Composed by Heinrich Ignaz Franz von Biber (1644-1704). Masterworks; String - Vi...(+)
Composed by Heinrich
Ignaz Franz von Biber
(1644-1704). Masterworks;
String - Violin and
Piano. Kalmus Edition.
Baroque; Masterwork.
Book. 124 pages. Kalmus
Classic Edition
#00-K09193. Published by
Kalmus Classic Edition
Violin SKU: HL.14013762 Composed by Heinrich Ignaz Franz von Biber. Music...(+)
Violin
SKU:
HL.14013762
Composed
by Heinrich Ignaz Franz
von Biber. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 8 pages. Chester
Music #CH01307. Published
by Chester Music
(HL.14013762).
UPC:
884088491253.
8.25x11.75x0.06
inches.
Heinrich
Johann Franz Von Biber
was a celebrated virtuoso
Violinist in late 17th
century Salzberg, holding
the exclusive position of
Musical Director to the
Court of the Archbishop.
This Passacaglia is a
showpiece seemingly
written to display the
talents of a great
soloist, packed with
complex textures and
spectacular passages.
Suitable for the advanced
player, this is an
inriguing challenge for
the confident
soloist.
Composed by Heinrich
Ignaz Franz von Biber.
Edited by Daniel E.
Abraham. Sacred vocal
music. Sacred vocal
music. Choral Score. ChaB
50. Duration 9 minutes.
Carus Verlag #CV
27.292/05. Published by
Carus Verlag
(CA.2729205).
ISBN
9790007240554. Language:
Latin.
Well-known
for his magnificent
instrumental works and
violin sonatas, Heinrich
Ignaz Franz Biber is
unjustly less recognized
as a composer of sacred
music. His works for
Salzburg Cathedral were
mainly written after
1670. The Stabat Mater is
an impressive setting for
use in worship, and
includes four or six
verses of the hymn. The
four-part composition
displays great simplicity
yet stunning beauty,
particularly in the
concise contrapuntal
presentation of each
individual verse. Score
available separately -
see item CA.2729200.
Composed by Heinrich
Ignaz Franz von Biber.
Edited by Daniel E.
Abraham. Sacred vocal
music. Basso continuo.
Sacred vocal music.
Single Part, basso
continuo. ChaB 50.
Duration 9 minutes. Carus
Verlag #CV 27.292/11.
Published by Carus Verlag
(CA.2729211).
ISBN
9790007248789. Language:
Latin.
Well-known
for his magnificent
instrumental works and
violin sonatas, Heinrich
Ignaz Franz Biber is
unjustly less recognized
as a composer of sacred
music. His works for
Salzburg Cathedral were
mainly written after
1670. The Stabat Mater is
an impressive setting for
use in worship, and
includes four or six
verses of the hymn. The
four-part composition
displays great simplicity
yet stunning beauty,
particularly in the
concise contrapuntal
presentation of each
individual verse. Score
and part available
separately - see item
CA.2729200.
By Heinrich Ignaz Franz von Biber (1644-1704) and Heinrich Ignaz Franz Von biber...(+)
By Heinrich Ignaz Franz
von Biber (1644-1704) and
Heinrich Ignaz Franz Von
biber (1644-1704).
Arranged by David
Marlatt. For Double Brass
Quintet. New York
Festival List. Eighth
Note Publications.
Baroque. Duration
00:04:25. Published by
Eighth Note Publications
By Heinrich Ignaz Franz von Biber (1644-1704) and Heinrich Ignaz Franz Von biber...(+)
By Heinrich Ignaz Franz
von Biber (1644-1704) and
Heinrich Ignaz Franz Von
biber (1644-1704). Edited
by Kenneth Cooper and
Patrick Wood. For Violin,
Cello and Harpsichord.
Score and parts.
Published by
International Music
Company
Composed by Heinrich
Ignaz Franz von Biber.
Edited by Daniel E.
Abraham. Sacred vocal
music. Sacred vocal
music. Full score. ChaB
50. Duration 9 minutes.
Carus Verlag #CV
27.292/00. Published by
Carus Verlag
(CA.2729200).
