By Daniel Bernard Roumain. For SSAA or children's chorus and instruments (Chorus...(+)
By Daniel Bernard
Roumain. For SSAA or
children's chorus and
instruments (Chorus
(SSAA) or Children's
Choir; 1 Electric Bass; 1
Drum Kit; Piano or
Synthesizer). Set of
Parts. Composed 2001.
Duration 7'
SSAA, a cappella SKU: SU.80300107 For SSAA, a cappella. Arranged b...(+)
SSAA, a cappella
SKU:
SU.80300107
For
SSAA, a cappella.
Arranged by Marylou India
Jackson. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300107. Published by
Treble Clef Music Press
(SU.80300107).
Your second
altos will love this
setting--they get the
melody in the refrain,
and lots of low f's
during the verses. The
strong rhythms of this
setting will energize
your chorus! SSAA and
soprano solo a cappella.
Easy/Medium. SSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Composed by Antonin Dvorak (1841-1904). Edited by Katerina Nová. This edition...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Katerina Nová. This
edition:
urtext edition.
Paperback.
Choral score.
Baerenreiter
Verlag #BA10439.
Published by
Baerenreiter Verlag
Composed by Christopher Dotson, Perrie Edwards, Jade Thirlwall, Jesy Nelson, Lei...(+)
Composed by Christopher
Dotson, Perrie Edwards,
Jade Thirlwall, Jesy
Nelson, Leigh Anne
Pinnock, Kyle Coleman,
Thomas Barnes, Peter
Kelleher, Ben Kohn,
Mischke Butler, Erika
Nuri, Iain James,
Michelle Lewis, and Heidi
Rojas. Arranged by Andy
Beck. Choir Secular.
Women's Choir. Choral
Octavo. Pop Choral. Pop;
Secular. 16 pages.
Published by Alfred Music
SSAA, a cappella SKU: SU.80300168 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300168
For
SSAA, a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300168. Published by
Treble Clef Music Press
(SU.80300168).
Excerpts of the
Requiem text in Latin,
and metric verses of
Psalm 23 in English, make
this moving elegy
suitable for memorial
services and All
Saints’
observations, as well as
for general sacred use.
SSAA a cappella;
duration: 4’25;
range: a flat-a;
difficulty: medium. SSAA,
a cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Indodana Chorale SSAA SSAA A Cappella Santa Barbara Music Publishing
Composed by Michael J. Barrett. Choral. Cameron LaBarr Series. Concert, General...(+)
Composed by Michael J.
Barrett. Choral. Cameron
LaBarr Series. Concert,
General. Octavo. Santa
Barbara Music Publishing
#SBMP1438. Published by
Santa Barbara Music
Publishing
(SB.SBMP-1438).
SSAA choir, piano reduction, percussion - Intermediate SKU: GI.G-9989 ...(+)
SSAA choir, piano
reduction, percussion -
Intermediate
SKU:
GI.G-9989
Beatitudes.
Composed by Tim Brent.
This edition: SSAA
edition. Ordinary Time 4
A, All Saints.
Westminster
Choir,Westminster Choir.
Music Education. Octavo.
24 pages. GIA
Publications #9989.
Published by GIA
Publications (GI.G-9989).
UPC: 785147998907.
English, Latin. Text
Source: Matthew
5:7–9, alt.
Scripture: Matthew
5:7–9.
The
percussion part is for
djembe and
triangle/finger
cymbals.
By Stephen Main and William Devereux. For Choral, Harp, Piano, Celesta (SSAA DIV...(+)
By Stephen Main and
William Devereux. For
Choral, Harp, Piano,
Celesta (SSAA DIVISI).
Walton Choral. 16 pages.
Walton Music #WW1504.
Published by Walton Music
SSAA choir, piano SKU: CA.966200 Hymn for Pentecost. Composed by K...(+)
SSAA choir, piano
SKU:
CA.966200
Hymn for
Pentecost. Composed
by Ko Matsushita. Edited
by Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Whitsun. Full score. 12
pages. Duration 5
minutes. Carus Verlag #CV
09.662/00. Published by
Carus Verlag (CA.966200).
