Par FINE ELAINE. Although the practice of scales is essential to building and maintaining strength, technique, tone, and agility?it is very easy to slip into the habit of playing them automatically, without paying attention to how they sound or even being aware of what scale we are playing. The 29 single-page studies in this book are designed to combat that tendency as they are musically, intellectually, and rhythmically challenging.The first 24 studies proceeded through the circle of fifths and address all minor and relative major keys; the last 5 pieces were individually conceived, i.e., apart from the circle of fifths. Occasional fingerings or position guides are suggested but these are largely left to the student or their teachers. No metronome indications are given so that the etudes can be played at individually comfortable tempos?with or without a metronome, or freely as concert etudes. It is the stepwise motion and octave leaps of the etudes that makes the intervals between pitches easy to hear, even in keys with numerous flats or sharps.Just as in Elaine Fine?s more basic scale etude book, Violin Scale Tales, the names of the etudes herein refer to various animals that have scales, including insects, fish, birds, reptiles, a few species of squirrels with scales on their tails, and the solitary pangolin, the only known mammal whose entire body is covered with scales. Again, the author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures, or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

Par FINE ELAINE. The etudes in this book offer students a musically and intellectually satisfying means of practicing scales in all major and minor keys, even while remaining in first position. Although presented in the traditional order of the circle of fifths, this is where similarities to other violin scale-oriented books end.Of course, the etudes can be played using a mixture of positions by more advanced students. The studies also resonate very well on the viola if played at pitch. These are instructive etudes and can be played as appealing solo pieces. The stepwise motion in the etudes makes intervals between pitches easy to hear, even in keys with many flats or sharps.Both the book and etude titles refer to names of animals that have scales, so you will see natural and harmonic minor scales named after various moths, and major scales named for unusual reptiles, birds, and mammals throughout. The author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing animals or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

Par BURTON ISAAC. A comprehensive book featuring 1, 2, and 3-octave major and minor scales and arpeggios, the chromatic scale, modal scales, and more. The scales presented here cover a number of technical objectives. Fingerings are sparsely indicated to encourage self-reliance and exploration by the student. / Niveau : Débutant à Intermédiaire / All Styles - Technic / Etude / Violon

Violin Scales and Arpeggios Grade 8 contains all the scales and arpeggios required for ABRSM's Grade 8 Violin exam.Includes all scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, helpful introduction including advice on preparing for the exam, all in a user-friendly format and clear page layout.NB: Revised scale and sight-reading requirements come into effect for all bowed strings instruments from 1 January 2012. Unlike with the new Violin set pieces, there is no overlap period for the new scale and sight-reading requirements. The current requirements end on 31 December 2011. The new requirements do, however, represent a longer-term change and extend beyond the four years of the Violin syllabus. / Violon / Partition

Dans la méthode Pascale pour les débutants de violon lire les notes et jouent de leurs instruments dès le premier jour. Durant le programme de 12 semaines, ils maîtriser les compétences rapidement et facilement. Cette méthode de violon Galamian à base comprend un DVD qui présente tous les exercices en détail, interprété par de vrais élèves aussi jeunes que 5 ans, des objectifs clairement définis écrites dans chaque mission de pratique hebdomadaire, la théorie et le rythme des feuilles de calcul avec des flashcards, des quiz, des conseils et amusantes anecdotes, un outil facile à utiliser glossaire, et même un diplôme pour le diplômé! Le compagnon Autocollant Buddies 12 Leçon Pak fournit à l'étudiant une manière ludique et interactive pour terminer chaque leçon et est vendu séparément. / Violon

Media Type : Book Level : Intermediate Musical Genre : All Styles Number of pages : 72 Designed to help people master all 24 major and minor scales. In this book, first, all the violin scales are re-organized to be more simple, practical, and easy to learn. Then all the fingerings of the single-stop scales are classified into only a few basic patterns. When practicing, violinists can study these fingering patterns first and then use them to play all 24 scales easily. Finally, all the fingerings of the double-stop scales are also re-edited to make them as simple as possible. With this approach, the process of learning violin scales is much easier than before.

?evcík's oeuvre covers every area of violin technique, from the elementary level to special exercises on individual technical problems all the way to analytical studies of the best-known violin concertos. One of his most important pedagogical works is his opus 8, written between 1892 and 1895.This volume of exercises is devoted to changes of position and preparatory studies for scales over three octaves (in 3rds, 6ths, octaves and 10ths).Our new edition is based essentially on the original print, issued in the early 20th century, and on sources from ?evcík's posthumous papers.The editor, Jaroslav Foltýn, is professor of violin at Prague Conservatory, a position once held by ?evcík himself.- A fundamental pedagogical work from a superb violin teacher- With methodological notes by the editor (Cz/Eng/Ger)- Moderate level of difficulty / Violon

Description Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane

A series available as violin duets or violin and piano.Whether a student or a great artist, the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice, the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound, as much can betaught by good example. This music is also available for violin and piano with piano accompaniments written by Heidi Rolfe.Finally I think that children enjoy the challenge of expressing different moods and emotions musically, and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination. / 2 Violons

Par SCHRADIECK HENRY. This publication combines three books of Violin Technics with the added bonus of the Scale Studies into one affordable volume. / Date parution : 2022-11-04/ Etude / Violon

Theory and Scales For Fiddle Tunes and Fiddle Improvisation. Par GRIZZARD LEON. Ce livre est écrit pour atteindre trois objectifs: (1) pour enseigner la théorie de la musique et des échelles appliquée aux fiddle tunes dans la tradition celtique et American-(2) pour enseigner fiddle improvisation - et (3) de présenter des documents supplémentaires afin d'aider le violoneux qui veut jouer à d'autres styles populaires. Adresses majeurs, mineurs et blues échelles, chords réduites et plus encore. Utile à toute instrumentiste, ce n'est pas juste une autre collection de licks, ni c'est un livre des transcriptions. Cet ouvrage enseigne le cadre théorique des airs de violon et de violon solo - les échelles et les arpèges que violoneux utilisent réellement, si ils le savent ou non. Si vous improviser ou jouez les variations sur des airs maintenant, cet ouvrage vous aidera à comprendre ce qui fonctionne et pourquoi. / Niveau : Débutant / Fiddle Tunes - Theory and Harmony / Etude / Violon

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

This new edition contains all the scales and arpeggios required for ABRSM exams presented in eight graded volumes. It includes: all scales and arpeggios, with bowing patterns and suggested fingering - helpful introduction including practice ideas, technical guidance - recommended speeds - useful checklist of scales to help monitor practice and progress - and, user-friendly format and clear page layout. / Violon