O Antiphons Chorale SATB [Octavo] CanticaNOVA Publications
Composed by Stephen McManus. For SATB choir, a cappella. Text: Liturgy of the Ho...(+)
Composed by Stephen
McManus. For SATB choir,
a cappella. Text: Liturgy
of the Hours. Brief
settings of the seven
Magnificat antiphons for
the last days of Advent.
Advent. Octavo. Published
by CanticaNOVA
Publications
By Tony McManus. For Guitar (Fingerpicking). solos. Grossman-Gtr Workshop. Celti...(+)
By Tony McManus. For
Guitar (Fingerpicking).
solos. Grossman-Gtr
Workshop. Celtic/Irish.
Level:
Intermediate-Advanced.
DVD. Size 5.25x7.5. 94
min. Published by
Grossman's Guitar
Workshop.
By Tony McManus. For Guitar (Fingerpicking). solos. Grossman-Gtr Workshop. Celti...(+)
By Tony McManus. For
Guitar (Fingerpicking).
solos. Grossman-Gtr
Workshop. Celtic/Irish.
Level:
Intermediate-Advanced.
DVD. Size 5.25x7.5. 68
min. Published by
Grossman's Guitar
Workshop.
Unison voices, SAB choir, keyboard accompaniment - Beginning SKU: GI.G-9589(+)
Unison voices, SAB choir,
keyboard accompaniment -
Beginning
SKU:
GI.G-9589
Composed by
Lucius Chapin. Arranged
by Randolph N. Currie.
Holy Thursday, Ordinary
Time 15 C. Choral. Tune
Name: Twenty-Fourth.
Sacred. Octavo. 4 pages.
GIA Publications #9589.
Published by GIA
Publications (GI.G-9589).
UPC: 785147958901.
English. Text Source:
Silas B. McManus,
1845-1917, alt. Text by
Silas B.
McManus.
Tenor & String Quartet SKU: PE.EP72822 Composed by Jonathan Dove. Voice(s...(+)
Tenor & String Quartet
SKU: PE.EP72822
Composed by Jonathan
Dove. Voice(s) & Various
Instruments. Edition
Peters. Living Composer.
Score and Part(s). 164
pages. Duration 00:30:00.
Edition Peters
#98-EP72822. Published by
Edition Peters
(PE.EP72822).
ISBN
9790577011769. 232 x
303mm inches.
English.
I have
only visited Damascus
once, twenty years ago,
on the way to
Palmyra. I had a
purpose (I was writing
music for a play about
Palmyra’s Queen
Zenobia) but essentially
I was a tourist.
Like any visitor, I was
thrilled to step out of
the noisy modern city
into the magical ancient
world of the walled Old
City, its vibrant souk
leading to the
magnificent mosque, and a
labyrinth of winding,
narrow streets filled
with the smell of
unleavened
bread.
In Palmyra,
I was met with
extraordinary kindness
everywhere. On one
occasion, a little
Bedouin boy noticed that
I was risking sunstroke
wandering bare-headed
among the spectacular
ruins: he showed me how
to tie a turban, then
took me to have tea with
his family in their
tent.
Since then, I
have watched helplessly
as these places of wonder
have been devastated and
their inhabitants
scattered and
killed. When the
Sacconi Quartet suggested
that I might choose a
Syrian poet for our
collaboration, I welcomed
the idea.
I
searched for a long time
to find a contemporary
poet whose work might
gain from any music I
could imagine. I
felt it was important to
find first-hand accounts
of the Syrian experience
– but, of course, I
was always reading them
in translation. In
an anthology
called Syria
Speaks, I was
astonished to read
something that looked
like prose, but was full
of poetry. It was
Anne-Marie
McManus’s fine
translation of Ali
Safar’s A
Black Cloud in a Leaden
White Sky
– an
eloquent, thoughtful,
contained yet vivid
account of life in a
war-torn country, all the
more moving for its
restraint.
In
setting these words, I
have not attempted to
imitate Syrian
music. However,
there is what might be
called a linguistic
accommodation in my
choice of scale, or
mode. Several
movements are in a mode
that I first discovered
while writing a cantata
commemorating the First
World War: it has a
tuning that I associate
with war, its violence
and desolation.
This eight-note
mode is similar to scales
found in Syrian
music. I did not
choose it in the
abstract: it emerged from
the harmonies I was
exploring in the earlier
work, and emerged again
as I was looking for the
right musical colours to
set Ali Safar’s
words. In this
work, its Arabic aspect
is more prominent. -
Jonathan
Dove
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Celtic, Perfect binding.
Festival. Book and online
audio. 244 pages. Mel Bay
Publications, Inc
#30957M. Published by Mel
Bay Publications, Inc
(MB.30957M).
ISBN
9781513466101. 8.75 x
11.75 inches.
This
collection shows a wide
variety of musical
approaches in open and
alternate tunings. The
arrangements come from
the playing of Davey
Graham, Pat Kirtley, Tony
McManus, John Renbourn,
John Fahey, Sandy Shalk,
Dave Evans, Martin
Carthy, El McMeen, Leo
Wijnkamp and Stefan
Grossman. The music
ranges from the medieval
La Rotta to Willie
Brown?s Future Blues from
the deep Mississippi
delta; from O?Carolan?s
Lord Inchiquin to
Waterbound, an old-time
folksong. From Celtic
airs and jigs to gospel
and blues you will
explore the world of
tunings. Hopefully, this
collection will help you
to discover new
approaches and techniques
to playing your
instrument. Along the way
you?ll have fingerpicking
challenges and fun.
By Misuzu McManus. For SATB choir, piano (with optional flute (oboe), orchestra ...(+)
By Misuzu McManus. For
SATB choir, piano (with
optional flute (oboe),
orchestra bells).
Concert. Medium. Octavo.
Published by Santa
Barbara Music Publishing