ISBN 9790007167677.
Language:
Latin.
Matsushita's
setting of a hymn for
Pentecost is a dialog
between women's choir and
piano: while the choir
develops its melodies
from the Gregorian hymn,
the piano provides a
counterpoint with the
minimalistic sounds of
fourth and fifths,
together with short
independent motives
related to the text of
the hymn. Corresponding
to the chorale, the meter
changes continually, as
if floating. The choir is
treated homophonically
throughout and, in
preparation for the
climax of the piece it is
briefly divided into six
parts at the words
pacemque dones protinus
(true peace bring unto
us). One again Matsushita
proves himself a master
of economy in his use of
compositional means; thus
his works of new church
music are appealing,
effective, and they
express humility.
Composed by Carl Falk, Dhani Lennevald, Salem Al Fakir, Sandro Cavazza, Vincen...(+)
Composed by Carl Falk,
Dhani
Lennevald, Salem Al
Fakir,
Sandro Cavazza, Vincent
Pontare, and Avicii.
Edited
by Hans Vainikainen.
Arranged by Hans
Vainikainen. Stapled.
Choral
score. 11 pages.
Baerenreiter Verlag
#BA11398. Published by
Baerenreiter Verlag
SSAA choir SKU: BP.2149 Composed by Craig Courtney. Arranged by Craig Cou...(+)
SSAA choir
SKU:
BP.2149
Composed by
Craig Courtney. Arranged
by Craig Courtney. Sacred
octavos. Sacred. Octavo.
Beckenhorst Press #2149.
Published by Beckenhorst
Press (BP.2149).
Printed
product.
The
ethereal nature of the
Samuel Francis Smith poem
is perfectly paired with
masterful text painting
until the two become one
in spirit and
understanding. The move
from earth to heaven is
flawless. The music is
deep; the text rich and
profound. The melody line
moves to harmony and back
again until it finally
finds a resting place in
the sight and sound of
eternity . . . making
heaven a heaven.
Glorious! Scored for SATB
choir and piano with
optional string quartet
or orchestra parts
available. Also available
for SSAA and TTBB.
Composed by Alexander Gretchaninoff (1864-1956). Arranged by English text by Nan...(+)
Composed by Alexander
Gretchaninoff
(1864-1956). Arranged by
English text by Nancy
McKibben. Russian Title:
Dozhd'. With Language:
Russian/English.
Published by Musica
Russica (MR.PS-007).
Composed by Michael Culloton. Advanced/Collegiate. Year B Advent2. Advent, 21st...(+)
Composed by Michael
Culloton.
Advanced/Collegiate. Year
B Advent2. Advent, 21st
Century, Hope/Assurance.
Octavo. Published by
Galaxy Music Corporation
(EC.1.3489).
By Felix Bartholdy Mendelssohn (1809-1847). For SSAA Choir (Vocal Score). Music ...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
For SSAA Choir (Vocal
Score). Music Sales
America. Romantic. 86
pages. Novello and Co
Ltd. #NOV954888.
Published by Novello and
Co Ltd.
Choral (SSAA a cappella) - intermediate SKU: HL.49018916 SSAA a cappel...(+)
Choral (SSAA a cappella)
- intermediate
SKU:
HL.49018916
SSAA a
cappella. Composed by
Kurt Bikkembergs. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2009. 8 pages.
Duration 2'. Schott Music
#C54131. Published by
Schott Music
(HL.49018916).
ISBN
9790001174718.
7.5x11.0x0.048 inches.
English.
The
Belgian composer and
conductor Kurt
Bikkembergs (*1963) has
added to the repertoire
for women's choir again:
With 'The Maiden and the
Sea' based on a text by
Rene Geldof, he presents
a revised and translated
English version of his
work 'Het meisje en de
zee' written in 1994. It
is a choral setting in
which Bikkembergs has
onomatopoeic and spoken
elements alternate with
mysterious chordal sounds
and combines them in a
skilful manner - a
fascinating composition
for performers and
audience alike.
Burning Babe, The Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSAA, a cappella SKU: SU.80300188 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300188
For
SSAA, a cappella.
