By Chris Sharp. Arranged by Chris Sharp. Concert Band/Wind Ensemble. FJH Concert...(+)
By Chris Sharp. Arranged
by Chris Sharp. Concert
Band/Wind Ensemble. FJH
Concert Band. Full set
(score and parts). Score
only also available: S.
Concert Band. Score and
Set of Parts. Composed
2001. Published by The
FJH Music Company Inc.
Level: Grade 4.
A Showstoppin' Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Chris Sharp. Arranged by Chris Sharp. Concert Band/Wind Ensemble. FJH Concert...(+)
By Chris Sharp. Arranged
by Chris Sharp. Concert
Band/Wind Ensemble. FJH
Concert Band. Score for
this title: B1274S. Extra
part for this title:
B1274P. Concert Band.
Level: Grade 3. Score and
Set of Parts. Published
by The FJH Music Company
Inc.
Shadow Warriors Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Chris M. Bernotas. Concert Band; Performance Music Ensemble; Single ...(+)
Composed by Chris M.
Bernotas. Concert Band;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Part(s);
Score. 142 pages. Alfred
Music #00-45970.
Published by Alfred Music
(AP.45970).
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm. Composed ...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and
Rhythm. Composed by
Peter Boonshaft; Chris
Bernotas. Band Method;
Method/Instruction; NAMM
Best Tools for Schools;
SmartMusic; Technique
Musicianship; Warm-Ups.
Sound Innovations for
Concert Band: Ensemble
Development. Score. 232
pages. Alfred Music
#00-40709. Published by
Alfred Music (AP.40709).
By Chris M. Bernotas. Concert Band. Concert Band; Part(s); Score; SmartMusic. So...(+)
By Chris M. Bernotas.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Sound
Innovations for Band.
Patriotic. Grade 1.5. 144
pages. Published by
Alfred Music
'1812' Orchestre d'harmonie [Conducteur] Baton Music
(Ouverture Solennelle). Composed by Pyotr Ilyich Tschaikowsky. Arranged by Chris...(+)
(Ouverture Solennelle).
Composed by Pyotr Ilyich
Tschaikowsky. Arranged by
Christiaan Janssen. For
Concert Band (Choir ad
lib.). Grade 6. Full
score. Duration 15:30.
Published by Baton Music
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094717-010 Praise to Thee...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094717-010
Praise to Thee, Jesus
Christ. Arranged by
John Blanken. Christmas
Collection. Christmas.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1094717-010. Published by
De Haske Publications
(BT.DHP-1094717-010).
9x12 inches.
English-German-French-Dut
ch.
Gelobet
seist du Jesu Christ
(We Praise You Jesus
Christ) is an old
Christmas hymn dating
from the 16th century,
which can still be found
in many hymnbooks today.
John Blanken has created
a varied and imaginative
arrangement on four
verses of the hymn. After
the introduction, derived
from the opening notes,
the hymn is first
accompanied by an agile
harmonisation. Next, we
hear the chorale in a
four-part setting with a
percussion accompaniment.
Then follows a short
prologue to the third
verse and finally its
time for fireworks as the
arrangement takes a
stylistic leap in time
with the festive prelude
to the fourth and last
verse.
Gelobet
seist du Jesu Christ
ist ein altes
Weihnachtslied, das aufs
16. Jahrhundert
zurückgeht und heute
noch in vielen
Liederbüchern zu
finden ist. John Blanken
bearbeitete vier Strophen
dieses Liedes in ganz
verschiedenen Weisen:
Nach der Einleitung
erklingt es zunächst
komplett, von einer
beweglichen
Harmonisierung begleitet,
und dann als
vierstimmiger Choral mit
Schlagzeug. In der
dritten Strophe liegt der
Cantus firmus im Tenor
und wird vom hohen
Register umspielt. Der
grandiose Schluss
führt thematisch
wieder zum Beginn des
Werkes
zurück.
