Viola and Piano SKU: BT.MUSVWP100199 Composed by Nikolay Andreyevich Rims...(+)
Viola and Piano
SKU:
BT.MUSVWP100199
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Arranged
by Alan H. Arnold.
Ballet. Book Only. 6
pages. Viola World
#MUSVWP100199. Published
by Viola World
(BT.MUSVWP100199).
UPC:
890346001454.
The
Young Prince And Princess
is a familiar melody by
distinctive and
influential Russian
composer Nikolai
Rimsky-Korsakov. This is
a stunning composition
set here for Viola and
Piano, and comes from his
most famous work,
Scheherazade .
Viola and piano SKU: LM.28151 Composed by Jean Marc Allerme. Pop, jazz. S...(+)
Viola and piano
SKU:
LM.28151
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#28151. Published by
Editions Henry Lemoine
(LM.28151).
ISBN
9790230981514.
With
Gab - Care-Free - Two
stomp for you - Robert's
tune - Around it -
Goodbye Kate - One note
for you - In the Emilie's
eyes - For a blue note -
As she like it - I prefer
the blue - Ballad for
Jodie - I'll be in the
show - Leave me here - My
friend Gabriell.
Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890...(+)
Arranged for piano and
viola. Composed by
Cesar Auguste Franck
(1822-1890). Edited by
Douglas Woodfull-Harris.
Arranged by Douglas
Woodfull-Harris. Stapled.
Performance score.
Published by Baerenreiter
Verlag (BA.BA10918).
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.
Arranged for Viola and Piano Book and Audio Online. Composed by Various. Edi...(+)
Arranged for Viola and
Piano
Book and Audio Online.
Composed by Various.
Edited by
Kate Mitchell. String.
Baroque, Classical,
Romantic.
Softcover Audio Online.
44
pages. Schott Music
#ED23572.
Published by Schott Music
By Frank Bridge (1879-1941). For Viola and Piano. Masterworks; Part(s); Score; S...(+)
By Frank Bridge
(1879-1941). For Viola
and Piano. Masterworks;
Part(s); Score; Solo;
String - Viola and Piano.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
Chamber Music & Piano Accompaniment 1 Viola 1 Piano - Grade 3 SKU: FL.FX07278...(+)
Chamber Music & Piano
Accompaniment 1 Viola 1
Piano - Grade 3
SKU:
FL.FX072783
Composed
by Pascal Saint-Leger.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072783.
Published by FLEX
Editions (FL.FX072783).
Here is the
drawing of a theme built
as an arch on the pillars
of the piano left hand,
declined in three
rhythmic forms (linear,
swing and with cadence)
to address flexibly some
technical issues to be
acquired over the 4 first
years of practice... -
Pascal SAINT-LEGER ;
Instruments: 1 Viola 1
Piano; Difficuly Level:
Grade 3; Duration: 2 mn
50 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Pascal SAINT-LEGER;.
Viola and Piano - Grade 4 SKU: HL.14042969 Composed by Benjamin Britten. ...(+)
Viola and Piano - Grade 4
SKU: HL.14042969
Composed by Benjamin
Britten. Arranged by
Martin Outram. Music
Sales America. Classical.
Softcover. Chester Music
#CH81939. Published by
Chester Music
(HL.14042969).
ISBN
9781783053919.
Port
rait No.2 'E.B.B' is
taken from Two Portraits
for Strings composed by
Benjamin Britten . This
fantastic, flowing Viola
solo over, soft, staccato
Piano chords really
expresses a range of
gripping emotions. Here
it is present in a
version arranged for
Viola and Piano by
Martin Outram,
violist of the
Maggini Quartet.
Viola and piano SKU: BR.EB-9441 Urtext based on the Brahms Complete Ed...(+)
Viola and piano
SKU:
BR.EB-9441
Urtext
based on the Brahms
Complete Edition of the
Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Sheet
Music. Duration 21'.
Breitkopf and Haertel #EB
9441. Published by
Breitkopf and Haertel
(BR.EB-9441).
ISBN
9790004189184. 9 x 12
inches.
The two
sonatas of Johannes
Brahms's op. 120 are
widely hailed as crowning
points of the repertoire
for clarinet and piano.
Moreover, in the version
for viola and piano
arranged by Brahms
himself, they rank among
the most frequently
played viola works of the
19th century. They far
surpass in compositional
substance the relatively
few original sonatas
written for these
instrumentations during
the same period.Of the
two fellow works, the
Sonata No. 2 in E flat
major is the more
accessible. Diverging
from the
classical-romantic
tradition, Brahms used
the key of E flat major
here not to express the
heroic or monumental, but
to obtain lyrical,
chiefly restrained
characterizations. The
serenade-like beauty of
the principal theme,
which opens the sonata,
has always been
particularly admired. In
his review of the world
premiere, the renowned
Viennese music critic
Eduard Hanslick, a friend
of Brahms's, raves with
the words it was as if it
had fallen from the
Heavens. The closing set
of variations also
follows with gentle
gracefulness this lyrical
character. However, the
middle movement, with its
tempestuous outer
sections in E flat minor
and the hymnic trio in B
major provides a
passionate and serious
contrast, which allows
the flanking idyll to
unfold its beauties all
the more insistently.
Viola and Piano SKU: BT.MUSVWP000125 Composed by Edmund Severn. Arranged ...(+)
Viola and Piano
SKU:
BT.MUSVWP000125
Composed by Edmund
Severn. Arranged by Alan
H. Arnold. Classical.
Book Only. Viola World
#MUSVWP000125. Published
by Viola World
(BT.MUSVWP000125).