Composed by Anne Boyd.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300188. Published by
Treble Clef Music Press
(SU.80300188).
The carol text
is by the same
sixteenth-century
poet--Robert
Southwell--as the
better-known This Little
Babe. Like its sister
text, it explores an
unusual metaphor for the
infant Jesus--in this
case, a refining fire
which purifies the
believer. The strophic
setting, with soprano
solo, is dissonant and
chromatic, with edgy
rhythms: a fine selection
to balance against
sweeter Christmas
settings. SSAA a
cappella.
Medium-Difficult. SSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Women's Choir (SSAA a cappella) SKU: HL.49046794 Das Frauenchorbuch fu...(+)
Women's Choir (SSAA a
cappella)
SKU:
HL.49046794
Das
Frauenchorbuch fur die
Handtasche SSAA a
cappella in German.
Composed by Pascal
Martiné. Edited by
Tristan Meister. Choral
Collection. Choral,
Classical. Softcover. 76
pages. Schott Music
#ED23497. Published by
Schott Music
(HL.49046794).
UPC:
196288026334.
Chor
to go for women's choir
(SSA and SSAA a cappella)
combines some of the
best-known and most
popular small choral
works for women's choir
in one easy-to-read,
compact edition. In
addition to folk and
evening songs as well as
sacred pieces, there are
popular and catchy
classical choral
compositions from the
Romantic period,
serenades and toasts for
social gatherings as well
as international
melodies. Some pieces
require a little more
rehearsal effort and are
also suitable for concert
programs, others can
besung from sight and are
used for entertainment
after the rehearsal or as
a serenade. In the small
format, the choir booklet
fits in the handbag and
is therefore the ideal
companion for all kinds
of activities. The
booklet is quickly
available for parties,
choir excursions or
concert tours and every
singer can sing
along.
SSAA and Piano Choral; Piano Accompaniment (SSAA Choir) - easy SKU: HL.490462...(+)
SSAA and Piano Choral;
Piano Accompaniment (SSAA
Choir) - easy
SKU:
HL.49046248
Irish
Folksong SSAA and Piano
Schott Choral Music.
Composed by Alwin Michael
Schronen. This edition:
Saddle stitching. Sheet
music. Choral. Classical,
Folk, Irish. Octavo.
Composed 2017. 8 pages.
Duration 210 seconds.
Schott Music #C59530.
Published by Schott Music
(HL.49046248).
ISBN
9790001207218. UPC:
842819105169. 0.031
inches.
English.
Composing
soulful and expressive
choral music has been the
trademark of Alwin
Michael Schronen for many
years. A hauntingly
beautiful testimony to
that is his arrangement
of Sally Gardens for
upper voices (SSAA) and
piano. This traditional
Irish folk song is based
on one of the first love
poems by William Butler
Yeats. Its melody is
characterized by
simplicity and catchiness
which are maintained by
Schronen in a clean and
natural manner in an
easy-to-play choral
setting for four female
or childrens voices
singing in unison over
long passages and are
only seldom divided into
four voices. The warm
sounds of the easily
playable piano
accompaniment emphasize
the melancholy and
touching air of this
wonderful Irish folk
tune. A catchy tune -
guaranteed!
Composed by Dan Forrest.
Choral, School, Church,
Community, Collegiate,
Revoicing. Justice.
Octavo. The Music of Dan
Forrest #DF1023.
Published by The Music of
Dan Forrest (BP.DF1023).
6.88 x 10.5
inches.
From the
composer: Written as a
statement of support for,
and allyship with, our
Black brothers and
sisters (as well as all
people of color). Too
often, in any aspect of
life, we explain away
other people’s
experiences instead of
seeking to understand
experiences that differ
from our own;
we’re so busy
talking about our own
viewpoints that we fail
to listen to the voices
we most need to hear. I
asked Tony Silvestri to
write a text that could
function as a personal
statement from me to
people I need to listen
to—especially to
my friends of color. This
the text that
resulted—words
that speak powerfully for
any situation where we
need to listen to those
who have been
marginalized or
mistreated, not heard or
believed. For SATB or
SSAA choir with piano and
optional guitar.
