Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Sebastian Bach. For Harp Solo. Bach-Grandjany. Classical. Soft Cover. 63 pages. Published by Carl Fischer.

By Huguette Geliot. For harp. Classical. Score. 47 + 8 pages. Published by Editions Henry Lemoine score Classical

By Huguette Geliot. For harp. Classical. Score. 61 + 7 pages. Published by Editions Henry Lemoine

Flute, violin, viola, cello and harp

SKU: HL.49005885

Score. Composed by Jean Franç and aix. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1934. 24 pages. Duration 12'. Schott Music #ED5889. Published by Schott Music (HL.49005885).

ISBN 9790001063623. UPC: 073999598667. 9.0x12.0x0.148 inches.

Flute, violin, viola, cello, and harp.

Chamber Music Contrabass, Horn 1, Horn 2, Viola, Violin 1, Violin 2, Violoncello, baritone voice Harp

SKU: PR.411411250

For Baritone, 2 Horns, Harp, and Strings. Composed by Lowell Liebermann. Saddle. World Premiere: Dennis Raley, bass; Warwick Festival Chamber Orchestra; Lowell Liebermann, conductor; Warwick Music Festival, Warwick, NY. Contemporary. Full score. With Standard notation. Composed 1983. Opus 11. 32 pages. Duration 10 minutes. Theodore Presser Company #411-41125. Published by Theodore Presser Company (PR.411411250).

UPC: 680160590636. 9 x 12 inches. Text: Stephen Crane. Stephen Crane. Poems by Stephen Crane.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Harp

SKU: HL.49006821

Harp; Violin ad. lib.. Composed by Giovanni Paisiello. Edition Schott. Classical. 28 pages. Schott Music #3D6943. Published by Schott Music (HL.49006821).

UPC: 073999507867. 9.0x11.75x0.129 inches.

Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nicanor Zabaleta. (Harp). Schott. Size 9.25x12 inches. 12 pages. Published by Schott.

(from Six Pieces classiques). By Johann Sebastian Bach. Editions Durand. 3 pages. Published by Editions Durand.