Grade 3

SKU: CL.012-2489-00

Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR105). Score and set of parts. Composed 1992. Duration 6 minutes, 31 seconds. Opus III Wind Orchestra Publications #012-2489-00. Published by Opus III Wind Orchestra Publications (CL.012-2489-00).

A marvelous work from the pen of an innovative and imaginative writer. Containing moods that vary from decisive and dramatic to poignantly beautiful it is brimming with majestic potential. Very regal in nature and simply overflowing with expressive writing!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Composed by Alan Merrill, George Jackson, Jake Hooker, Jimmy DeKnight, Max C. Freedman, and Thomas E. Jones III. Arranged by Greg Gilpin. Shawnee Press. Octavo. 12 pages. Published by Shawnee Press (HL.35030820).

Composed by Alan Merrill, George Jackson, Jake Hooker, Jimmy DeKnight, Max C. Freedman, and Thomas E. Jones III. Arranged by Greg Gilpin. Shawnee Press. Octavo. 12 pages. Published by Shawnee Press (HL.35030819).

Composed by Alan Merrill, George Jackson, Jake Hooker, Jimmy DeKnight, Max C. Freedman, and Thomas E. Jones III. Arranged by Greg Gilpin. Shawnee Press. Octavo. 12 pages. Published by Shawnee Press (HL.35030818).

Grade 3.5

SKU: CL.012-2489-01

Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR105). Extra full score. Composed 1992. Duration 6 minutes, 31 seconds. Opus III Wind Orchestra Publications #012-2489-01. Published by Opus III Wind Orchestra Publications (CL.012-2489-01).

A marvelous work from the pen of an innovative and imaginative writer. Containing moods that vary from decisive and dramatic to poignantly beautiful it is brimming with majestic potential. Very regal in nature and simply overflowing with expressive writing!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Richard Strauss (1864-1949). Arranged by Albert Ligotti. Brass Ensemble (9 or more brass). For 7 trumpets, 4 horns, 4 trombones, 2 tubas and timpani. Score and Parts. Published by Wiltshire Music/Cor Publishing Co. . Score and Parts.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

SATB choir - Intermediate

SKU: WD.080689643170

Book. Word Music #080689643170. Published by Word Music (WD.080689643170).

UPC: 080689643170.

Intro ducing THE BIG RED CHOIR BOOK VOLUME 2! Word Music & Church Resources announces the release of the most audaciously awesome new choir book you’ve ever seen! Volume 2 of “Big Red” is the biggest ever Big Red Choir Book, jam-packed with a musically diverse, and stylistically broad selection of choral arrangements to meet the needs of church choirs everywhere! Compiling 32 best-selling songs in 29 phenomenal arrangements, The Big Red Choir Book, Volume 2 just might be the most comprehensive, all-encompassing, budget-saving and convenient church choir resource of all time…the biggest ever! With a little bit of everything, this Biggest Ever Big Red Choir Book has it all…Praise & Worship, CCM Hits, Southern Gospel, Patriotic, Christmas, Easter, and more! This essential resource features arrangements by Cliff Duren, Daniel Semsen, Bradley Knight, Jay Rouse, Marty Hamby, Marty Parks, David Wise, Camp Kirkland, Tim Paul, and Luke Gambill. Full of hit songs made popular by Worship Leaders, Artists, and Songwriters such as Elevation Worship, David Crowder, Hillsong, Chris Tomlin, Matt Maher, Big Daddy Weave, Matt Redman, Zach Williams, Tauren Wells, Mandisa, Kristian Stanfill, Kari Jobe, The Gaithers, and Michael W. Smith, to name a few, The Big Red Choir Book, Volume 2, is an absolute must-have for every choir’s repertoire. Add this indispensable, inspirational, and resourceful new choral collection to your music library today!

Intermediate

SKU: WD.080689548178

Composed by Bradley Knight. Choral, cantatas. Book. Word Music #080689548178. Published by Word Music (WD.080689548178).

UPC: 080689548178.

Prais e! Every Sunday morning, in corporate worship settings all around the world, believers gather in the millions to bring glory and honor and praise to God. He alone is worthy of our praise! And every Sunday morning, in corporate worship settings all around the world, believers—again by the millions—raise their voices in songs of praise and adoration, lifting up the Name above all names…Jesus, the Son of God. With this new gospel-themed choral collection, Great God Great Praise, arranged by the inimitable Bradley Knight, Word Music offers you yet another resource collection to help you and your choir pursue the call to lead your congregation in praise of an Almighty God.

