| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU:
CF.CM9588 Composed by
Tomas Luis de Victoria.
Arranged by Jeb Mueller.
Fold. Performance Score.
8 pages. Duration 1
minute, 59 seconds. Carl
Fischer Music #CM9588.
Published by Carl Fischer
Music (CF.CM9588).
ISBN 9781491154106.
UPC: 680160912605. 6.875
x 10.5 inches. Key: Eb
major. Latin. Traditional
Latin. Tomas Luis
de Victoria (15481611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victorias time. It should
be noted that dynamics
are largely subjective,
so performers may make
alternative choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[v??bum k??? p?n?m v?rum]
verbo carnem efficit:
fitque sanguis Christi
merum. [v??b? k??n?m
??fit?it fitkw? s??gwis
k?isti m??um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[?t si s?nsus ?d?fit?it,
?d fi??m?ndum k?? sin
t???um] Jeb
Mueller. TomA!s Luis
de Victoria (1548a1611)
is widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoriaas time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is ao,a which
sounds similar to the
English words bought and
got. The letter ata
should be produced
dentally: lift the tongue
to the top of the mouth
as in English, but
aspirate less on the
release. All occurrences
of asa should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum, [vEE
3/4 bum kEE 3/4 E pEnEm
vErum] verbo carnem
efficit: fitque sanguis
Christi merum. [vEE 3/4
bE kEE 3/4 nEm EEfitEit
fitkwE sEAgwis kE 3/4
isti mEE 3/4 um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[Et si sEnsus EdEfitEit,
Ed fiE 3/4 EmEndum kEE
3/4 sin tEEE 3/4 um] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange lingua based
on a Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano. The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomás Luis
de Victoria
(1548–1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano.The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance.Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria’s time.
It should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and
clarity.PRONUNCIATION
GUIDEVictoria received
much of his training in
Italy, therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is
“o,†which
sounds similar to the
English words bought and
got. The letter
“t†should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of “s†should
be soft and never
hardened to [z], such as
in praise.Verbum caro,
panem
verum,[vɛɾbum
kɑɾɔ
pɑnɛm
vɛrum]verbo carnem
efficit: fitque sanguis
Christi
merum.[vɛɾbɔ
kɑɾnɛm
ˈɛfitʃit
fitkwÉ›
sɑŋgwis kɾisti
mɛɾum]Et si sensus
deficit, ad firmandum cor
sin cerum.[ɛt si
sɛnsus
ˈdɛfitʃit,
É‘d
fiɾˈmɑndum
kɔɾ sin
tʃɛɾum]Jeb
Mueller. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tomas Luis de Victoria: 2 Victoria Motets Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba BVD Press
By Tomas Luis de Victoria. Arranged by Roper. For Brass Quintet. Published by BV...(+)
By Tomas Luis de
Victoria. Arranged by
Roper. For Brass Quintet.
Published by BVD Press.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Pro Defunctis Chorale SATB SATB A Cappella [Partition] Kalmus
SATB, a cappella (Latin Language Edition). Composed by Tomas Luis de Victoria (d...(+)
SATB, a cappella (Latin
Language Edition).
Composed by Tomas Luis de
Victoria (da Vittoria).
Choral (Sacred); Choral
Worship Cantata; Larger
Works; Masterworks;
Performance Music
Ensemble; Worship
Resources. Kalmus
Edition. Masterwork;
Renaissance; Sacred.
Book. 24 pages. Kalmus
Classic Edition
#00-K06496. Published by
Kalmus Classic Edition
$7.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| O Vos Omnes Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Facile Eighth Note Publications
By Tomas Luis De Victoria (1548 - 1611). Arranged by Ken Bray. For Brass Quintet...(+)
By Tomas Luis De Victoria
(1548 - 1611). Arranged
by Ken Bray. For Brass
Quintet. New York
Festival List.
Renaissance. Level: Easy.
Duration 00:03:40.
Published by Eighth Note
Publications.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pater noster Chorale SATB Suddeutscher
2 Mixed choir-SATB Composed by Tomas Luis de Victoria (1548-1611). Edited by Wil...(+)
2 Mixed choir-SATB
Composed by Tomas Luis de
Victoria (1548-1611).
Edited by Wilhelm Horn.
Stapled. Choral score. 40
pages. Duration 22
minutes. Suddeutscher
Musikverlag #SM01670.
Published by Suddeutscher
Musikverlag
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa Salve Regina Chorale SATB SATB/SATB (Double) Suddeutscher
Composed by Tomas Luis de Victoria (0-1611). Edited by Wilhelm Horn. For double ...(+)
Composed by Tomas Luis de
Victoria (0-1611). Edited
by Wilhelm Horn. For
double SATB choir.
