Trumpet SKU: SP.TS171 Composed by Tony Santorella. Arranged by Denise Gen...(+)
Trumpet
SKU:
SP.TS171
Composed by
Tony Santorella. Arranged
by Denise Gendron.
Collection; Christmas.
Book. Santorella
Publications #TS171.
Published by Santorella
Publications (SP.TS171).
ISBN 9781585604531.
UPC:
649571101718.
Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for Trumpet
is written as solos or
duets in accommodating
keys for Flute, Clarinet,
Alto Sax or Trombone.
This complete collection
of Christmas songs from
Santorella Publications
includes an accompaniment
CD and lyrics for the
whole family to enjoy.
The Piano Accompaniment
book for Brass and Reed
instruments is sold
separately. Santorella's
String Edition is also
available for violin,
viola, cello and bass.
Angels We Have Heard on
High - Away in a Manger -
Birthday of a King - Deck
the Halls - God Rest Ye,
Merry Gentlemen - Good
King Wenceslas - Hark!
The Herald Angels Sing -
I Saw Three Ships - It
Came Upon a Midnight
Clear - Jingle Bells -
Jolly Old Saint Nicholas
- Joy to the World - O
Christmas Tree - O Come
All Ye Faithful - O, Holy
Night - O Little Town of
Bethlehem - Silent Night
- We Wish You A Merry
Christmas - Good
Christian Men Rejoice - I
Heard The Bells On
Christmas Day - We Three
Kings Of Orient Are -
Star Of The East - The
First Noel - Here We Come
Awassailing.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Chris Tedesco
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trumpet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Chris
Tedesco Chris Tedesco has
distinguished himself as
a soloist, chamber
artist, orchestral and
commercial trumpeter in
Los Angeles for over 20
years. His early
classical training
included studies with
Chuck Lirette of the
Buffalo Philharmonic and
college training with
Gilbert Johnson, (former
principal trumpet of the
Philadelphia
Philharmonic) at the
University of Miami in
Florida. Chris Tedesco's
road travels included
concert tours with the
Glenn Miller Band, Tommy
Dorsey Orchestra, but it
was Cruise Ships that
brought him to Los
Angeles in 1987. Chris
Tedesco can be heard on
the movie soundtracks of
Finding Nemo, Road to
Perdition, Boat Trip, The
Mexican, Best in Show,
Ring of Fire, After the
Storm, Durango Kids,
Winchell, Absolute Power,
Star Trek - First
Contact, Nixon,
Stonebrook, Heaven and
Earth, Cool World and
Lorenzoes Oil. On the
small screen you can hear
his solo Trumpet on the
theme to the hit TV show
"The District" along with
many national TV
commercials. Chris
Tedesco has recorded with
Joe Cocker, Natalie
Merchant, Ellis Hall,
Royal Crown Revue, Pat
Boone, Cher, Brian
Setzer, Dwight Yoakum,
Juan Carlos Quintero,
Thom Rotella, Jump with
Joey, Leslie Paula, Boom
Shaka and for The Disney
Afternoon. For more
information about Chris
Tedesco visit:
www.christedesco.com.
Performed by The Beatles. For Bb trumpet. Format: Solo Songbook. With Transposed...(+)
Performed by The Beatles.
For Bb trumpet. Format:
Solo Songbook. With
Transposed Melody.
Classic rock, britpop and
psychedelic rock. 96
pages. 9x12 inches.
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo
SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027).
ISBN
9790200425192. 9 x 12
inches.
Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
Trumpet SKU: M7.AHW-1053 An Approach to Strengthening the Embouchure(+)
Trumpet
SKU:
M7.AHW-1053
An
Approach to Strengthening
the Embouchure.
Composed by Allan Colin.
Sheet music. 36 pages.
Charles Colin Corp. #AHW
1053. Published by
Charles Colin Corp.
(M7.AHW-1053).
English.
In the
introduction to 'Corners'
Allan Colin writes: 'If
you glance through these
pages, do not be fooled
by the diatonically
simple configuration of
notes. The challenge here
lies in doing these
exercises from top to
bottom exactly as
specified. The goal is to
strengthen weak corner
muscles which plague many
trumpet players. In your
effort to accomplish this
it is imperative not to
overdo it. As with any
practice session where
you are trying to
straighten out a problem,
the 'warm-up' and
'warm-down' exercises are
essential The warm-up and
warm-down exercises here
are geared to prepare you
for and relax you from
this short but strenuous
work-out.' This book is
broken up into four
sections, including
articulations, corner
'close-ups', chromatics,
and warm downs, each with
an explanation of how to
proceed to get the
strongest embouchure
possible.
By Rainer Auerbach. For Trumpet. Method. AMA Verlag. All Styles. Level: Beginni...(+)
By Rainer Auerbach. For
Trumpet. Method. AMA
Verlag. All Styles.
Level:
Beginning-Intermediate.
Book/CD Set. Size
8.25x11.75. 156 pages.
Published by AMA Verlag.
ISBN 3899220145.
Trumpet SKU: M7.AHW-308 Composed by Miles Davis. Arranged by David Berger...(+)
Trumpet
SKU:
M7.AHW-308
Composed
by Miles Davis. Arranged
by David Berger. Sheet
music. Performance book.
35 pages. Charles Colin
Corp. #AHW 308. Published
by Charles Colin Corp.
(M7.AHW-308).
As recounted by
our dad, Charles Colin,
he was first introduced
to Miles in the mid '50's
by Charlie Parker. Pop
had already published
Charlie Parker's,
'Yardbird Originals'
under our other
publishing company, 'New
Sounds in Modern Music'.
Miles had been away for a
period and, now that he
was back on the scene,
Parker thought it would
be worthwhile for Miles
to meet his new
publisher, with the hope
of working out a similar
arrangement. Parker
brought Miles to the
office, then on 48th
Street to meet Pop. Pop
was very happy to give it
a go, whereupon he gave
Miles a trumpet, a
mouthpiece and tape
recorder and asked him to
lay down solos over some
standard tunes. The
original transcriptions
which, I believe were
done by Hank Edmonds,
were given the 'cool'
knick-names, Miles Away,
Miles Cools Off, etc.
rather than the names of
actual standards. So,
here we are decades
later, and have decided
to ask renowned arranger,
David Berger, to identify
the tunes and clarify
some of the chord changes
- for posterity!
(from Collection de VI Solos pour la Trompette Chromatique). By Francois G. A. D...(+)
(from Collection de VI
Solos pour la Trompette
Chromatique). By Francois
G. A. Dauverne. Edited by
Ronnie Ingle. For Trumpet
in Bb / Trumpet in C,
piano. Solo part and
accompaniment CD
(containing piano
accompaniment). 24 pages.
Published by Carl Fischer
For Trumpet Instrumental Play-Along Pack. Composed by Various. Instrumental Play...(+)
For Trumpet Instrumental
Play-Along Pack. Composed
by Various. Instrumental
Play-Along. Disney and
Play Along. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
Trumpet SKU: GI.G-MTR Introducing the Instruments. Composed by Jam...(+)
Trumpet
SKU:
GI.G-MTR
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MTR.
Published by GIA
Publications (GI.G-MTR).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Trumpet SKU: GI.G-MS1TR Solos & Ensembles. Composed by James Frose...(+)
Trumpet
SKU:
GI.G-MS1TR
Solos &
Ensembles. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MS1TR.
Published by GIA
Publications
(GI.G-MS1TR).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
