Cantolopera Collection. Composed by Gaetano Donizetti (1797-1848). Cantolopera S...(+)
Cantolopera Collection.
Composed by Gaetano
Donizetti (1797-1848).
Cantolopera Series. Play
Along. Softcover
collection and
Performance/Accompaniment
CD. 64 pages. Ricordi
#R139603. Published by
Ricordi
Concertino Clarinette, Orchestre [Conducteur et Parties séparées] - Intermédiaire Baton Music
(for Clarinet). Composed by Gaetano Donizetti (1797-1848). Arranged by Jos van d...(+)
(for Clarinet). Composed
by Gaetano Donizetti
(1797-1848). Arranged by
Jos van de Braak. For
Clarinet and Concert
Band. Grade 3. Full score
and set of parts.
Duration 4:00. Published
by Baton Music
Cantolopera Collection. By Gaetano Donizetti. This edition: R139604. Cantolopera...(+)
Cantolopera Collection.
By Gaetano Donizetti.
This edition: R139604.
Cantolopera Series.
Collection and
Performance/Accompaniment
CD. 52 pages. Published
by Ricordi.
Based on the Critical Edition Ricordi Opera Vocal Score Series. Composed ...(+)
Based on the Critical
Edition Ricordi Opera
Vocal Score Series.
Composed by Gaetano
Donizetti (1797-1848).
Edited by Flora Willson.
Vocal Score. Classical.
Softcover. 444 pages.
Ricordi #CP140675.
Published by Ricordi
(HL.50600762).
Bella siccome un angelo Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from the Opera Don Pasquale). By Gaetano Donizetti (1797-1848). Arranged by Jos...(+)
(from the Opera Don
Pasquale). By Gaetano
Donizetti (1797-1848).
Arranged by Jos van de
Braak. For Baritone and
Concert Band. Grade 3.
Full score and set of
parts. Duration 3:00.
Published by Baton Music
48 Songs from the 19th and 20th Centuries - Medium/Low Voice. Composed by...(+)
48 Songs from the 19th
and 20th Centuries -
Medium/Low Voice.
Composed by Various.
Edited by Ilaria Narici.
Vocal Collection.
Classical, Italian.
Softcover. 244 pages.
Ricordi #NR141462.
Published by Ricordi
(HL.50600668).
Orchestra Solo voices,
SATB chorus, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Grade 4
SKU: CA.2732203
Composed by Gaetano
Donizetti. Edited by
Guido Johannes Joerg.
Vocal score. Composed
1835. 124 pages. Duration
65 minutes. Carus Verlag
#2732203. Published by
Carus Verlag
(CA.2732203).
ISBN
9790007248413.
Latin.
Through
works such as
Verdi’s Requiem or
Puccini’s Messa di
Gloria, we know that the
great composers of
Italian bel canto opera
also wrote marvelous
sacred music. Yet most of
these pieces are rarely
performed. This is also
true of Gaetano
Donizetti’s Messa
di Requiem, which he
composed as an expression
of grief at the early
death of Vincenzo Bellini
in 1835. Neither
performed nor printed
during Donizetti’s
lifetime, the Requiem is
ripe for rediscovery. A
rich and highly intense
work, it features
dramatic choruses with
full orchestra, fugues,
and a cappella passages
that alternate with
lengthy cantilenas for
the soloists. These solo
cantilenas are often
scored for three male
voices accompanied by low
winds to create a dark
timbre. The soprano and
alto soloists do not
themselves sing any solo
arias, instead remaining
part of the solo
ensemble.Carus is
offering a critical
edition of this
editorially challenging
work complete with vocal
score, choral score, and
all orchestral
parts.. Score
available separately -
see item CA.2732200.
Orchestra Solo voices,
SATB chorus, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Grade 4
SKU: CA.2732200
Composed by Gaetano
Donizetti. Edited by
Guido Johannes Joerg.
