Harpsichord

SKU: HL.48181261

Composed by Jacques-Francois Ibert. Leduc. Classical. 16 pages. Alphonse Leduc #AL20630. Published by Alphonse Leduc (HL.48181261).

UPC: 888680787110. 9.25x12.25x0.083 inches.

“Bein g an unusual composer of his day, Ibert did not attach himself to any of the predominant genres of music of the time. Described as elicit, the composer's Deux Interludes for Flute, Violin and Harpsichord is pleasantly unusual in instrumentation, creating a worthy addition to the classical music repertoire. Ibert stands out as a composer who tackled all styles with equal success, his Deux Interludes for Flute, Violin and Harpsichord being no exception. With clear, separate parts, this edition is a must buy for aspiring musicians seeking to expand their repertoire.”.

Harpsichord

SKU: HL.14023645

Composed by Michael Nyman. Music Sales America. Classical. Book [Softcover]. Composed 2000. 56 pages. Chester Music #CH61496. Published by Chester Music (HL.14023645).

ISBN 9780711983281. 9.0x12.0x0.162 inches.

These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea. The first, The convertibility of Lute Strings, was first performed at the Purcell Room, London in 1992. The second, Tango for Tim was written in memory of a friend and composer Tim Souster, which was composed and first performed in 1994. The third piece, Elisabeth Gets Her Way, is an extended version of the cadenza which Elisabeth Chojnacka persuaded Michael Nyman to add to his Harpsichord Concerto, which includes material from the first two pieces in this album.

Harpsichord

SKU: OT.21125

Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125).

ISBN 9789655051117. 8.27 x 11.69 inches.

The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication.
As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument.
The piece was composed at the request of Hagai Yodan, who performs it with great skill.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Piano, harpsichord

SKU: BA.BA05086-02

Keyboard and Lute Works 6/2. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Half-leather binding. New Bach Edition (NBA) V/6/2. Complete edition, Performance score. Baerenreiter Verlag #BA05086_02. Published by Baerenreiter Verlag (BA.BA05086-02).

ISBN 9790006494361. 33.1 x 25.8 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Various. Edited by Christopher Hogwood. For Clavichord, harpsichord, organ. Playing score. Published by Edition HH Music Publishers (U.K. Import).

Piano, harpsichord

SKU: BA.BA05086-41

Keyboard and Lute Works 6/2. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: Complete edition. Linen. New Bach Edition (NBA) V/6/2. Complete edition, Critical commentary, anthology. 52 pages. Baerenreiter Verlag #BA05086_41. Published by Baerenreiter Verlag (BA.BA05086-41).

ISBN 9790006494385. 24.1 x 18 cm inches.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Harpsichord

SKU: KU.OCT-10090_CEMB

Composed by Christoph Graupner. Edited by Jürgen Braun. Arranged by Jürgen Braun. Bach format (230 x 302). Staple Bound. Part. 12 pages. Edition Kunzelmann #OCT-10090_CEMB. Published by Edition Kunzelmann (KU.OCT-10090_CEMB).

Key: E minor.

Soprano voice solo, flute (recorder f1), organ (harpsichord)

SKU: CA.1010621

Composed by Ernst Arfken. German title: Magnificat. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Flute. Composed 1954. 2 pages. Carus Verlag #CV 10.106/21. Published by Carus Verlag (CA.1010621).

ISBN 9790007019303. Language: German.

Score available separately - see item CA.1010600.

Flute and Harpsichord

SKU: BT.ALHE33089

Composed by Michel Pignolet de Monteclair. Classical. Score Only. 14 pages. Heugel & Cie #ALHE33089. Published by Heugel & Cie (BT.ALHE33089).

French.

For flute and harpsichord.

Flute and Harpsichord

SKU: BT.ALHE32104

Composed by Joseph Bodin de Boismortier. Le Pupitre - Heugel. Classical. Score Only. Heugel & Cie #ALHE32104. Published by Heugel & Cie (BT.ALHE32104).

French.

Sonat as (Op. 91) for Flute and Continuo by Boismortier