Gelo
bet seist du, Jesu
Christ è un brano
natalizio tedesco del XVI
secolo. John Blanken ne
ha realizzato un
arrangiamento pieno di
diversit . Dopo una breve
introduzione, la melodia
è esposta nella sua
integrit . Viene quindi
inserita in un corale a
quattro voci con
percussioni. La terza
strofa porta il cantus
firmus nel cuore del
registro tenore. Il
finale è semplicemente
maestoso.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094717-140 Praise to Thee...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094717-140
Praise to Thee, Jesus
Christ. Arranged by
John Blanken. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2009. 16 pages.
De Haske Publications
#DHP 1094717-140.
Published by De Haske
Publications
(BT.DHP-1094717-140).
9x12 inches.
English-German-French-Dut
ch.
Gelobet
seist du Jesu Christ
(We Praise You Jesus
Christ) is an old
Christmas hymn dating
from the 16th century,
which can still be found
in many hymnbooks today.
John Blanken has created
a varied and imaginative
arrangement on four
verses of the hymn. After
the introduction, derived
from the opening notes,
the hymn is first
accompanied by an agile
harmonisation. Next, we
hear the chorale in a
four-part setting with a
percussion accompaniment.
Then follows a short
prologue to the third
verse and finally its
time for fireworks as the
arrangement takes a
stylistic leap in time
with the festive prelude
to the fourth and last
verse.
Gelobet
seist du Jesu Christ
ist ein altes
Weihnachtslied, das aufs
16. Jahrhundert
zurückgeht und heute
noch in vielen
Liederbüchern zu
finden ist. John Blanken
bearbeitete vier Strophen
dieses Liedes in ganz
verschiedenen Weisen:
Nach der Einleitung
erklingt es zunächst
komplett, von einer
beweglichen
Harmonisierung begleitet,
und dann als
vierstimmiger Choral mit
Schlagzeug. In der
dritten Strophe liegt der
Cantus firmus im Tenor
und wird vom hohen
Register umspielt. Der
grandiose Schluss
führt thematisch
wieder zum Beginn des
Werkes
zurück.
Gelo
bet seist du, Jesu
Christ è un brano
natalizio tedesco del XVI
secolo. John Blanken ne
ha realizzato un
arrangiamento pieno di
diversit . Dopo una breve
introduzione, la melodia
è esposta nella sua
integrit . Viene quindi
inserita in un corale a
quattro voci con
percussioni. La terza
strofa porta il cantus
firmus nel cuore del
registro tenore. Il
finale è semplicemente
maestoso.
La Boheme Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(Symphonic Suite from the Opera). By Giacomo Puccini (1858-1924). Arranged by Ch...(+)
(Symphonic Suite from the
Opera). By Giacomo
Puccini (1858-1924).
Arranged by Christiaan
Janssen. For Concert
Band. Grade 5. Full score
and set of parts.
Duration 14:30. Published
by Baton Music
Die Walkure Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
Symphonic Suite. Composed by Richard Wagner (1813-1883). Arranged by Chri...(+)
Symphonic Suite.
Composed by Richard
Wagner (1813-1883).
Arranged by Christiaan
Janssen. Full score and
set of parts. Duration
13:30. Published by Baton
Music (BF.BM485-SET).
Christophe Mae Orchestre d'harmonie - Intermédiaire Martin, Robert
Concert band - Grade 3 SKU: RM.MAE05045-BA Composed by Mae Christophe. Fr...(+)
Concert band - Grade 3
SKU:
RM.MAE05045-BA
Composed by Mae
Christophe. French
variety. Orchestra. Full
set. Duration 3 minutes,
30 seconds. Editions
Robert Martin
#MAE05045-BA. Published
by Editions Robert Martin
(RM.MAE05045-BA).
Christophe Mae Orchestre d'harmonie - Intermédiaire Martin, Robert
Concert band - Grade 3 SKU: RM.MAE05045-CO Composed by Mae Christophe. Fr...(+)
Concert band - Grade 3
SKU:
RM.MAE05045-CO
Composed by Mae
Christophe. French
variety. Orchestra.
Conductor's score.
Duration 3 minutes, 30
seconds. Editions Robert
Martin #MAE05045-CO.
Published by Editions
Robert Martin
(RM.MAE05045-CO).
