SATB choir, piano accompaniment - Early intermediate

SKU: GI.WW1903

Composed by Austin Schend. Richard Nance Choral Series. Classical. Octavo. 12 pages. Walton Music #WW1903. Published by Walton Music (GI.WW1903).

UPC: 785147034568. English. Text by Sara Teasdale.

This work paints a picture of a winter landscape at dusk tied to the thougts of one solemnly reflecting on themes of war, mourning, and the appreciation of motherhood and birth. A new and different take on winter themes.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Temple Blocks, Timpani, Trombone, Trumpet, Tuba and more. - Grade 1

SKU: CF.BPS32

Composed by Joseph Compello. FS-SWS. Carl Fischer Beginning Performance Series. Classical. Score and Set of Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+2+3+1 +2+1+1+20 pages. Carl Fischer Music #BPS32. Published by Carl Fischer Music (CF.BPS32).

ISBN 9780825855313. UPC: 798408055318. 9 X 12 inches. Key: Bb major.

Krazy Klock Rock is a novelty percussion solo for temple blocks or woodblock(s). As the title suggests, the sound of the solo should give the impression of a ticking clock. This amusing tune incorporates elements of rock and swing, all tied together by the sound of the ticking clock. A fun piece on any program, Krazy Klock Rock is sure to be a winner with your young band.

Violin and piano (reduction)

SKU: BO.B.3414

Composed by Jordi Cervello. Instrumental Sets. Duration 12:00. Published by Editorial de Musica Boileau (BO.B.3414).

English comments:
Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi Cervello

Comenta rios del Espanol:
Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello.

Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 hits and showstoppers by the master songwriters of yesteryear. 399 pages. Published by Music Sales.

A Complete Guide to Learning Jazz-Blues Guitar. Guitar Educational. Book and CD Package. With notes and tablature. Size 9x12 inches. 104 pages. Published by Hal Leonard.

Arranged by Damrosch/Sousa/Brion. Sousa Legacy. Score and set of parts. Composed 2013. Duration 1 minute, 25 seconds. Published by Willow Blossom Music

Soloists (TB, with piano accompaniment) and mixed choir (SATB/SATB)

SKU: HL.49019926

In Flammen nahet Gott. Composed by Carl Friedrich Zelter. This edition: Saddle stitching. Sheet music. Choral. Softcover. 20 pages. Schott Music #ED21772. Published by Schott Music (HL.49019926).

ISBN 9790001196192. German.

'Die Sache war fur den Moment so gelungen, dass ich die Musik selber loben mochte, wenn sie nicht zufallig von mir ware.' So begeistert ausserte sich Carl Friedrich Zelter bereits 1831 uber seinen Hymnus an die Sonne, der nun endlich in der Reihe 'Schatze der Chormusik' einen wurdigen Platz gefunden hat. Das in diesem Hymnus verwendete Gedicht In Flammen nahet Gott stammt aus dem Hauptwerk Urania von Christoph August Tiedge. Die beiden Ecksatze dieses dreiteiligen Werks setzt Zelter fur zwei gemischte Chore (SATB/SATB) und verwendet dabei uber weite Strecken gleiches musikalisches Material. Durchbrochen werden sie von einem klavierbegleiteten Tenor- und Bass-Solo. Ein sehr wirkungsvolles, dabei gut machbares Werk voller Pathos, das sich glanzend eignet fur Chore, die keine Scheu vor Achtstimmigkeit haben.

Score and Parts flute (pic), clarinet, violin, viola, cello, double bass, and percussion (1 player: vibraphone, crotales) - advanced

SKU: HL.49045996

For Flute, Clarinet, Violin, Viola, Cello, Double Bass & Percussion Score and Parts. Composed by Pierre Jalbert. Sheet music. Edition Schott. Softcover. Composed 2018. 37 pages. Duration 15'. Schott Music #ED30283. Published by Schott Music (HL.49045996).

ISBN 9781540033901. UPC: 888680786991. 9.25x12.0x0.314 inches.

Light, Line, Shadow is a response to Edward Hopper's iconic painting Road and Trees, a painting donated to the Philadelphia Museum of Art by Daniel Dietrich II, and the first Hopper painting acquired by the museum. My piece is in three contrasting movements, each referring to and inspired by an aspect of Hopper's painting.The first movement, Landscape in Motion, refers to the dynamic movement of the landscape when traveling in a car and looking at the landscape passing by in the window. Hopper loved to take road trips, experiencing America by car, and in one of his initial sketches for Road and Trees, there was a car in the painting. The first movement tries to capture that moving landscape as experienced in a car in motion. The second movement, Brush Strokes, focuses on the darker forest in the painting, as the trees become denser and the technique of brush strokes creates deep layers. There is a spiritual aspect to Hopper's paintings, a kind of isolation and emptied out space, and the third movement, Open Road, dwells on that aspect of the painting before reprising material from the dynamic first movement.- Pierre Jalbert.

Marimba

SKU: PR.ZM24670

Three impressions. Composed by Hans-Joachim Tiedemann. Solo fur Percussion. With Standard notation. Zimmermann #ZM24670. Published by Zimmermann (PR.ZM24670).

UPC: 680160651511.