Ballet
en 3 parties -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Choir; Softbound.
Partitur-Bibliothek
(Score Library). Music
theatre; Ballet; Early
modern. Full score. 284
pages. Duration 50'.
Breitkopf and Haertel #PB
5650. Published by
Breitkopf and Haertel
(BR.PB-5650).
ISBN
9790004215470. 10.5 x 14
inches.
Daphnis et
Chloe is certainly not
only one of Ravel's best
works, but also one of
French music's most
beautiful creations,
thus, Stravinsky's view
of this ballet in his
memoirs, published in
1935. Composing the work,
commissioned by the
Ballets Russes, turned
out to be problematic,
involving linguistic
differences and
remuneration
disagreements that
dragged on among the
choreographer,
impresario, and composer.
Too few rehearsals, a
difficult choreography,
tricky 5/4-meter, and
other oddities in the
music probably led,
ultimately, to a subdued
reception of the work at
its Paris premiere in
1912. Only a later
production with costumes
and set by Chagall
significantly contributed
to the ballet's success.
Today the work is a
monument to Impressionist
orchestration,
incorporating the
narration within the
sound material. Each
instrument is treated in
the most effective way
possible. Remarkable are
the strings' extreme
divisi, their harmonics'
glissandi, and other
enigmatic effects, such
as utilizing a wordless
chorus. Individual
performances without
choir likely go back to a
makeshift arrangement
that Ravel produced to
facilitate performance at
less prominent venues.
The appendix to the
Urtext edition includes
this alternative version.
The Ravel specialist
Jean-Francois Monnard has
also edited this ballet
with detailed attention
to the customary Urtext
standard. The preface and
critical report include
numerous references to
both genesis and
performance history as
well as interpretation,
correcting also
previously handed-down
errors. The large format
of the conductor's score
and orchestral parts are
easy to read and support
the clarity and
transparency of the
modern notation without
any loss to the magic of
Ravel's music. Stay tuned
for the publication of
the corresponding suites
in the upcoming
years.
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!Have a look
into PB 5530. Early
modern. Set of parts. 244
pages. Duration 15'.
Breitkopf and Haertel #OB
5530-30. Published by
Breitkopf and Haertel
(BR.OB-5530-30).
ISBN
9790004340875. 10 x 12.5
inches.
After
Bolero and La Valse, a
third, often-played work
by Ravel is now entering
Breitkopf's orchestral
program, obviously in a
Breitkopf Urtext edition
that was supervised by
the Ravel expert
Jean-Francois Monnard. As
a compositional
destination around 1900,
Spain was in the air, as
is also confirmed by
Debussy's Iberia.
Monnard's incisive
preface brilliantly draws
links between the two
composers who, along with
Igor Stravinsky, were
working in Paris during
those years. The Rapsodie
espagnole qualifies above
all as a masterpiece of
Ravel's instrumental
magic. This fireworks of
orchestration demands a
reliable and purchasable
performance material that
can grace the library of
every professional
orchestra.
The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!Have a look
into PB 5530. Early
modern. Part. 12 pages.
Duration 15'. Breitkopf
and Haertel #OB 5530-16.
Published by Breitkopf
and Haertel
(BR.OB-5530-16).
ISBN
9790004340837. 10 x 12.5
inches.
After
Bolero and La Valse, a
third, often-played work
by Ravel is now entering
Breitkopf's orchestral
program, obviously in a
Breitkopf Urtext edition
that was supervised by
the Ravel expert
Jean-Francois Monnard. As
a compositional
destination around 1900,
Spain was in the air, as
is also confirmed by
Debussy's Iberia.
Monnard's incisive
preface brilliantly draws
links between the two
composers who, along with
Igor Stravinsky, were
working in Paris during
those years. The Rapsodie
espagnole qualifies above
all as a masterpiece of
Ravel's instrumental
magic. This fireworks of
orchestration demands a
reliable and purchasable
performance material that
can grace the library of
every professional
orchestra.