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002209-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002209-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002209-010.
Published by De Haske
Publications
(BT.DHP-1002209-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
final movement is named
after ISTVAN, the King
who introduced
Christianity into Hungary
and who was crowned by
Pope Silvestro II on
January 1, 1001. A rather
solemn start leads to
another war-like passage,
ending with some loud
crashes. This symbolizes
the fact that the body of
the pagan Koppany was cut
into four pieces, and
sent to the four castles
of the country as an
example. After a quiet,
almost
religiousintermezzo, the
National Hymn of Hungary
is introduced. This broad
“grandiosoâ€
ending also has a
symbolic meaning: after
ten centuries, Hungary
has many reasons to look
back on the past with
pride, and to look
forward to the future
with optimism and
confidence.
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-010 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-010
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1105035-010. Published by
De Haske Publications
(BT.DHP-1105035-010).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-140 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-140
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2010. 36 pages.
De Haske Publications
#DHP 1105035-140.
Published by De Haske
Publications
(BT.DHP-1105035-140).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Concert Band - Grade 2 SKU: AP.48195S Featuring: Miss Marple Main Them...(+)
Concert Band - Grade 2
SKU: AP.48195S
Featuring: Miss Marple
Main Theme / Agatha
Christie's Poirot.
Composed by Christopher
Gunning and Ken Howard.
Arranged by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Pop; TV.
Score. 16 pages. Duration
2:30. Alfred Music
#00-48195S. Published by
Alfred Music (AP.48195S).
UPC: 038081557786.
English.
Agatha
Christie is the
undisputed master of
murder mysteries. The
charismatic opening
themes from the
television shows included
are the Miss Marple Main
Theme and Agatha
Christie's Priot.
Featuring the alto
saxophones in the second
tune, this ear wig theme
duo is perfect for a
Halloween concert or any
program that would
benefit from a bit of
mystery. (2:30).
Concert Band - Grade 2 SKU: AP.48195 Featuring: Miss Marple Main Theme...(+)
Concert Band - Grade 2
SKU: AP.48195
Featuring: Miss Marple
Main Theme / Agatha
Christie's Poirot.
Composed by Christopher
Gunning and Ken Howard.
Arranged by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Pop; TV.
Score and Part(s). 122
pages. Duration 2:30.
Alfred Music #00-48195.
Published by Alfred Music
(AP.48195).
UPC:
038081557779.
English.
Agatha
Christie is the
undisputed master of
murder mysteries. The
charismatic opening
themes from the
television shows included
are the Miss Marple Main
Theme and Agatha
Christie's Priot.
Featuring the alto
saxophones in the second
tune, this ear wig theme
duo is perfect for a
Halloween concert or any
program that would
benefit from a bit of
mystery. (2:30).
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115151-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115151-140
As performed by Chris
de Burgh. Arranged by
Simon Fahnholz. DHP Pop,
Film and Show. Pop &
Rock. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1115151-140.
Published by De Haske
Publications
(BT.DHP-1115151-140).
9x12 inches.
English-German-French-Dut
ch.
“The idea
behind this song is to
remind everyone, for all
those who have forgotten,
how colourful and
exciting Christmas was
during their childhood.
Christmas is a magical
time and, after all, no
matter how old we are, we
are all still children at
heart.†These words
were written by Chris de
Burgh about his 2009 hit,
The Bells of Christmas,
inspired by
Dickens’ A
Christmas Carol. Simon
Fahnholz has now made an
excellent version of this
Christmas hit for concert
band.
Voor
iedereen die vergeten is
hoe bont en levendig de
kerst in zijn jeugdjaren
was. Kerst is een
betoverend feest. Diep in
ons hart zijn we allemaal
nog kinderen, ook al zijn
we al lang
volwassenen.†Dit
zei Chris de Burgh over
zijnkersthit van 2009
waarin hij zich liet
inspireren door de
prachtige kerstverhalen
van Charles
Dickens.