Born in
Nottingham, England, in
1862, Edmund
Severn moved to the
United States at the age
of four along with his
family who settled in
Hartford, Connecticut.
Severn began to
study the Violin with
guidance fromhis father,
who taught the instrument
professionally. He later
studied with Franz Milcke
and Bernard Listemann,
concertmaster of the
Boston Symphony
Orchestra, before moving
to Berlin to study bowing
technique under Emanuel
Wirth,the first assistant
of Joseph Joachim at the
Berlin Hochschule.
As a composer
Edmund Severn
wrote mainly orchestral
music, as well as many
pieces for the Violin
including a concerto; he
also wrote
threestringquartets.
<
p>To this day, the
Polish
Dance for Violin
and Piano has remained
Severnâ??s most
famous work. The piece is
arranged here by Alan
Arnold for Viola and
Piano.
Viola, Piano - Level 3 SKU: BA.BA11058 Composed by Thomas Daniel Schlee. ...(+)
Viola, Piano - Level 3
SKU: BA.BA11058
Composed by Thomas Daniel
Schlee. Stapled.
Performance score, Part
(1). Composed 2007. Opus
66. 5/3 pages.
Baerenreiter Verlag
#BA11058_00. Published by
Baerenreiter Verlag
(BA.BA11058).
ISBN
9790006558308. 30 x 21 cm
inches.
The
intimate atmosphere of
the first of the
“Trois
Poèmes†op. 66
is evoked here in a
purely instrumental form
– technically
easily accessible, with
an expressive melodic and
corresponding harmonic
treatment.
by Craig Duncan. For viola. Building Excellence. Christmas, with keyboard accomp...(+)
by Craig Duncan. For
viola. Building
Excellence. Christmas,
with keyboard accomp.
Level: Beginning. Book.
Solos. Size 8.75x11.75.
40 pages. Published by
Mel Bay Pub., Inc.
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales Am...(+)
Viola and Piano
SKU:
HL.14030790
Composed
by Gordon Jacob. Music
Sales America. Post-1900.
Book [Softcover]. Music
Sales #NOV120069.
Published by Music Sales
(HL.14030790).
ISBN
9780853604488.
8.0x12.0x0.198
inches.
While
Gordon Jacobs composed a
vast amount of music -
more than four hundred
pieces -- he was
particularly celebrated
for his work for Viola
and for woodwinds, as
well as for his books on
music pedagogy. Jacob had
an early success with his
Viola Concerto of 1926
which was premiered at a
Promenade concert and
which was the beginning
of a series of strong
contributions to Viola
repertoire. This Sonatina
for Viola and Piano
demonstrates his
sensitive writing for the
instrument. It works very
well when performed on
clarinet as well.While
many composers of the
20th century rejected
serialism, atonality and
other avant garde effects
in favour of Romanticism,
Jacob was much morean
adherent to the musical
models of the classic and
baroque eras, while still
encompassing modern
harmonies. His work Music
for a Festival, for
symphonic wind band and
brass ensemble, was used
for the post-war Festival
of Britain and he
arranged the British
national anthem for the
coronation of Queen
Elizabeth II.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Viola, piano - Level 5 SKU: BA.BA11068 Composed by Philipp Maintz. Staple...(+)
Viola, piano - Level 5
SKU: BA.BA11068
Composed by Philipp
Maintz. Stapled. World
Premiere 15/08/2015,
Ulrichshausen.
Performance score, Part.
Composed 2015. 13/10
pages. Duration 12 hours.
Baerenreiter Verlag
#BA11068_00. Published by
Baerenreiter Verlag
(BA.BA11068).
ISBN
9790006561988. 35.5 x 25
cm
inches.
“...
she stood leering
hideously, and much dust
sodden with tears lay
upon her
shoulders.â€
“These snippets
from Johann Heinrich
Voss's translation of
Hesiod's Shield of
Hercules, where the din
of battle is brought to a
standstill for the wink
of an eye, made me think
of music that describes
the 'inwardness' of a
particular feeling, close
to the much-cited
metaphor of an entire
life flitting past the
inner eye in the space of
a second, when, as in
Hesiod, Atropos severs
the thread of life. Viola
and piano join forces on
an equal basis to
inscribe ever more lines
and shapes which,
however, relate in their
inmost essence to
intertwining circles
laden with
melancholy.†(Ph
ilipp Maintz)
Viola and Piano SKU: IS.VAP6164BEM Composed by Dirk Brosse. Strings - Vio...(+)
Viola and Piano
SKU:
IS.VAP6164BEM
Composed by Dirk Brosse.
Strings - Viola. The Dirk
Brosse Collection.
Metropolis Music
Publishers #VAP6164BEM.
Published by Metropolis
Music Publishers
(IS.VAP6164BEM).
ISBN
9790365099870.
This
composition tells the
story of a quest to find
truth, which is relative
and constantly changing.
It is often to be found
in the place where water
becomes steam, somewhere
in Between on the
dividing line between
Ying and Yang, somewhere
in a twilight zone
between dark and light,
between Black and White.
Black, White & In Between
was conceived as a
concertino for violin and
string orchestra. It has
been recorded by the
London Philharmonic
Orchestra under direction
of the composer with
Marta Abraham as
soloist.
(with Piano Accompaniment) Edited by Paul Doktor. Viola solo book for viola solo...(+)
(with Piano
Accompaniment) Edited by
Paul Doktor. Viola solo
book for viola solo and
piano accompaniment. With
solo part, standard
notation, fingerings,
bowings and piano
accompaniment. 64 pages.
Published by G. Schirmer,
Inc.