sources, takes up
these oft-discussed
issues concerning scoring
possibilities,
performance practice,
transpositions and
liturgical unity. It is
based on all of the
surviving copies of the
print of 1610 and the
earliest handwritten
entries have also been
critically examined and
evaluated. Performance
material is organized in
a flexible manner to
allow for the use of
different instruments in
those movements without
obbligato instruments in
order to reinforce the
vocal parts and thus
invites an individual
musical approach to the
challenge presented by
Monteverdi's Vespers.
Score and part available
separately - see item
CA.2780100.
Vespers
1610. Composed by
Claudio Monteverdi.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Marienvesper. Innovative
practice aids, Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 1. SV 206. 20
pages. Duration 90
minutes. Carus Verlag #CV
27.801/14. Published by
Carus Verlag
(CA.2780114).
ISBN
9790007202729. Language:
Latin.
As with
scarcely any other work
of the 17th century,
Monteverdi's Vespers has
found its way into
today's repertoire.
Nevertheless, the Vespers
still leaves open many
questions. The new
edition, with its
critical examination of
the sources, takes up
these oft-discussed
issues concerning scoring
possibilities,
performance practice,
transpositions and
liturgical unity. It is
based on all of the
surviving copies of the
print of 1610 and the
earliest handwritten
entries have also been
critically examined and
evaluated. Performance
material is organized in
a flexible manner to
allow for the use of
different instruments in
those movements without
obbligato instruments in
order to reinforce the
vocal parts and thus
invites an individual
musical approach to the
challenge presented by
Monteverdi's Vespers.
Score and part available
separately - see item
CA.2780100.