Stapled. Choral score.
Published by Suddeutscher
Musikverlag
$32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tomas Luis De Victoria: Masses And Motets - Missa Dum Complerentur Orgue Music Sales
SATB Choir (Organ) SKU: HL.14021606 By Andrew Parker. By Tomas Luis de Vi...(+)
SATB Choir (Organ)
SKU: HL.14021606
By Andrew Parker. By
Tomas Luis de Victoria.
Edited by Andrew Parker.
Music Sales America.
Motet. Book [Softcover].
72 pages. Music Sales
#NOV020691. Published by
Music Sales
(HL.14021606). ISBN
9781846091841. UPC:
884088434793.
6.75x10.0x0.222
inches. This
beautifully presented
edition from Novello
offers a full Mass
setting alongside a
Motet, both for large
mixed chorus, by Tomas
Luis De Victoria.
Regarded by many as one
of the greatest composers
of Spanish renaissance
polyphony, this Mass
setting is rich in his
characteristic tonalities
and the textures of the
sacred choral tradition.
Alongside this is the
original Motet upon which
the Mass setting is
based. Both are
transcribed and edited by
Andrew Parker. The
pairing of the two works
offers an exciting and
fascinating performance
opportunity, with the
devout grandeur of the
Mass set against the
modesty of the original
Motet. Missa Dum
Complerentur for SAATTB
voices. Motet: Dum
Complerentur Dies
Pentecostes for SSATB
voices. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Maria Chorale SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text:...(+)
Composed by Tomas Luis de
Victoria (1548-1611).
Edited by Andrea
Angelini. Text: Hail
Mary. Renaissance
treasure. Marian. Octavo.
Published by CanticaNOVA
Publications (C5.7019).
$1.40 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Magnum Mysterium Quatuor de Cuivres Eighth Note Publications
By Tomas Luis de Victoria (0-1611). Arranged by David Marlatt. For Brass Quartet...(+)
By Tomas Luis de Victoria
(0-1611). Arranged by
David Marlatt. For Brass
Quartet. Brass Ensemble -
Quartet; Masterworks;
Part(s); Quartet; Score.
Eighth Note Publications.
Masterwork Arrangement;
Renaissance. 16 pages.
Published by Eighth Note
Publication
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 52 Motets Chorale SATB - Intermédiaire Music Sales
Choral (SATB) - intermediate SKU: HL.14032506 Vol.3. Composed by T...(+)
Choral (SATB) -
intermediate SKU:
HL.14032506
Vol.3. Composed by
Tomas Luis de Victoria.
Music Sales America.
Classical, Motet. Vocal
Score. Music Sales
#UMV99073. Published by
Music Sales
(HL.14032506).
Latin. Tomas
Luis de Victoria
(1548-1611) was one of
the last representatives
of the 'prima prattica',
the polyphonic style
which was dominant in the
period music history has
labelled the
'renaissance'. Vol. 3 of
these 52 motets for mixed
voice choirs. $17.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Magnum Mysterium Quatuor de cuivres: 4 trombones [Conducteur] Cherry Classics
Trombone Quartet - Moderately Advanced SKU: CY.CC2372 Composed by Tomas L...(+)
Trombone Quartet -
Moderately Advanced
SKU: CY.CC2372
Composed by Tomas Luis de
Victoria. Arranged by
Andrew Converse.
Renaissance. Full score &
Parts. Published by
Cherry Classics
(CY.CC2372).
Tomas Luis de
Victoria was the most
famous composer of the
16th century in Spain,
and one of the most
important composers of
the Counter-Reformation,
along with Palestrina and
Orlando di Lasso.
Victoria was not only a
composer, but also an
accomplished organist and
singer. However, he
preferred the life of a
composer to that of a
performer. He is
sometimes known as the
Spanish Palestrina
because he may have been
taught by Palestrina.
O Magnum Mysterium
is a 4 part a cappella
motet written in Latin
for the Catholic Church
service and is performed
mostly around the
Christmas period as the
text refers to the great
mystery of the Virgin
birth, animals and baby
Jesus in the manger. This
work was written during
the composer's stay in
Rome and has some of
Palestrina's influence.
Dr. Converse has done
a beautiful job of
transcribing one of the
most beautiful sacred
choral works of the
Renaissance period. $17.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 52 Motets - Vol. 2 Chorale [Vocal Score] Music Sales
By Tomas Luis de Victoria (0-1611). For Choral (Vocal Score). Music Sales Americ...(+)
By Tomas Luis de Victoria
(0-1611). For Choral
(Vocal Score). Music
Sales America. Religious.