Die Idee
dieses Songs ist, allen
die vergessen haben, wie
bunt und lebendig
Weihnachten in ihrer
Kinderzeit war, dies noch
einmal vor Augen zu
führen. Weihnachten
ist ein Zauber und wir
sind im tiefsten Herzen
doch alle große
Kinder, auch wenn wir
längst erwachsen
sind.“ Dies sind
Chris De Burghs Worte
über seinen
Weihnachts-Hit von 2009,
zu dem er sich von
Charles’ Dickens
Weihnachtsgeschichte
inspirieren ließ.
“Il
messaggio di questa
canzone è di ricordare
a coloro che
l’avessero
dimenticato,
com’era il Natale
quando erano bambini, una
festa vivace e calda.
Anche se siamo cresciuti
e divenuti adulti,
abbiamo mantenuto il
cuore di bambini, non
dimentichiamo allora che
il Natale è una festa
magicaâ€. Ecco un
estratto del testo della
ballata The Bells of
Christmas, divenuta un
grande successo del
Natale 2009 e cantata da
Chris de Burgh che si era
ispirato al celebre
romanzo di Charles
Dickens.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115151-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115151-010
As performed by Chris
de Burgh. Arranged by
Simon Fahnholz. DHP Pop,
Film and Show. Christmas.
Set (Score & Parts).
Composed 2011. De Haske
Publications #DHP
1115151-010. Published by
De Haske Publications
(BT.DHP-1115151-010).
9x12 inches.
English-German-French-Dut
ch.
“The idea
behind this song is to
remind everyone, for all
those who have forgotten,
how colourful and
exciting Christmas was
during their childhood.
Christmas is a magical
time and, after all, no
matter how old we are, we
are all still children at
heart.†These words
were written by Chris de
Burgh about his 2009 hit,
The Bells of Christmas,
inspired by
Dickens’ A
Christmas Carol. Simon
Fahnholz has now made an
excellent version of this
Christmas hit for concert
band.
Voor
iedereen die vergeten is
hoe bont en levendig de
kerst in zijn jeugdjaren
was. Kerst is een
betoverend feest. Diep in
ons hart zijn we allemaal
nog kinderen, ook al zijn
we al lang
volwassenen.†Dit
zei Chris de Burgh over
zijnkersthit van 2009
waarin hij zich liet
inspireren door de
prachtige kerstverhalen
van Charles
Dickens.
Die Idee
dieses Songs ist, allen
die vergessen haben, wie
bunt und lebendig
Weihnachten in ihrer
Kinderzeit war, dies noch
einmal vor Augen zu
führen. Weihnachten
ist ein Zauber und wir
sind im tiefsten Herzen
doch alle große
Kinder, auch wenn wir
längst erwachsen
sind.“ Dies sind
Chris De Burghs Worte
über seinen
Weihnachts-Hit von 2009,
zu dem er sich von
Charles’ Dickens
Weihnachtsgeschichte
inspirieren ließ.
“Il
messaggio di questa
canzone è di ricordare
a coloro che
l’avessero
dimenticato,
com’era il Natale
quando erano bambini, una
festa vivace e calda.
Anche se siamo cresciuti
e divenuti adulti,
abbiamo mantenuto il
cuore di bambini, non
dimentichiamo allora che
il Natale è una festa
magicaâ€. Ecco un
estratto del testo della
ballata The Bells of
Christmas, divenuta un
grande successo del
Natale 2009 e cantata da
Chris de Burgh che si era
ispirato al celebre
romanzo di Charles
Dickens.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1196182-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1196182-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2019. 27 pages.
De Haske Publications
#DHP 1196182-140.
Published by De Haske
Publications
(BT.DHP-1196182-140).
English-German-French-
Dutch.
The work
Pilgrims of
Wolfryt tells the
story of the legend
Walfridus (also known as
Wolfryt), a resident of
the town of Bedum in the
Netherlands who was born
in the 11th century.
Wilfridus had an eventful
life: he introduced
Christianity to Bedum and
helped the town build its
first legal system, but
ultimately his story
ended in demise murdered
alongside his son at the
hands of the Vikings.