Carus digital: Extra
digital products. Full
Score. Composed 1835. 304
pages. Duration 65
minutes. Carus Verlag
#2732200. Published by
Carus Verlag
(CA.2732200).
ISBN
9790007248406.
Latin.
Through
works such as
Verdi’s Requiem or
Puccini’s Messa di
Gloria, we know that the
great composers of
Italian bel canto opera
also wrote marvelous
sacred music. Yet most of
these pieces are rarely
performed. This is also
true of Gaetano
Donizetti’s Messa
di Requiem, which he
composed as an expression
of grief at the early
death of Vincenzo Bellini
in 1835. Neither
performed nor printed
during Donizetti’s
lifetime, the Requiem is
ripe for rediscovery. A
rich and highly intense
work, it features
dramatic choruses with
full orchestra, fugues,
and a cappella passages
that alternate with
lengthy cantilenas for
the soloists. These solo
cantilenas are often
scored for three male
voices accompanied by low
winds to create a dark
timbre. The soprano and
alto soloists do not
themselves sing any solo
arias, instead remaining
part of the solo
ensemble.
Carus is
offering a critical
edition of this
editorially challenging
work complete with vocal
score, choral score, and
all orchestral
parts.
Orchestra Solo voices,
SATB chorus, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Grade 4
SKU: CA.2732205
Composed by Gaetano
Donizetti. Edited by
Guido Johannes Joerg.
Choral Score. Composed
1835. 36 pages. Duration
65 minutes. Carus Verlag
#2732205. Published by
Carus Verlag
(CA.2732205).
ISBN
9790007248420.
Latin.
Through
works such as
Verdi’s Requiem or
Puccini’s Messa di
Gloria, we know that the
great composers of
Italian bel canto opera
also wrote marvelous
sacred music. Yet most of
these pieces are rarely
performed. This is also
true of Gaetano
Donizetti’s Messa
di Requiem, which he
composed as an expression
of grief at the early
death of Vincenzo Bellini
in 1835. Neither
performed nor printed
during Donizetti’s
lifetime, the Requiem is
ripe for rediscovery. A
rich and highly intense
work, it features
dramatic choruses with
full orchestra, fugues,
and a cappella passages
that alternate with
lengthy cantilenas for
the soloists. These solo
cantilenas are often
scored for three male
voices accompanied by low
winds to create a dark
timbre. The soprano and
alto soloists do not
themselves sing any solo
arias, instead remaining
part of the solo
ensemble.Carus is
offering a critical
edition of this
editorially challenging
work complete with vocal
score, choral score, and
all orchestral
parts.. Score
available separately -
see item CA.2732200.
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate
SKU:
HL.50603593
Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English.
Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori.
(Melodrame De Gaetano Donizetti - (A Melodrama by Gaetano Donizetti)). By Cesare...(+)
(Melodrame De Gaetano
Donizetti - (A Melodrama
by Gaetano Donizetti)).
By Cesare Ciardi. Edited
by Jean-Louis Beaumadier.
For Piccolo, Flute,
Piano. The French
Flutists Propose
Collectioin Jean-Louis
Beaumadier. INTERMEDIATE.
19 pages. Duration 8
minutes, 40 seconds.
Published by Gerard
Billaudot Editeur
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114417250
For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250).
ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F.
Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony.
2 violins, viola and cello SKU: HL.49044659 Composed by Gaetano Donizetti...(+)
2 violins, viola and
cello
SKU:
HL.49044659
Composed
by Gaetano Donizetti.
Edited by Giuseppe
Pascucci. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Softcover. Composed
1817-1819. 232 pages.
Eulenburg Edition
#ECS1413-10. Published by
Eulenburg Edition
(HL.49044659).
ISBN
9790200226065.
9.25x12.0x0.752
inches.
Primarily
known as an opera
composer, Donizetti
nevertheless is the most
important Italian
representative of the
string quartet genre.
Whereas the first
quartets can still be
regarded as experiments
of the young composer
with a strict classical
form, the middle and
later pieces are an
unmistakable expression
of his mature musical
spirit.