The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!Have a look
into PB 5530. Early
modern. Part. 12 pages.
Duration 15'. Breitkopf
and Haertel #OB 5530-19.
Published by Breitkopf
and Haertel
(BR.OB-5530-19).
ISBN
9790004340844. 10 x 12.5
inches.
After
Bolero and La Valse, a
third, often-played work
by Ravel is now entering
Breitkopf's orchestral
program, obviously in a
Breitkopf Urtext edition
that was supervised by
the Ravel expert
Jean-Francois Monnard. As
a compositional
destination around 1900,
Spain was in the air, as
is also confirmed by
Debussy's Iberia.
Monnard's incisive
preface brilliantly draws
links between the two
composers who, along with
Igor Stravinsky, were
working in Paris during
those years. The Rapsodie
espagnole qualifies above
all as a masterpiece of
Ravel's instrumental
magic. This fireworks of
orchestration demands a
reliable and purchasable
performance material that
can grace the library of
every professional
orchestra.
The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!Have a look
into PB 5530. Early
modern. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 5530-27.
Published by Breitkopf
and Haertel
(BR.OB-5530-27).
ISBN
9790004340868. 10 x 12.5
inches.
After
Bolero and La Valse, a
third, often-played work
by Ravel is now entering
Breitkopf's orchestral
program, obviously in a
Breitkopf Urtext edition
that was supervised by
the Ravel expert
Jean-Francois Monnard. As
a compositional
destination around 1900,
Spain was in the air, as
is also confirmed by
Debussy's Iberia.
Monnard's incisive
preface brilliantly draws
links between the two
composers who, along with
Igor Stravinsky, were
working in Paris during
those years. The Rapsodie
espagnole qualifies above
all as a masterpiece of
Ravel's instrumental
magic. This fireworks of
orchestration demands a
reliable and purchasable
performance material that
can grace the library of
every professional
orchestra.
The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!Have a look
into PB 5530. Early
modern. Part. 12 pages.
Duration 15'. Breitkopf
and Haertel #OB 5530-23.
Published by Breitkopf
and Haertel
(BR.OB-5530-23).
ISBN
9790004340851. 10 x 12.5
inches.
After
Bolero and La Valse, a
third, often-played work
by Ravel is now entering
Breitkopf's orchestral
program, obviously in a
Breitkopf Urtext edition
that was supervised by
the Ravel expert
Jean-Francois Monnard. As
a compositional
destination around 1900,
Spain was in the air, as
is also confirmed by
Debussy's Iberia.
Monnard's incisive
preface brilliantly draws
links between the two
composers who, along with
Igor Stravinsky, were
working in Paris during
those years. The Rapsodie
espagnole qualifies above
all as a masterpiece of
Ravel's instrumental
magic. This fireworks of
orchestration demands a
reliable and purchasable
performance material that
can grace the library of
every professional
orchestra.
The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!Have a look
into PB 5530. Early
modern. Part. 16 pages.
Duration 15'. Breitkopf
and Haertel #OB 5530-15.
Published by Breitkopf
and Haertel
(BR.OB-5530-15).
ISBN
9790004340820. 10 x 12.5
inches.
After
Bolero and La Valse, a
third, often-played work
by Ravel is now entering
Breitkopf's orchestral
program, obviously in a
Breitkopf Urtext edition
that was supervised by
the Ravel expert
Jean-Francois Monnard. As
a compositional
destination around 1900,
Spain was in the air, as
is also confirmed by
Debussy's Iberia.
Monnard's incisive
preface brilliantly draws
links between the two
composers who, along with
Igor Stravinsky, were
working in Paris during
those years. The Rapsodie
espagnole qualifies above
all as a masterpiece of
Ravel's instrumental
magic. This fireworks of
orchestration demands a
reliable and purchasable
performance material that
can grace the library of
every professional
orchestra.