Pilgrims of
Wolfryt is a
symphonic poem-like
masterpiece, full of
evocative melodies in a
mix of tonalities to make
the most of the
impressive rhythmic
material.
Het werk
Pilgrims of
Wolfryt vertelt het
verhaal van de
legendarische Walfridus
(ook wel Wolfryt
genoemd), een inwoner van
het dorp Bedum in
Groningen die leefde rond
het jaar 1000 na
Christus. Walfridus
leidde een bewogen leven:
hij bracht het
christendom naar Bedum,
zorgde voor de invoering
van een rechtssysteem en
was verantwoordelijk voor
grote infrastructurele
verbeteringen totdat hij
en zijn zoon op tragische
wijze werden gedood door
de Noormannen. Een
kleurrijk symfonisch
meesterwerk waarin
melodieën in
verschillende majeur- en
mineurtoonsoorten worden
gecombineerd met
afwisselend en meeslepend
ritmische
materiaal.
Das
Stück Pilgrims of
Wolfryt erzählt
die Geschichte der
legendären Gestalt
Walfridus (auch unter dem
Namen Wolfryt bekannt),
der um das Jahr 1000 n.
Chr. in der Stadt Bedum
in den Niederlanden
lebte. Walfridus hatte
ein ereignisreiches und
turbulentes Leben: Er
brachte das Christentum
nach Bedum, erfand das
Rechtssystem und war
für große
infrastrukturelle
Veränderungen
verantwortlich, bis sein
Sohn und er auf tragische
Weise von den Normannen
getötet wurden. Ein
abwechslungsreiches
Meisterwerk in Form einer
sinfonischen Dichtung, in
dem sich Melodien in
verschiedenen Dur- und
Moll-Tonleitern mit einer
Fülle von
beeindruckendem
rhythmischem Material
abwechseln.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1196182-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1196182-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1196182-010. Published by
De Haske Publications
(BT.DHP-1196182-010).
English-German-French-
Dutch.
The work
Pilgrims of
Wolfryt tells the
story of the legend
Walfridus (also known as
Wolfryt), a resident of
the town of Bedum in the
Netherlands who was born
in the 11th century.
Wilfridus had an eventful
life: he introduced
Christianity to Bedum and
helped the town build its
first legal system, but
ultimately his story
ended in demise murdered
alongside his son at the
hands of the Vikings.
Pilgrims of
Wolfryt is a
symphonic poem-like
masterpiece, full of
evocative melodies in a
mix of tonalities to make
the most of the
impressive rhythmic
material.
Het werk
Pilgrims of
Wolfryt vertelt het
verhaal van de
legendarische Walfridus
(ook wel Wolfryt
genoemd), een inwoner van
het dorp Bedum in
Groningen die leefde rond
het jaar 1000 na
Christus. Walfridus
leidde een bewogen leven:
hij bracht het
christendom naar Bedum,
zorgde voor de invoering
van een rechtssysteem en
was verantwoordelijk voor
grote infrastructurele
verbeteringen totdat hij
en zijn zoon op tragische
wijze werden gedood door
de Noormannen. Een
kleurrijk symfonisch
meesterwerk waarin
melodieën in
verschillende majeur- en
mineurtoonsoorten worden
gecombineerd met
afwisselend en meeslepend
ritmische
materiaal.
Das
Stück Pilgrims of
Wolfryt erzählt
die Geschichte der
legendären Gestalt
Walfridus (auch unter dem
Namen Wolfryt bekannt),
der um das Jahr 1000 n.
Chr. in der Stadt Bedum
in den Niederlanden
lebte. Walfridus hatte
ein ereignisreiches und
turbulentes Leben: Er
brachte das Christentum
nach Bedum, erfand das
Rechtssystem und war
für große
infrastrukturelle
Veränderungen
verantwortlich, bis sein
Sohn und er auf tragische
Weise von den Normannen
getötet wurden. Ein
abwechslungsreiches
Meisterwerk in Form einer
sinfonischen Dichtung, in
dem sich Melodien in
verschiedenen Dur- und
Moll-Tonleitern mit einer
Fülle von
beeindruckendem
rhythmischem Material
abwechseln.