Par BARTOLOMEY MATTHIAS. A young cellist called Theresa inspired Bartolomey to write this composition: from a trill, a motive develops that quickly intensifies and varies. It leads into the main part of the work which is characterised by rhythmically distinct themes and percussive effects. Short repetitive passages create a groove that will immediately make audiences‘ feet tap. There‘s an exciting, interpretative challenge awaiting the player in the middle of the piece that shall not be revealed at this point. A “must have“ for all those who dare to try something new on the cello and want to look beyond the “bow“. / Date parution : 2023-03-21/ Répertoire / Violoncelle

Cello. Les amateurs de musiques de films et de comédies musicales seront comblés par ce recueil comprenant les plus belles chansons des derniers films à succès. Sommaire : Another Day of Sun and City of Stars de La La Land - Mamma Mia de Mamma Mia: Here We Go Again - I Dreamed a Dream de Les Misérables - A Million Dreams and This Is Me de The Greatest Showman - et 5 chansons extradites du film A Star is Born avec Lady Gaga et Bradley Cooper : Always Remember Us This Way, I'll Never Love Again, Look What I Found, Maybe It's Time, et Shallow./ Recueil / Violoncelle

The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming. This volume includes 8 songs: Can't Help Falling in Love - Fields of Gold - Hey There Delilah - Longer - My Heart Will Go On (Love Theme from 'Titanic') - Wonderful Tonight - You Are So Beautiful - Your Song. / Violoncelle

Description Best Of The Beatles (Cello) 89 of the greatest songs from the legends of Liverpool, including All You Need Is Love, And I Love Her, The Fool on the Hill and Got to Get You Into My Life. Songlist A Day In The Life A Hard Day's Night All My Loving All You Need Is Love And I Love Her Anytime At All Back In The U.S.S.R. Birthday Blackbird Can't Buy Me Love Come Together Day Tripper Drive My Car Eight Days A Week Eleanor Rigby Every Little Thing Get Back Getting Better Girl Good Day Sunshine Got To Get You Into My Life Hello, Goodbye Help! Helter Skelter Here Comes The Sun Here, There And Everywhere Hey Jude I Am The Walrus I Don't Want To Spoil The Party I Feel Fine I Should Have Known Better I Want To Hold Your Hand I Will If I Fell I'll Cry Instead I'll Follow The Sun I'm A Loser I'm Happy Just To Dance With You I'm Looking Through You In My Life It Won't Be Long It's Only Love I've Just Seen A Face Julia Lady Madonna Let It Be Love Me Do Lucy In The Sky With Diamonds Magical Mystery Tour Martha My Dear Michelle No Reply Norwegian Wood (This Bird Has Flown) Nowhere Man Ob-la-di, Ob-la-da P.S. I Love You Paperback Writer Penny Lane Please Please Me Revolution Run For Your Life Sgt. Pepper's Lonely Hearts Club Band She Came In Through The Bathroom Window She's A Woman Something Strawberry Fields Forever Tell Me Why Thank You Girl The Ballad Of John And Yoko The Fool On The Hill The Long And Winding Road The Word Things We Said Today This Boy (Ringo's Theme) Ticket To Ride Twist And Shout We Can Work It Out When I'm Sixty-four While My Guitar Gently Weeps With A Little Help From My Friends Yellow Submarine Yes It Is Yesterday You Can't Do That You Never Give Me Your Money You Won't See Me Your Mother Should Know You're Going To Lose That Girl You've Got To Hide Your Love Away

This new collection presents the 50 most popular classical pieces in easy arrangements for violin or cello with piano accompaniment. Taking the concept of the 'playlist' from the world of digital music streaming, this book presents a carefully chosen collection of the world's favourite classical pieces for today's student and amateur musicians.With many of the most popular works from the classic repertoire, including The Blue Danube, the Flower Duet, Elgar's Nimrod and the Toreador Song from Bizet's Carmen, there are hours of enjoyable music making to be found here.Separate piano accompaniments and MP3 accompaniment tracks are available to download for free. / Violoncelle Et Piano

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Violoncelle

Par KNUSSEN OLIVER. Oliver Knussen's concise and effervescent Eccentric Melody occupies a small but important place in the solo cello repertoire, and would enliven any recital. Composed as a double tribute - for cellist Fred Sherry, in his 50th birthday year, to play to Elliott Carter on his 90th birthday - the 2-minute work is presented here in manuscript facsimile. / Classique / Répertoire / Violoncelle

Par COHEN MARY. An irresistible collection of tunes for beginner Cellists(UK grades 1-2). Written and arranged by the UK's leading string pedagogue Mary Cohen, creator of a wide range of imaginative teaching publications including 'Superstart' Here are over 40 tunes in styles children will love including nursery rhymes (London Bridge), rounds (Frère Jacques), folk and popular songs (Pop Goes The Weasel and, Easy, Peasy, Lemon Squeezy) as well as plenty of original pieces! The Pieces are gently progressive and all based paround the first finger pattern making this edition ideal for consolidation work alongside any tutor or for enjoyable sight-reading practice. / Niveau : Débutant / Date parution : 2008-03-10/ Méthode / Violoncelle

Urtext. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer's études have been part of the standard repertoire in cello lessons for generations. Our new edition of the 12 Études Op. 107 follows the original sources and contains the original text. While the Dotzauer études are usually only available in selected editions today, opus 107 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons. The Études Op. 107 contain some of Dotzauer's best-known études of medium difficulty, in the 1st to 4th position and with major technical problems such as arpeggios, velocity, string crossings, slow and fast bowing, double stops, two-part playing, etc. / Date parution : 2022-02-15/ Etude / Violoncelle

This text presents beginning cello technique and basic music reading fundamentals. There is an emphasis on using melodies and classical pieces to instruct each new concept. The 28 lessons include basic technique and reading skills, scales in the keys of D, G, C and F and bowing techniques such as dynamic contrast, slurs, accents, and staccato bowing. There are 47 melodies presented including works by Bach, Beethoven, Brahms, Handel, Mozart and other classical composers. The book includes access to online audio containing all of the exercises and pieces recorded with solo cello and piano accompaniment. It is useful as a teaching and practice tool as well as a performance accompaniment track. / Pédagogie / Date parution : 2018-05-04/ Méthode / Violoncelle

Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle

part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities. This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'. / Niveau : 5 / Répertoire / Violoncelle