By Various. Edited by Kircher, Armin / Graulich, Gunter. Choral Collections for Mixed Choir; Occasions: Eucharist, Communion, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms; Use during church year: Advent, Lent and Passiontide, Corpus Christi, Ascension, Holy We. Choral collection. 88 pages

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Serpente, Timp, 2 Vl, Va, Vc, Cb, organ - Level 3

SKU: CA.4012992

Oratorio. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Paulus.Ccc. Compact Disc. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/92. Published by Carus Verlag (CA.4012992).

Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Serpente, Timp, 2 Vl, Va, Vc, Cb, organ - Level 3

SKU: CA.4012993

Oratorio. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Paulus.Ccc. Compact Disc. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/93. Published by Carus Verlag (CA.4012993).

Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Serpente, Timp, 2 Vl, Va, Vc, Cb, organ - Level 3

SKU: CA.4012994

Oratorio. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Paulus.Ccc. Compact Disc. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/94. Published by Carus Verlag (CA.4012994).

Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Serpente, Timp, 2 Vl, Va, Vc, Cb, Org - Level 3

SKU: CA.4012902

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. Stuttgart Urtext Edition: Mendelssohn. XL in large print, german/ english. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1834-1836. Op. 36, MWV A 14. 180 pages. Duration 145 minutes. Carus Verlag #CV 40.129/02. Published by Carus Verlag (CA.4012902).

ISBN 9790007187828. Language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Without Love We Have Nothing by James Michael Stevens and Joseph M. Martin. Arranged by Brant Adams. For SATB Choir (SATB). Glory Sound. Choral. 12 pages. Shawnee Press #A8007. Published by Shawnee Press

SATB a cappella Choral; Mixed Choir (SATB a cappella)

SKU: HL.50490228

By Melinda Berlasz. By Veress Sándor. EMB. Classical. Softcover. 147 pages. Editio Musica Budapest #Z14553. Published by Editio Musica Budapest (HL.50490228).

ISBN 9790080145531. UPC: 884088531638. 7.5x10.75x0.365 inches. Hungarian, English, German. Sandor Veress; Melinda Berlasz.

Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sandor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet Gyula Illyes (Oda Europahoz - Ode to Europe, based on the poem by Illyes), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932).

Boosey and Hawkes Contemporary Choral Series SATB divisi with Piano. Composed by Karl Jenkins. BH Secular Choral. Classical. Octavo. 16 pages. Duration 240 seconds. Boosey and Hawkes #M060134357. Published by Boosey and Hawkes

Boosey and Hawkes Contemporary Choral Series SATB divisi with Piano. Composed by Karl Jenkins. BH Secular Choral. Classical. Octavo. 16 pages. Boosey and Hawkes #M060134395. Published by Boosey and Hawkes

Vocal Score. Composed by Karl Jenkins. BH Secular Choral. World Music, Classical. Softcover. 132 pages. Boosey and Hawkes #M060134326. Published by Boosey and Hawkes (HL.48024286).

For SATB and Piano. Composed by Knorr. Choral Works (inc. Oratorios). Score. 48 pages. Edition Peters #EP11507. Published by Edition Peters

Composed by Traditional. Arranged by Donald Patriquin. Folk song. Octavo. Published by Cypress Choral Music (C3.CP1453).

By Mark Sedio. For SATB divisi, Violin, and Harp or Keyboard. Advent/Christmas. Level: Moderately Difficult. Choral Score. Published by MorningStar Music Publishers.

By Vladimír Godár. Choir Sacred. For with Organ (SATB choir). Choral (Sacred); Choral Octavo; Masterworks; Worship Resources. Faber Edition: Choral Signature Series. 20th Century; Masterwork; Sacred. Published by Faber Music

SKU: HL.50561846

SATB a cappella. Composed by Joseph Canteloube. Editions Durand. Classical. Editions Durand #DF1370400. Published by Editions Durand (HL.50561846).

6.75x10.5 inches.

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-102. Published by Randol Bass Music

SATB choir, keyboard accompaniment

SKU: GI.001119

Composed by G. E. Mullan. Children. Sacred. Octavo. GIA Publications #001119. Published by GIA Publications (GI.001119).

English.

The unique watercolor style of San Antonio artist G. E. Mullan is noted for its lyrical line set against an ordered and complex geometry of interdependent shapes. His technique creates a visual excitement that involves the viewer and invites close study of the excellence of the work. His religious subjects incorporate the historical traditions of the Santos figures of Mexico and the Southwest, the illuminated manuscripts of Western Europe, and the icons and mosaics of the Byzantine style. 4in. x 9in. Notecard.

SATB Choir

SKU: HL.14013753

Composed by Franz Joseph Haydn. Music Sales America. Classical. Choral Score. Music Sales #NOV280090. Published by Music Sales (HL.14013753).

Dist racted With Care And Anguish (Insanae Et Vanae Curae) is a motet for four voices. The accompaniment for Great Organ has been arranged by Joseph Barnby.

Jo seph Haydn (1732-1809) was an Austrian composer who became the figurehead of the classical movement. He formed a close and mutually respectful relationship with Mozart, and later taught Beethoven, but it was his compositions that left an indelible mark on the musical landscape of Western Europe.

Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. Alliance Music Publications #AMP 1072. Published by Alliance Music Publications

Choir Secular SATB choir (SATB)

SKU: PE.EP72954

Composed by Paul Phoenix. Choral Works (inc. Oratorios) Collection 1.5. Edition Peters. Book. 72 pages. Edition Peters #98-EP72954. Published by Edition Peters (PE.EP72954).

ISBN 9790577012421. 190 x 272mm inches. English.

Paul Phoenix’s Choral Workshop Collection is the first in a series of Edition Peters choral compilations selected by choral clinicians, primarily to support their programme of choral workshops. This edition focuses on performance practice, bringing together a variety of styles, languages and challenges in order to display the unique principles developed by Paul Phoenix as a world-renowned performance coach.

Paul Phoenix has extensive knowledge and experience of how vocal ensembles can unlock their best possible performance and engage with their audience. After seventeen years as tenor with The King’s Singers, Paul founded PurpleVocals, concentrating on educating, mentoring , lecturing, speaking and coaching. He offers new perspectives and advice on the career development of young and developing voices, as well as coaching choirs, ensembles and their conductors across the USA, Europe and Asia.

Composed by Mark Hayes. Choral collection. Major Work, Christmas, Multicultural. Choral score. Heritage Music Press #45/1630H. Published by Heritage Music Press

(SATB)

SKU: HL.1189828

Composed by Jose Maurí and cio Nunes Garcia. Arranged by Matheus Cruz. Pavane Choral. Octavo. Duration 135 seconds. Pavane Publishing #P1742. Published by Pavane Publishing (HL.1189828).

UPC: 196288131359. 6.75x10.5x0.029 inches.

José Maurício Nunes Garcia was a well-respected 18th-century Brazilian composer. This “Gloria” comes from a Christmas Eve Mass he wrote in 1811. There has recently been a resurgence of interest in his work, as the world awakens to classical composers outside of Western Europe. This delightful setting of the Liturgical Latin from the Mass is an excellent choice for both church and school choirs.

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

STB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4005213

Composed by Wolfgang Amadeus Mozart. Edited by Willi Schulze. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Dixit Et Magnificat Cv. Sacred vocal music, Magnificats, Psalms, Latin, Epiphany, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours. Single Part, Cello/Double Bass. Composed 1774. KV 193. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.052/13. Published by Carus Verlag (CA.4005213).

ISBN 9790007059187. Key: C major. Language: Latin.

Dixit et Magnificat comprises the earliest vesper sections of all the vesper services and vesper psalm settings that Mozart wrote. Like the later complete vesper services, it was one of the works of church art commissioned for prestige purposes as was the custom at all well-known courts in Europe during the eighteenth century. Score and part available separately - see item CA.4005200.

STB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4005211

Composed by Wolfgang Amadeus Mozart. Edited by Willi Schulze. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Dixit Et Magnificat Cv. Sacred vocal music, Magnificats, Psalms, Latin, Epiphany, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours. Single Part, Violin 1. Composed 1774. KV 193. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.052/11. Published by Carus Verlag (CA.4005211).

ISBN 9790007059163. Key: C major. Language: Latin.

Dixit et Magnificat comprises the earliest vesper sections of all the vesper services and vesper psalm settings that Mozart wrote. Like the later complete vesper services, it was one of the works of church art commissioned for prestige purposes as was the custom at all well-known courts in Europe during the eighteenth century. Score and part available separately - see item CA.4005200.

STB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4005200

Composed by Wolfgang Amadeus Mozart. Edited by Willi Schulze. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Dixit Et Magnificat Cv. Sacred vocal music, Magnificats, Psalms, Latin, Epiphany, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours. Full score. Composed 1774. KV 193. Duration 10 minutes. Carus Verlag #CV 40.052/00. Published by Carus Verlag (CA.4005200).

ISBN 9790007086404. Key: C major. Language: Latin.

Dixit et Magnificat comprises the earliest vesper sections of all the vesper services and vesper psalm settings that Mozart wrote. Like the later complete vesper services, it was one of the works of church art commissioned for prestige purposes as was the custom at all well-known courts in Europe during the eighteenth century.

Orchestra narrator, SABar vocal soli, SATB choir, piccolo, 2 flutes, oboe, english horn, clarinet, bass clarinet, bassoon, contra-bassoon, 4 horns, 2 trumpets, 3 trombones, harp, timpani, marimba, celesta, synthesizer (sampler), computer, percussion (3 players), 2

SKU: CA.2810307

Oratorio. Composed by Gonzalo Grau. This edition: Paperbound. Contemporary Choir Music. German title: Aqua. Oratorio. Oratorios. Study score. Composed 2010. Duration 62 minutes. Carus Verlag #CV 28.103/07. Published by Carus Verlag (CA.2810307).

ISBN 9790007135836. Language: Spanish. Text: Palacios, Maria Fernanda. Text: Maria Fernanda Palacios.

Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of water. It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures. Gonzalo Grau's compositional style is marked by a variety of influences: For me a Gregorian chant is just as beautiful as a Cuban Santeria song. Indian ornamentation and baroque articulation can both appear in the same piece, says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme. Score available separately - see item CA.2810300.