By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork; Movie. Advanced; Intermediate. Published by Faber Music

Violin and Piano. Composed by Jakob Dont. Edited by Dominik Rahmer. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1175. Published by G. Henle

Composed by Arvo Part (1935-). Solo part with piano reduction. With Standard notation. Universal Edition #UE17274. Published by Universal Edition

Violin and Piano

SKU: BT.DONX14

Composed by Marius Flothuis. Score Only. Donemus #DONX14. Published by Donemus (BT.DONX14).

Chamber Music violin, piano

SKU: CF.B3475

Composed by Martin Bresnick. Performance Score. 32+12 pages. Carl Fischer Music #B3475. Published by Carl Fischer Music (CF.B3475).

ISBN 9781491162026. UPC: 680160920709.

This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don't usually reveal. The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.
This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, “I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don’t usually reveal.” The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.

Chamber Music violin, piano

SKU: PR.114419280

Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280).

ISBN 9781491132357. UPC: 680160676125.

Inspi red by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,” and the Chaozhou tune “Lion Playing Ball.”II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.

Edited by Florence Titmus. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

(Violin and Piano with CD of Performance and Play-Along Tracks Book/CD). By Kurt Weill (1900-1950). Arranged by Martin Reiter. For Violin, Piano Accompaniment. String Solo. Book with CD. 56 pages. Universal Edition #UE34324. Published by Universal Edition

Urtext edition by Donald Burrows, composed by Edward Elgar (1857-1934). Opus 15. Set of performance parts for violin and piano accompaniment. With bowings, fingerings, introductory text and critical commentary. 17 pages. Published by C.F. Peters.

For Solo and Ensemble. By Donald Miller. For Violin. Ensemble (Mixed). Christmas. Level: Beginning. Book. 50 pages. Published by Mel Bay Publications, Inc.

By Giovanni F. Giuliani. Edited by Adriano Cirillo. For Violin and keyboard. Full score and parts. 72 pages

Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess. Strings, Repertoire, Solos. Ladies in Lavender: Fantasy. Softcover Book. 12 pages. Faber Music #F0571537316. Published by Faber Music

25 popular opera melodies. Edited by Wolfgang Birtel. Arranged by Wolfgang Birtel. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical, Opera. Softcover. 188 pages. Schott Music #ED 22873. Published by Schott Music

Violin and Piano

SKU: BT.PL3536

Composed by Claude-Henry Joubert. Book and Part(s). Pierre Lafitan Editions #PL3536. Published by Pierre Lafitan Editions (BT.PL3536).

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 44 pages. De Haske Publications #DHP 1125296- 400. Published by De Haske Publications

(From "String Quartet Op.11"). Composed by Peter Ilyich Tchaikovsky (1840- 1893). For violin, piano. Score and part. 7+2 pages. Published by Universal Edition

SKU: HL.49046626

For Violin and Piano. Composed by Samuel Coleridge-Taylor. String. Softcover. 14 pages. Schott Music #ED14074. Published by Schott Music (HL.49046626).

UPC: 842819114628. 9.0x12.0x0.07 inches.

Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected.

1st Position. (Violin). This edition: 1074229. De Haske Play-Along Book. Softcover with CD. Published by De Haske Publications.

Violin and Piano. By Alfred Schnittke. Arranged by Daniel Hope, Ivan Sokolov. (Violin). String. Book only. Published by Sikorski.

(Violin Solo Arrangements of Favorite Hymns with Piano Accompaniment). By Don Whitman. String ensemble. For violin, piano. Moderately easy. Published by Lillenas Publishing Company

Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).

Violin and Piano (Violin)

SKU: HL.14004213

Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 56 pages. Chester Music #CH55778. Published by Chester Music (HL.14004213).

9.0x12.0x0.175 inches.

Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before.

Gidon Kremer Edition. Composed by Ludwig van Beethoven (1770-1827). Edited by Shin Augustinus Kojima. Henle Music Folios. Classical. Softcover. 168 pages. G. Henle #HN1148. Published by G. Henle (HL.51481148).

Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Strings, Repertoire, Solos. Violin Concerto No. 3 G major K. 216. Classical. Softcover Book. 62 pages. G. Henle #HN688. Published by G. Henle (HU.HN688).

By Wolfgang Russ-Bovelino (Editor). For Violin, Piano Accompaniment. Folk, World. Sheet Music. 44 pages. Published by Bosworth.

Eighteen Easy Pieces for Violin and Piano. By Wolfgang Amadeus Mozart. Arranged by Andrew Watkin. Fentone Play Along Books. Softcover with CD. 66 pages. Published by Fentone Music.

Piano Accompaniment; Violin

SKU: HL.14041762

Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762).

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.