Power, Praise, Adoration, Reverence, Worship, Glorify, Magnify…these are just some of the words we use to describe the purpose of this new Gospel Choir Collection…new offerings of some of the most popular songs in the Gospel genre, such as Great God Great Praise; Mighty God; Worth; Holy, Thou Art God; How Awesome Is Our God and more, all newly-arranged for adventurous, contemporary evangelical choirs. Add in some Gospel-flavored treatments of favorite worship songs, like Heart of Worship, and a re-purposed version of Love Lifted Me, and you have one of the most unique and compelling Gospel Choir projects of all time!

There is no other sound on this earth quite like the sound of an exuberant and jubilant Gospel Choir! And no other arranger quite captures that infectious sound and style like arranger Bradley Knight. Together, Word Music and Bradley Knight offer you a brave new Gospel Choir Book, with arrangements that will challenge and inspire you to sing like you’ve never sung before. These arrangements embody a sound and a spirit of praise designed to lead your church in worship. Great God Great Praise is a must-have collection for your church music library!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1.5

SKU: CF.FPS155F

Composed by Larry Clark. First Plus Band (FPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #FPS155F. Published by Carl Fischer Music (CF.FPS155F).

ISBN 9781491152836. UPC: 680160910335.

Quest for the Throne evokes images of kings and castles, knights and horses, and dragons in all their glory. It is a bold and aggressive piece throughout, but includes a contrasting, lush secondary theme for variety. In his typical style, Clark has used forceful figures, and strong melodic content to give students music they'll want to practice and play again and again.
This piece should depict images of kings and castles, knight and horses, dragons and damsels in distress. It should be bold and aggressive throughout, but never with bad tone. This is then contrasted by the lush second theme that is presented first in a softer thin orchestration, but later becomes a change for the whole ensemble to play in a strong, but lush presentation of this theme.One thing that is important to me when writing music for younger students is to offer pieces that challenge all students in the ensemble and give every section an important part of the musical presentation, which naturally should include some melodic material. Every member of the ensemble wants to feel that they are contributing to the collective whole.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1.5

SKU: CF.FPS155

Composed by Larry Clark. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3 +2+1+2+3+16+2 pages. Duration 2 minutes, 11 seconds. Carl Fischer Music #FPS155. Published by Carl Fischer Music (CF.FPS155).

ISBN 9781491152157. UPC: 680160909650.

Quest for the Throne evokes images of kings and castles, knights and horses, and dragons in all their glory. It is a bold and aggressive piece throughout, but includes a contrasting, lush secondary theme for variety. In his typical style, Clark has used forceful figures, and strong melodic content to give students music they'll want to practice and play again and again.
This piece should depict images of kings and castles, knight and horses, dragons and damsels in distress. It should be bold and aggressive throughout, but never with bad tone. This is then contrasted by the lush second theme that is presented first in a softer thin orchestration, but later becomes a change for the whole ensemble to play in a strong, but lush presentation of this theme.One thing that is important to me when writing music for younger students is to offer pieces that challenge all students in the ensemble and give every section an important part of the musical presentation, which naturally should include some melodic material. Every member of the ensemble wants to feel that they are contributing to the collective whole.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

(Intermediate Piano Solos) Edited by Russell Lanning, compiled by Russell Lanning. Collection for solo piano. Intermediate, level 5. 96 pages. Published by Alfred Publishing.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115

Composed by Matthew R. Putnam. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+2+1 +2+5+16+2 pages. Duration 2 minutes, 22 seconds. Carl Fischer Music #BPS115. Published by Carl Fischer Music (CF.BPS115).

ISBN 9781491152010. UPC: 680160909513.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115F

Composed by Matthew R. Putnam. Beginning Band (BPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #BPS115F. Published by Carl Fischer Music (CF.BPS115F).

ISBN 9781491152690. UPC: 680160910199.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.

(Piano Solo and Piano/Vocal). Composed by Hans Zimmer (1957-). For Keyboard; Piano; Voice. This edition: Piano Solo and Piano/Vocal. Artist/Personality; Book; Piano - Personality Book; Piano Supplemental; Piano/Vocal/Chords. Movie. 144 pages. Published by Alfred Music