Female Voices; Tambourine (SSAA a cappella) SKU: HL.48025426 SSAA a ca...(+)
Female Voices; Tambourine
(SSAA a cappella)
SKU:
HL.48025426
SSAA a
cappella with Optional
Tambourine. Composed
by Anna Lapwood. BH
Secular Choral. Carol,
Christmas,
Christmas/Advent Sacred,
Classical. Octavo. 12
pages. Duration 330
seconds. Boosey and
Hawkes #M060150173.
Published by Boosey and
Hawkes (HL.48025426).
ISBN 9781835680032.
UPC:
196288207559.
Silen
t night: This arrangement
of the traditional carol
by Franz Gruber and
Joseph Muhr (translated
into English by John
Freeman Young) was
written by Anna Lapwood
and the Pembroke College
GirlsÂ? Choir for their
end of term party for the
families of the
choristers. The aim was
to produce an arrangement
manageable for the
youngest choristers
whilst stretching the
older ones with some
slightly jazzy harmonies.
It was written in one
75-minute rehearsal, and
performed to the parents
straight after. The choir
has written a new pieceat
the end of every term
since. Gaudete: This
arrangement of the
16th-century carol was
written during a full
weekend of group
composition with Anna
Lapwood and the Pembroke
College Girls' Choir, a
process with which they
had experimented
previously. The choir
decided to create
rhythmic impetus and
drive, which is delivered
from the outset in the
introductory material.
This figure is repeated
under the refrain for the
first three verses, while
the verses themselves are
presented in simple
unison. The final verse
is harmonised and
crescendos towards the
uplifting key change for
the final refrain, giving
a sense of climax, which
may be highlighted
further with an optional
tambourine.
SSA with Solos & Instruments Choral (SSAA Choir) SKU: HL.286858 From C...(+)
SSA with Solos &
Instruments Choral (SSAA
Choir)
SKU:
HL.286858
From
Considering Matthew
Shepard. Composed by
Craig Hella Johnson.
Craig Hella Johnson
Series. Concert,
Festival. Octavo.
Published by Hal Leonard
(HL.286858).
UPC:
888680899158.
6.75x10.5x0.036
inches.
Four
movements from the end of
the “Passionâ€
section of Considering
Matthew Shepard we hear
from a deer. It has been
well established that
Matt loved the outdoors
and it is fitting that a
deer should sing
“All night I lay
there beside you, I
cradled your pain in my
care.†The women
sing this delicate text
accompanied by three
soprano soloists who
bring the breeze and the
hope of redemption.
I lift my eyes Chorale SSAA SSAA, Piano Oxford University Press
By Bob Chilcott. For SSAA choir and piano. Upper Voices. Sacred, Choral Leaflet....(+)
By Bob Chilcott. For SSAA
choir and piano. Upper
Voices. Sacred, Choral
Leaflet. Vocal score. 12
pages. Duration 4'.
Published by Oxford
University Press
Composed by Alfred
Koerppen. Choral score.
Möseler Verlag #MOS
69449-01. Published by
Möseler Verlag
(M2.MOS-69449-01).
ISBN
9790203755685.
