Keyboard

SKU: GI.G-003428

Composed by William Wallace. Sacred. GIA Publications #003428. Published by GIA Publications (GI.G-003428).

Known for his work in interfaith activities, Wallace's songs featured in this collection bridge the gap between traditional Christianity and a scientific view of humans and the universe. Many of the texts are set to original, easily sung tunes while others carry a familar melody. Great for Sunday liturgies, retreat groups, and personal meditation on spirituality and mysticism.   .

Sonaten 38-50. Composed by Leopold Kozeluch (1747-1818). Edited by Christopher Hogwood. This edition: urtext edition. Paperback. Leopold Kozeluch. Samtliche Sonaten fur Clavier 4. Collection. Published by Baerenreiter Verlag (BA.BA9514).

Keyboard

SKU: ST.MB102

Composed by Various. Edited by Alan Brown and Christopher Hogwood. Library Volumes. Edited by Christopher Hogwood & Alan Brown. First published in 2017. Pages: 248. Format: Hardback. Dimensions (mm): 330 x 254 x 28. Collection. Stainer & Bell Ltd. #MB102. Published by Stainer & Bell Ltd. (ST.MB102).

ISBN 9790220225123.

Comp lementary to MB96, the 85 items in MB102 complete the coverage of the Fitzwilliam Virginal Book in Musica Britannica. With the exception of four pieces by Sweelinck available elsewhere, MB102 contains all the Fitzwilliam content not otherwise already published in individual MB virginalist-composer collections or in the three anthology volumes, MB1, MB55 and MB66. In addition, there are ten pieces from another important keyboard source in the collection of Cambridge's Fitzwilliam Museum, the Tisdale Virginal Book. The volume was a long-time project of the late Christopher Hogwood, and has been brought to completion by his co-editor Alan Brown.

Keyboard

SKU: GI.G-9590

Composed by Ephrem Feeley. Sacred. Collection. GIA Publications #9590. Published by GIA Publications (GI.G-9590).

UPC: 785147959038. English.

Ephrem Feeley’s second published collection Our Hearts Are Restless mirrors the flexibility and variety of his first, Here in Christ We Gather. The music is flexible to accompany the ritual action it accompanies, and the scoring allows for performance by cantor or choir. Above all, this is elegant liturgical music at the service of the liturgy. Ephrem’s musical style sits comfortably between classical and contemporary, allowing for immediate engagement by all.   CONTENTS: I Will Go Up to the Altar of God • A Blessing on the Young • Christ Has No Body Now but Yours • Be Near at Either Hand • God’s Love for Us • Our Hearts Are Restless, O God • Song of Farewell • Sing a New Song to the Lord • Call to Your Table • Our Eyes Are Fixed on the Lord •For You, My Soul Is Thirsting • When in Our Music God Is Glorified.

Keyboard

SKU: GI.G-8836

Composed by Marty Haugen. Music Collection. Sacred. Collection. With guitar chord names. GIA Publications #8836. Published by GIA Publications (GI.G-8836).

UPC: 785147883630. English.

Sing for Peace is Marty Haugen’s first collection of liturgical music (apart from mass settings and The Lyric Psalter) in seven years. Sing for Peace is a wide-ranging and eclectic collection, including two settings of texts by Adam M. L. Tice, a setting of a text by Shirley Erena Murray, and a number of original texts and Scripture adaptations. Like much of Marty’s previous music the texts largely focus on Christian peace-making and issues of social justice, including hunger, immigration, and earth-keeping. There is music for baptism, for intercessory prayer, choral music and two children’s choir pieces. The styles range from classical to gospel to pop, with singers of all ages involved.   Contents: I Will Rise, Down in the River to Pray/Baptized into the Death of Christ, For Every Child, Sing with All the Children of Earth, The Steadfast Love of the Lord, Look and See the Face of Christ, An Open Hand, a Willing Heart, Bring Peace, Live Jesus, The Reign of God Is at Hand, Sing for Peace, Bread for the World, I Am a Child of This Planet, Rejoice in God! Again, Rejoice!

By Anton Eberl. Edited by Christopher Hogwood. For Keyboard. Playing score. Published by Edition HH Music Publishers (U.K. Import).

By Anton Eberl. Edited by Christopher Hogwood. For Keyboard. Playing score. Published by Edition HH Music Publishers (U.K. Import).

By Anton Eberl. Edited by Christopher Hogwood. For Keyboard. Playing score. 32 pages. Published by Edition HH Music Publishers (U.K. Import).

By J.B. Cramer. Edited by Christopher Hogwood. For Keyboard. Playing score. 75 pages. Published by Edition HH Music Publishers

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christopher Hogwood. Playing score. Published by Edition HH Music Publishers (HH.HH177-SOL).

By Wolfgang Amadeus Mozart (1756-1791). Edited by Christopher Hogwood. For Keyboard. Playing score. 25 pages. Published by Edition HH Music Publishers

Smart PianoSoft. Performed by The Oak Ridge Boys. Pianosoft Sync (this is NOT sheet music). Floppy disk. Size 5x5.5 inches. Published by Yamaha.

Keyboard

SKU: GI.G-9600

Sacred. GIA Publications #9600. Published by GIA Publications (GI.G-9600).

In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.” This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals. The editors maintained a remarkably high degree of excellence in selecting and presenting this repertoire, and church musicians of all tastes could find this anthology useful either as a reference or as a repository for imaginitive congregational song. Jason Overall, The Journal of the Association of Anglican Musicians, Volume 27, Number 10, December 2018.

(E-Z Play Today #87). By Various. E-Z Play Today. Softcover. 122 pages. Published by Hal Leonard

Keyboard

SKU: GI.G-008595

Christmas. Sacred. GIA Publications #008595. Published by GIA Publications (GI.G-008595).

Keyboard

SKU: GI.G-012637

This edition: Guitar/Vocal edition. Advent, Christmastide, Lent, OT 30 Year A, OT 28 Year A, OT 25 Year A, advent 4 Year A, advent 2 Year B, christ the King Year A, advent 1 Year B, easter 7 Year A, lent 4 Year A, OT 23 Year A, OT 22 Year A, lent 3 Year A, OT 20 Year A, OT 14 Year A, lent 5. Sacred. With guitar chord names. GIA Publications #012637. Published by GIA Publications (GI.G-012637).

UPC: 641151126371. English or Spanish Bilingual.

Este recurso musical aporta más de 50 salmos bilingües, entre estos se incluyen los salmos de Adviento, Navidad, Cuaresma, Semana Santa, Vigilia Pascual, Pascua, y Tiempo Ordinario, junto con otros salmos para celebraciones especiales de la vida de la comunidad parroquial como Todos los Santos, Día de Acción de Gracias, quinceañeras, bodas, funerals y otras celebraciones. Además de ser salmos responsoriales, estas composiciones musicales pueden usarse en cualquier parte de las celebraciones litúrgicas, y sean los cantos de entrada, de ofertorio, de Comunión, de las procesiones, etc.   This musical resource provides more than 50 bilingual psalms, among these are the psalms of Advent, Christmas, Lent, Easter, Easter Vigil, Easter, and Ordinary Time, along with other psalms for special celebrations of the life of the parish community such as All Saints, Thanksgiving, quinceañeras, weddings, funerals and other celebrations. In addition to being responsorial psalms, these musical compositions can be used in any part of liturgical celebrations, whether they be entrance songs, offertory songs, Communion songs, processionals, etc.