The
Rapsodie espagnole
qualifies above all as a
masterpiece of Ravel's
instrumental magic - a
fireworks of
orchestration!
By Frank Sinatra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Nelson ...(+)
By Frank Sinatra. Edited
by Rob DuBoff and Jeffrey
Sultanof. Arranged by
Nelson Riddle. For
orchestra with vocal
solo. Swing, Jazz. Medium
Difficult. Score only.
Published by Jazz Lines
Publications
(Voice and Piano) SKU: HL.50563503 Voice and Piano. Composed by Ma...(+)
(Voice and Piano)
SKU:
HL.50563503
Voice
and Piano. Composed
by Maurice Ravel.
Editions Durand.
Classical. Book only.
Published by Editions
Durand (HL.50563503).
Inch....this
work is likely to become
a standart work very
quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
(Violin) SKU: HL.50564175 Composed by Maurice Ravel. Editions Durand. Cla...(+)
(Violin)
SKU:
HL.50564175
Composed
by Maurice Ravel.
Editions Durand.
Classical. Book only.
Editions Durand
#DR0673902. Published by
Editions Durand
(HL.50564175).
Inch....this
work is likely to become
a standart work very
quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
(Cello) SKU: HL.50564177 Composed by Maurice Ravel. Editions Durand. Clas...(+)
(Cello)
SKU:
HL.50564177
Composed
by Maurice Ravel.
Editions Durand.
Classical. Book only.
Editions Durand
#DR0673904. Published by
Editions Durand
(HL.50564177).
UPC:
073999328134.
Inch.
...this work is likely to
become a standart work
very quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
1 Piano 4 Hands.
Composed by Maurice
Ravel. Editions Durand.
Classical. Book only. 8
pages. Editions Durand
#DR0774602. Published by
Editions Durand
(HL.50563186).
10.5x13.75x0.015
inches.
Inch....thi
s work is likely to
become a standart work
very quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
Written by Greg Sandell, Laurie Hart. Instrumental songbook for fiddle and accor...(+)
Written by Greg Sandell,
Laurie Hart. Instrumental
songbook for fiddle and
accordion. With standard
notation, chord names and
introductory text. Text
language English, French.
192 pages. Published by
Mel Bay Publications,
Inc.
French Horn (Horn) SKU: HL.50484590 Horn Solo. Composed by Claude ...(+)
French Horn (Horn)
SKU: HL.50484590
Horn Solo.
Composed by Claude
Lefebvre. Instrumental
Solo. Classical. Book
only. 4 pages. Editions
Salabert #SEAS18599.
Published by Editions
Salabert (HL.50484590).
Piano - difficult SKU: HL.49045865 For Piano. Composed by Charles ...(+)
Piano - difficult
SKU:
HL.49045865
For
Piano. Composed by
Charles Koechlin. Edited
by Otfrid Nies. This
edition: Saddle
stitching. Sheet music.
Piano Solo. Classical.
Softcover. Composed 1907.
Op. 33. 20 pages.
Duration 720 seconds.
Schott Music #ED20779.
Published by Schott Music
(HL.49045865).
ISBN
9790001170710. UPC:
888680784263.
9.0x12.0x0.097
inches.
This first
print is a rarity: the
highly virtuoso,
evocative 'Nocturne' owes
its creation to an
instrument that has only
survived as a museum
piece. Gustave Lyon, the
director of the French
instrument maker Pleyel,
commissioned Charles
Koechlin as well as
several other French
composers (such as Claude
Debussy and Maurice
Ravel) to write works for
the 'harpe chromatique'
developed by him around
1900. In contrast to the
common pedal harp, the
chromatic harp allows for
an unlimited modulatory
range. Nevertheless, the
instrument did not gain
much acceptance and
remained exotic. Koechlin
was aware of the
difficulty of introducing
and establishing new
instruments. He
therefore, from the very
beginning, had the piano
as an alternative of
equal value in mind when
writing his Nocturne.