1955
erschien aus der Hand der
franzosischen Nonne
Carmen Bernos de Gaszold
ein Gedichtband unter dem
Titel Prieres dans
l'Arche - Gebete aus der
Arche. Diese Gebete
werden den Tieren in den
Mund gelegt, die mit
Noah, in der drangvollen
Enge der Arche vereint,
das Ende der Sintflut
erwarten. Die Dichterin
folgt einer Tradition -
man denkt an Asop, La
Fontaine und Goethe -
wenn sie im Wesen der
Kreaturen Spiegelungen
menschlicher Schwachen,
Fehler und Tugenden
erkennt. Denn die in der
Wasserwuste gefangenen
Tiere reden so fromm,
furchtsam, selbstgerecht
und banal, wie es
menschlich ware. Und auch
das Allzumenschliche -
Hoffart, Leichtsinn, Neid
- kommt zu Wort. Nur dass
die Ichbefangenheit der
betenden Tiere ihrer
Unschuld keinen Abbruch
tut. Ihre bedingte und
bedrangte Natur findet
Gedanken, die uns ein
sympathisierendes Lacheln
abgewinnt. Der Zyklus
schien mir zur Vertonung
geeignet, weil er ein
religioses Thema
unpratentios und
originell vortragt und
ein Stuck ermoglicht, das
die ubliche Trennung
zwischen weltlich und
geistlich uberschreitet
und Konzertsaal und
Kirche in Anspruch nehmen
kann. Zur Besetzung: Der
Frauenchor muss aus den
vier ublichen Stimmlagen
1. und 2. Sopran, 1. und
2. Alt bestehen, wobei
auch noch Stimmteilungen
vorkommen. In Nr. 9 Gebet
der Taube wird noch ein
(aus dem Chor zu
bildendes) Soloquartett
gebraucht. Der
Instrumentalpart besteht
aus einer Oboe und einem
Streicherquintett (1. und
2. Violine, Viola,
Violoncello und
Kontrabass). Die
Besetzung soll solistisch
sein, kann aber bei den
Streichern (und wenn die
Klangbalance zum Chor
dies wunschenswert macht)
zu einem kleinen
Kammerorchester erweitert
werden. Der Charakter der
Instrumente, ihre
Techniken und Farben,
erlauben mir realistische
Klangmetaphern und
physiognomische
Parallelen - so, wenn das
Cello im Duett mit dem
Alt die hochmutige
Giraffe in
grossintervalligen
Sprungen deutet, die
rasende Geschaftigkeit
der Ameise sich in
schnellen
Violinbariolagen
ausdruckt oder die Oboe
ein naturalistisches
Rabengekrachz horen
lasst. Der Zyklus beginnt
mit dem Gebet des Noah.
Man stelle sich das
Gedrange und Geschrei
vor, dass die Arche
erfullt, die hochgehenden
Wogen, den prasselnden
Regen, und mitten darin
den Urvater Noah, dem
sich der Ausruf entringt:
Herr, was fur ein Zirkus!
Seine Ausbruche
korrespondieren mit dem
auf- und niederwogenden
Streichersatz, bis der
Sturm sich legt, die
Wogen sich glatten und
Noah in der mehrmals
gedehnten Phrase Es
dauert lange seine
Ergebung und Hoffnung
ausdruckt. Nach dem
pharisaischen Gebet der
Giraffe ergreift die
Schildkrote das Wort. Ihr
Instrument ist die
Bratsche. Ihre
schnaufende Kurzatmigkeit
hindert sie, ihr Gebet
zusammenhangend zu
sprechen. Der fleissigen
Ameise - sie erbost sich
sehr uber die Grille,
deren Wirtshausmusik sie
unterbricht - folgt der
Hahn mit hellen und
scharfen Tonen. Er ist
es, der die Sonne
aufgehen lasst; man kann
es in dem sich
auffaltenden Klang der
Coda horen. Der
vergessliche
Schmetterling taumelt in
immer neu variierten
Oboenfiguren durch die
glasernen Sommerklange
von Streicherflageoletts,
bis es ihm einfallt, was
er sagen wollte: Amen.
Das Schwein bekennt sich
zu seiner schnuffelnden
und grunzenden Natur,
die, von den Streichern
mit rauhem Bogendruck
gezeichnet, in der Coda
durch eine stille
F-Dur-Kantilene eine
sonderbare Verklarung
erfahrt. Vor uns die
Sintflut ruft der Rabe,
und sein durchdringender
Oboenschrei ubertont das
Wogen und Schwanken der
Streicher, die hier
Motive aus dem Gebet des
Noah wieder aufnehmen. In
der darauf eintretenden
Stille bieten die
Instrumente verschiedene
Themen an, die folgenlos
verschwinden - um nach
dem Altsolo Die Arche
wartet sich in einem
ruhig-feierlichen
a-cappella-Satz mit
alternierendem
Soloquartett wieder
zusammenzufinden und das
Werk in reinem Es-Dur
beschliessen. Alfred
Koerppen.