Music Sales #UMV99072.
Published by Music Sales
$17.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O Quam gloriosum est regnum Eulenburg
Choral (Study Score) SKU: HL.49009669 (Motet and Mass) for Choir. ...(+)
Choral (Study Score)
SKU: HL.49009669
(Motet and Mass) for
Choir. Composed by
Tomas Luis de Victoria.
Edited by Thomas Rive.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Sacred.
Study Score. 32 pages.
Eulenburg Edition
#ETP1706. Published by
Eulenburg Edition
(HL.49009669). ISBN
9790200211443. UPC:
073999354454.
5.25x7.5x0.118 inches.
Latin. With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition. $11.99 - Voir plus => Acheter | | |
| Tomas Luis de Victoria: O Magnum Mysterium A Cappella Chorale SATB SATB A Cappella [Octavo] Schirmer
Edited by Alice Parker, Robert Shaw, composed by Tomas Luis de Victoria. Octavo ...(+)
Edited by Alice Parker,
Robert Shaw, composed by
Tomas Luis de Victoria.
Octavo for SATB choir (a
cappella). With
translation. Series:
Robert Shaw Choral
Series. 12 pages.
Published by G. Schirmer,
Inc.
(1)$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tomas Luis De Victoria: Animam Meam Dilectam Chorale SATB Chester
SATB Choir - intermediate-advanced SKU: HL.14034928 Composed by Tomas Lui...(+)
SATB Choir -
intermediate-advanced
SKU: HL.14034928
Composed by Tomas Luis de
Victoria. Music Sales
America. Sacred. Choral
Score. Composed 2002. 5
pages. Chester Music
#CH58701. Published by
Chester Music
(HL.14034928).
Tenebrae
Responsory for Good
Friday. Edited by Bruno
Turner. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa O Quam Gloroisum Chorale SATB SATB A Cappella Kalmus
SATB, a cappella (Latin Language Edition). Composed by Tomas Luis de Victoria (d...(+)
SATB, a cappella (Latin
Language Edition).
Composed by Tomas Luis de
Victoria (da Vittoria).
Choral (Sacred); Choral
Worship Cantata; Larger
Works; Masterworks;
Performance Music
Ensemble; Worship
Resources. Kalmus
Edition. Masterwork;
Renaissance; Sacred.
Book. 24 pages. Kalmus
Classic Edition
#00-K06494. Published by
Kalmus Classic Edition
$7.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| O vos omnes (O ye people) Chorale SATB Schirmer
By Tomas Luis de Victoria (0-1611). For SATB Choir (Mixed Voices). Holy Week, Le...(+)
By Tomas Luis de Victoria
(0-1611). For SATB Choir
(Mixed Voices). Holy
Week, Lent. Lamentations
1:12. Choral. 8 pages.
Published by E.C.
Schirmer Publishing
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Magnum Mysterium for Brass Quartet Quatuor de Cuivres [Conducteur et Parties séparées] - Intermédiaire Cherry Classics
Brass quartet - intermediate SKU: CY.CC2894 Composed by Tomas Luis de Vic...(+)
Brass quartet -
intermediate SKU:
CY.CC2894 Composed by
Tomas Luis de Victoria.
Arranged by Andrew
Converse. Christmas
Motet. Score and parts.
Published by Cherry
Classics (CY.CC2894).
Victoria's
rich, mysterious and
serene 4-part Renaissance
Christmas motet, O Magnum
Mysterium was written in
1572. The composer
intended it to be sung at
another service later in
the year. It has become a
Christmas tradition for
many choirs. Andrew
Converse has arranged
this beautiful 4-minute
work of moderate
difficulty for Brass
Quartet of 2 Trumpets in
B-flat and 2 Trombones.
An additional Horn
substitute for the
Trombone I part has been
included as well. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Vos Omnes Chorale 3 parties SSA, Piano [Octavo] BriLee Music
By Tomas Luis de Victoria (0-1611). Arranged by Russell L. Robinson. For SSA cho...(+)
By Tomas Luis de Victoria
(0-1611). Arranged by
Russell L. Robinson. For
SSA choir, Optional
Keyboard. Octavo. 8
pages. Published by
BriLee Music
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Victoria: O Quam Gloriosum Motet - Choral Music Sales
Voice SKU: HL.14034552 Composed by Tomas Luis de Victoria. Music Sales Am...(+)
Voice SKU:
HL.14034552 Composed
by Tomas Luis de
Victoria. Music Sales
America. Motet. Book
[Softcover]. Music Sales
#UMV19178. Published by
Music Sales
(HL.14034552).
8.25x12.0x0.033
inches.
English-Spanish.
p>
$3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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