(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
(As performed by the cast of Glee (featuring: Faithfully / Any Way You Want It /...(+)
(As performed by the cast
of Glee (featuring:
Faithfully / Any Way You
Want It / Lovin?,
Touchin?, Squeezin? /
Don?t Stop Believin?)).
Arranged by Alan
Billingsley. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Form: Medley.
Rock; TV. 24 pages.
Published by Alfred Music
Publishing
Edited by Bob Dingley, composed by Duke Ellington, lyrics by Irving Mills (1894-...(+)
Edited by Bob Dingley,
composed by Duke
Ellington, lyrics by
Irving Mills (1894-1985),
arranged by Mac Huff.
Octavo for SATB choir and
piano accompaniment. With
chord names. Series: Pop
choral octavo (SATB). 20
pages. Published by
Alfred Publishing.
Composed by Arvo Part (1935-). Marian antiphons. Dom Essen / Germany by J?rgen K...(+)
Composed by Arvo Part
(1935-). Marian
antiphons. Dom Essen /
Germany by J?rgen
Kursawa, Org. Choral
part(s). With Standard
notation. Composed
2001/2002. Universal
Edition #UE31988.
Published by Universal
Edition
Composed by Lloyd Larson. Choral, cantatas. Eastertide, Lent. SATB with perform...(+)
Composed by Lloyd Larson.
Choral, cantatas.
Eastertide, Lent. SATB
with performance CD.
Lorenz Publishing Company
#55/1191L. Published by
Lorenz Publishing Company
(LO.55-1191L).
(Litaniae Beatae Mariae Virginis - Litaniae omnium Sanctorum - Falsibordoni - De...(+)
(Litaniae Beatae Mariae
Virginis - Litaniae
omnium Sanctorum -
Falsibordoni - Deus in
adjutorium - Responsiones
in Missa). Composed by
Orlande De Lassus
(1532-1594). Edited by
Peter Bergquist. For
mixed choir. This
edition: Complete
edition, Urtext edition.
Linen. Orlando di Lasso.
Samtliche Werke (Neue
Reihe), Volume 25.
Anthology. Published by
Baerenreiter Verlag
By Various. Edited by Jerome Roche. For SATB choir. Madrigal. Renaissance Voices...(+)
By Various. Edited by
Jerome Roche. For SATB
choir. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
Revised Order of Mass 2010. Composed by James Chepponis. This edition: Ch...(+)
Revised Order of Mass
2010. Composed by
James Chepponis. This
edition: Choral /
Accompaniment edition.
Mass. Sacred. Handbell
score. With guitar chord
names. 32 pages. GIA
Publications #8499.
Published by GIA
Publications (GI.G-8499).
(The Christmas Story Through Timeless Carols). By Larry Shackley. For SATB choir...(+)
(The Christmas Story
Through Timeless Carols).
By Larry Shackley. For
SATB choir, piano (with
optional instrumental
accompaniment). Cantatas.
Christmas, Sacred. Choral
score with performance
CD. Published by Lorenz
Publishing Company
O Antiphons Chorale SATB [Octavo] CanticaNOVA Publications
Composed by Stephen McManus. For SATB choir, a cappella. Text: Liturgy of the Ho...(+)
Composed by Stephen
McManus. For SATB choir,
a cappella. Text: Liturgy
of the Hours. Brief
settings of the seven
Magnificat antiphons for
the last days of Advent.
Advent. Octavo. Published
by CanticaNOVA
Publications
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Study score.
Composed 1723. BWV 60. 64
pages. Duration 20
minutes. Carus Verlag #CV
31.060/07. Published by
Carus Verlag
(CA.3106007).
ISBN
9790007043407. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score available
separately - see item
CA.3106000.
By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madriga...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
By Luca Marenzio (1553-1599). Edited by John Steele. For 5 and 6 mixed voices. M...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 and 6
mixed voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
God's Promise
Fulfilled. Composed
by Dave Clark & Don Koch
Cliff Duren. Arranged by
Cliff Duren. Musical.
Sacred. Split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762171923).
UPC:
765762171923.
Usher
your congregation into
God s throne room of
grace with this stirring
Easter musical created by
songwriting dynamos Dave
Clark Don Koch and Cliff
Duren! The title cut
Mercy Came Running made
popular by trio Phillips
Craig and Dean in the
1990s takes on new
significance in the
context of Easter as we
visualize God running to
save us through Christ s
death and resurrection.
With performance options
for a 47-minute
full-length musical an
abbreviated 30-minute
piece and even a
20-minute option Mercy
Came Running is adaptable
for any Easter service.
And each powerful song
can also stand alone to
impact your congregation
throughout the year!
Accompaniment DVD
available.
Salvation Is Created Chorale SSATBB SSATBB A Cappella [Octavo] Alfred Publishing
By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a ca...(+)
By Paul Tschesnokoff.
Edited by and arr. Donald
Moore. For Choir.
(SSATBB, a cappella).
Choral Octavo. Belwin
Festival Series. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Single Part,
Cello/Double Bass.
Composed 1723. BWV 60. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.060/14. Published by
Carus Verlag
(CA.3106014).
ISBN
9790007043452. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Set of Orchestra
Parts. Composed 1723. BWV
60. Duration 20 minutes.
Carus Verlag #CV
31.060/19. Published by
Carus Verlag
(CA.3106019).
ISBN
9790007134044. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and parts available
separately - see item
CA.3106000.