These two collections (BA 9668, BA 9669) give young students and teachers a rich selection of recital pieces, either to complement the Sassmannshaus 'Early Start on the Violin? method or to play independently from it. As all the pieces are written entirely in first position, they can be used after just a few months of lessons.The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.- New recital pieces for the tried and trusted Sassmannshaus violin method- All pieces written in first position- With a second violin part for duet performance- Available in freely accessible recordings on YouTubeKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the 'Early Start? string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the cello. / Violon Et Piano

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy.Bartók for Violin features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for violin with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Violon Et Piano

A collection of pieces, all carefully selected and arranged to provide supplementary material for today's young violinists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips, performance notes and a simple, but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs. / Niveau : Assez Facile / Recueil / Violon et Piano

Another addition to the hit series, making authentic folk music available in a flexible format suitable for teaching, busking and performance. Traditional music from Scandinavia - Denmark, Finland, Iceland, Norway, Sweden. Explore the rich variety of the Nordic tradition, from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a violin part, keyboard accompaniment with optional violin accompaniment, easy violin part and guitar chords. / 2 Violons Et Guitare

aus Böhmische Tänze und Weisen op. 10. Par SEVCIK OTAKAR. The Czech violinist and eminent violin teacher Otakar ?evcík (1852?1934) is the author of a world-renowned violin school, and our publishing house offers a wide range of his educational works in new editions. ?evcík?s only work for concert performances is the series Czech Dances and Tunes op. 10 (1872). The first of these dances, The Girl with Blue Eyes, one of the most popular virtuoso violin compositions in Czech literature, is now being republished in an edition of its own. This paraphrase of a classic Czech folk song provides the soloist with the opportunity to showcase the full range of his or her technical abilities. / Date parution : 2022-04-26/ Répertoire / Violon et Piano

Contenu - Perlman, George: Ghetto Sketches: A Birdling Sings (Lied von a Vogele) - Bloch, Ernest: Abodah (God's Worship) - Bloch, Ernest: Baal Shem I. Vidui (Contrition) - Bloch, Ernest: Baal Shem II. Nigun (Improvisation) - Bloch, Ernest: Baal Shem III. Simchas Torah (Rejoicing) - Perlman, George: Suite hebraique: Chassidisch - Perlman, George: Suite hebraique: Dance of the Rebbitzen - Bonime, Josef: Danse Hebraique - Sandler, Jacob Koppel: Eili, Eili 0 Eli Zion - Perlman, George: Ghetto Sketches: Hebraisch - Perlman, George: Ghetto Sketches: Hebrew Chant and Dance (Hush! the Rabbi Dances) - Achron, Joseph: Hebrew Dance, op. 35/1 - Brown, Eddy: Hebrew Folk Song and Dance - Achron, Joseph: Hebrew Lullaby, op. 35/2 - Achron, Joseph: Hebrew Melody, op. 33 - Saminsky, Lazare: Hebrew Rhapsody, op. 3/2 - Traditional: Kol Nidre - Warshawsky, Mark: Oyfn Pripetshik - Goldfaden, Abraham: Rozhinkes mit Mandlen - Sulzer, Joseph: Sarabande - Perlman, George: Suite hebraique: Yisker

Favourite Italian Melodies. Italian culture influence many art forms and perhaps none more so than music. In this album, David Brooker has arranged, for violin and piano, eleven well-known pieces that simply shout 'ITALY” at you! 'Italian Classics” includes the unforgettable 'O Sole Mio”, 'La Donna è Mobile”, 'Funiculi, Funicula” and Verdi's 'Chorus of the Hebrew Slaves”. For intermediate players, 'Italian Classics” should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Brooker's 'Classical Favourites from Russia” for two violins. Discover the most popular Italian folk songs and opera classics as well as Giorgio Contes 'Gné Gné' Rewarding arrangements for intermediate-level players and beyond (3-6*) Straightforward accompaniments support the soloist Ideal pieces for performing, expanding the repertoire and playing just for fun/ Recueil / Violon et Piano

Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quelque chose de simple encore gratifiant de jouer ? Carol Barratt crée des pièces faciles qui sont créatifs, idiomatique, simple encore gratifiant de jouer et qui sera vraiment élèves écoute et effectuant musicalement, dès le début. Les pièces de ' Bravo ! Violon ' prendre l'élève progressivement par le biais de l'école élémentaire. Elles se composent principalement de matériel original, avec quelques arrangements trop - certains bien connues, certaines plus inhabituel. Ces pièces sont destinées à encourager les étudiants à effectuer - plutôt que de simplement jouer - chaque fois que l'occasion se présente. Trop souvent, les premières étapes de l'apprentissage l'instrument peuvent être un processus solitaire. Dans la mesure du possible, ces pièces devraient être joués avec leurs accompagnements de clavier. Audition des parties de clavier donnera lieu à une sensibilisation et l'appréciation des différents styles musicaux et un sentiment d'harmonie, la mélodie pas juste. En outre, jouant avec un accompagnement développe la capacité de l'élève pour maintenir son... / Violon Et Piano