ISBN
9790007240547. Language:
Latin.
Well-known
for his magnificent
instrumental works and
violin sonatas, Heinrich
Ignaz Franz Biber is
unjustly less recognized
as a composer of sacred
music. His works for
Salzburg Cathedral were
mainly written after
1670. The Stabat Mater is
an impressive setting for
use in worship, and
includes four or six
verses of the hymn. The
four-part composition
displays great simplicity
yet stunning beauty,
particularly in the
concise contrapuntal
presentation of each
individual verse.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 3. Sacred vocal
music, Requiem. Single
Part, Viola 3. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/15. Published by
Carus Verlag
(CA.2731815).
ISBN
9790007201906. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violin 2. Sacred vocal
music, Requiem. Single
Part, Violin 2. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/12. Published by
Carus Verlag
(CA.2731812).
ISBN
9790007201876. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1696. 24
pages. Carus Verlag #CV
40.676/49. Published by
Carus Verlag
(CA.4067649).
ISBN
9790007220167. Text
language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
1. Composed 1696. 8
pages. Carus Verlag #CV
40.676/13. Published by
Carus Verlag
(CA.4067613).
ISBN
9790007220112. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Sacred vocal music,
Requiem. Vocal score. 56
pages. Duration 28
minutes. Carus Verlag #CV
27.318/03. Published by
Carus Verlag
(CA.2731803).
ISBN
9790007164638. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score
available separately -
see item CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Sacred vocal music,
Requiem. Full score. 72
pages. Duration 28
minutes. Carus Verlag #CV
27.318/00. Published by
Carus Verlag
(CA.2731800).
ISBN
9790007164614. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 2. Sacred vocal
music, Requiem. Single
Part, Viola 2. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/14. Published by
Carus Verlag
(CA.2731814).
ISBN
9790007201890. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1696.
12 pages. Carus Verlag
#CV 40.676/11. Published
by Carus Verlag
(CA.4067611).
ISBN
9790007220099. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696. 48
pages. Carus Verlag #CV
40.676/09. Published by
Carus Verlag
(CA.4067609).
ISBN
9790007220082. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed 1696.
12 pages. Carus Verlag
#CV 40.676/12. Published
by Carus Verlag
(CA.4067612).
ISBN
9790007220105. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violoncello. Sacred vocal
music, Requiem. Single
Part, Cello. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/17. Published by
Carus Verlag
(CA.2731817).
ISBN
9790007201920. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. 1x
27.318/31 trombone 1, 1x
27.318/32 trombone 2, 1x
27.318/33 trombone 3.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Requiem. Set of Orchestra
Parts. Duration 28
minutes. Carus Verlag #CV
27.318/09. Published by
Carus Verlag
(CA.2731809).
ISBN
9790007201852. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
parts available
separately - see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/13. Published by
Carus Verlag
(CA.2731813).
ISBN
9790007201883. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violin 1. Sacred vocal
music, Requiem. Single
Part, Violin 1. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/11. Published by
Carus Verlag
(CA.2731811).
ISBN
9790007201869. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Organ. Sacred vocal
music, Requiem. Single
Part, Organ. 16 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/49. Published by
Carus Verlag
(CA.2731849).
ISBN
9790007201937. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
3. Composed 1696. 16
pages. Carus Verlag #CV
40.676/15. Published by
Carus Verlag
(CA.4067615).
ISBN
9790007220136. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696.
Carus Verlag #CV
40.676/19. Published by
Carus Verlag
(CA.4067619).
ISBN
9790007220150. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Basso continuo. Sacred
vocal music, Requiem.
Single Part, basso
continuo. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/16. Published by
Carus Verlag
(CA.2731816).
ISBN
9790007201913. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
2. Composed 1696. 8
pages. Carus Verlag #CV
40.676/14. Published by
Carus Verlag
(CA.4067614).
ISBN
9790007220129. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Cello/Double Bass.
Composed 1696. 12 pages.
Carus Verlag #CV
40.676/16. Published by
Carus Verlag
(CA.4067616).
ISBN
9790007220143. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.