The Canadian Brass Ensemble Series. Performed by The Canadian Brass. Brass Ensemble. Size 9x12 inches. Published by Canadian Brass.

(Brass Quintet Score and Parts). By The Canadian Brass. By Johann Sebastian Bach (1685-1750). Arranged by Luther Henderson. Score and Parts. Brass Ensemble. 28 pages. Published by Hal Leonard

Score and Parts. By Elliott Carter. Brass Ensemble. Size 9x12 inches. 40 pages. Published by Associated.

By Arthur Frackenpohl. Brass Ensemble. For brass quintet: 2 trumpets, horn, trombone & tuba. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 594)

Score and Parts. By Elliot Goldenthal. Brass Ensemble. Size 9x12 inches. Published by G. Schirmer, Inc.

Arranged by David Marlatt. For Score. Brass Ensemble - Quintet. Eighth Note Publications. Love; Wedding. Score. 36 pages. Published by Eighth Note Publications

(Brass Quintet Conductor's Score). By The Canadian Brass. By Various. Score. Brass Ensemble. Softcover. 64 pages

(Brass Quintet Conductor's Score). By The Canadian Brass. Brass Ensemble. Softcover. 48 pages

Brass ensemble

SKU: RM.SL10198

Composed by Jean Louis Cadee. Ensemble de brass. Chamber music. Duration 11 minutes, 30 seconds. Editions Robert Martin #SL10198. Published by Editions Robert Martin (RM.SL10198).

ISBN 9790231091984.

Brass Ensemble - very difficult

SKU: BT.DHP-1145332-070

Op. 118. Composed by Itaru Sakai. De Haske Brass Series. Set (Score and Parts). Composed 2014. 20 pages. De Haske Publications #DHP 1145332-070. Published by De Haske Publications (BT.DHP-1145332-070).

ISBN 9789043136754. 9x12 inches. English-German-French-Dut ch.

This new original composition by the Japanese composer Itaru Sakai for ten-part brass ensemble is characterised by two main ideas: a fanfare section, deriving from a literal quotation from the opening of Mahlerâ??s fifth symphony, and a contrasting,wandering theme thatâ??s rather melancholy.

A BOUNDARY ISLAND is geschreven voor het Brass Ensemble Rose en het RivST Brass Quintet. De première vond op 13 april 2010 plaats in de Rose Hall in het Japanse Toyonaka Osaka, tijdens een concert waarin beide blazersensemblesoptraden. De componistwilde met dit werk het karakter van de muziek als universele taal uitdrukken - een taal waarin mensen uit alle delen van de wereld met elkaar kunnen communiceren.
Aan het begin van de compositie worden tweethemaâ??s ge ntroduceerd: het eerste, in fanfareachtige stijl, is ge nspireerd op een citaat uit de opening van Mahlers vijfde symfonie. Het staat in contrast met het tweede, eerder melancholische thema.Het levendige hoofddeel heeftzijn eigen krachtige thema, maar grijpt ook terug op de twee openingsthemaâ??s, die daarbij in een nieuw jasje worden gestoken. Na een korte terugkeer naar het langzamere tempo van de inleiding wordt het werk met eenvlotter gedeelteafgesloten.
Die Hoffnung, dass in der gemeinsamen Sprache der Musik alle Menschen miteinander sprechen können, ist das zentrale Thema von A BOUNDARY ISLAND.

Zu Beginn des Stückes werden zwei Themen vorgestellt: Das erste, fanfarenartige Thema, das aus einem Zitat vom Beginn von Mahlers SINFONIE NR. 5 entwickelt wurde, steht im Kontrast zum zweiten, eher melancholischen Thema. Der bewegte Hauptteilpräsentiert ein eigenes, kraftvolles Hauptthema, bezieht aber auch beide Einleitungsthemen wieder mit ein und rückt diese teilweise in ein neues Licht. Nach einem kurzen Einschub im langsamen Eingangstempo folgt ein stretta-artiger Schluss.

Dans A BOUNDARY ISLAND, le compositeur souhaitait exprimer le caractère universel de la musique en tant que langage qui permet tout le monde de communiquer.
Deux thèmes sont présentés au début de la pièce : le premier, dans un style de fanfare, rappelle un passage de lâ??introduction de la 5e symphonie de Mahler. Il contraste avec le deuxième motif, plus mélancolique. La section principale, très animée,introduit une nouvelle trame puissante tout en reprenant les premières thèmes en les traitant différemment. Après un bref retour au tempo plus lent de lâ??introduction, la pièce sâ??achève sur un rythme rapide.

By Modest Petrovich Mussorgsky (1839-1881). Arranged by David Marlatt. For Double Brass Quintet. Brass Ensemble - Quintet; Masterworks; Part(s); Score. Eighth Note Publications. Romantic. Duration 00:11:45. Published by Eighth Note Publications (AP.81-DBQ. Romantic.

(Easy Arrangements for Brass Quartet, Quintet or Sextet) Performance part for trombone 1 (as part of a brass quartet, quintet, or sextet). Series: Hal Leonard Brass Ensemble. 16 pages. Published by Hal Leonard.

(adapted for Brass Quintet by Chris Coletti and Brandon Ridenour Score and Parts). By Johannes Brahms (1833-1897). Arranged by Brandon Ridenour and Chris Coletti. For Brass Quintet. Brass Ensemble. 40 pages. Published by Canadian Brass

Conductor Edition with Online Recordings of Performance by the Ca. By The Canadian Brass. Brass Ensemble. Wedding. Softcover Audio Online. 32 pages. Published by Canadian Brass

(Arranged for Brass Quintet by Brandon Ridenour). By The Canadian Brass. By Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Brandon Ridenour. For Brass Quintet (Score & Parts). Brass Ensemble. Guitar tablature. 16 pages. Published by Canadian Brass

Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore. Brass quartet, brass quintet, or brass sextet. Brass Ensemble. 16 pages. Published by Hal Leonard.

(Brass Quintet). By Brandon Ridenour. For Brass Quintet (Score and Parts). Brass Ensemble. 8 pages. Published by Canadian Brass

(Brass Quintet). By The Canadian Brass. By Lady Gaga. Arranged by Brandon Ridenour. For Brass Quintet (Score and Parts). Brass Ensemble. 16 pages. Published by Canadian Brass