SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani - Early intermediate

SKU: GI.G-8679

Concertato on LANCASHIRE. Composed by Smart Henr. Arranged by Robert J. Powell. Eastertide, Easter Sunday, Christ the King. Choral. Tune Name: Lancashire. Sacred. Octavo. 12 pages. GIA Publications #8679. Published by GIA Publications (GI.G-8679).

UPC: 785147867906. English. Text Source: Text I: John of Damascus, ca. 675-ca. 749, tr. John Mason Neale, 1818-1866, alt., Text II: Ernest W. Shurtleff, 1862-1917. Text by Ernest W. Shurtleff.

This majestic arrangement of LANCASHIRE by Robert Powell, with innovative modulations and interludes, will engage and inspire your congregation. The addition of optional brass quintet and timpani makes this a triumphant complement to any celebration. A second text is included, which can expand the usefulness of the piece to other occasions. Trombone I can be substituted for Horn in F.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone 1, trombone 2, tuba, timpani

SKU: GI.G-8679INST

Concertato on LANCASHIRE. Composed by Smart Henr. Arranged by Robert J. Powell. 1) Eastertide, 1) Easter Sunday, 2) Christ the King. Tune Name: Lancashire. Sacred. Full score and parts. 16 pages. GIA Publications #8679INST. Published by GIA Publications (GI.G-8679INST).

English. Text Source: Text I: John of Damascus, ca. 675–ca. 749, tr. John Mason Neale, 1818–1866, alt., Text II: Ernest W. Shurtleff, 1862–1917. Text by Ernest W. Shurtleff.

By Henry J. Smart & Ernest W. Shurtleff. Arranged by Joel Raney. For SATB choir. (SATB). Hymntune and Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company.

Brass quintet - Grade 3.5

SKU: DS.SA3618

Composed by Ernest W. Shurtleff. Arranged by Robert A.M. Ross. Quintets for Brass Ensemble. Traditional. Psalm 150 #SA3618. Published by Psalm 150 (DS.SA3618).

By W.J. Lauffensteiner. Arranged by Ernesto Quezada. For 2 guitars. Level 3. Score. 28 pages. Published by Les Productions d'OZ

15 Pieces. Composed by Julian Byzantine. Arranged by Julian Byzantine. This edition: Saddle stitching. Sheet music with CD. Schott World Music. Folk, Classical, Brazilian. Edition/Softcover with CD. 13582. 52 pages. Schott Music #ED13582. Published by Schott Music

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

With A Special Section of Traditional Irish Jigs, Reels and Hornpipes. By Alexander Lee; Alma M. Sanders; Anonymous; C.W. Murphy; Charles W. Glover; Chauncey Olcott; Claribel; Dermot Macmurrough; Ernest R. Ball; F.W. Crouch; Fred Fischer; Fred Fisher; G. Barker; George L. Geifer; George M. Cohan; Harry Williams; Howard Johnson. Edited by Dan Fox. Arranged by Dan Fox. Text: Alfred Bryan; Alfred Perceval Graves; Annie Crawford; C.W. Murphy; Chauncey Olcott; Claribel; Dion Boucicault; E.J. Falconer; F. Mordaunt Spencer; Fred Fisher; Fred Weatherly; George Graff, Jr.; George L. Geifer; George M. Cohan; Harry Williams. For Piano, Voice. International Passport Series. Piano/Vocal Score. 128 pages. Published by Carl Fischer.

Sacred Music for Lower Voices. By Barry Rose. Edited by Barry Rose. The Novello Choral Programme. Sacred. Book [Softcover]. 152 pages. Novello and Co Ltd. #MUSNOV381000. Published by Novello and Co Ltd.

Violin

SKU: AP.6-428532

Composed by Sheila M. Nelson. Reference Textbooks; Technique Musicianship; Textbook - Instrumental. Dover Edition. Book. Dover Publications #06-428532. Published by Dover Publications (AP.6-428532).

ISBN 9780486428536. English.

A comprehensive view of the violin and viola, detailing their historical development and changing structure; contributions of the legendary Cremona school of makers and of Stradivarius; techniques and improvements advocated by legendary teachers; the great schools of players, from Corelli to Paganini; and the demands imposed by the growth of the nineteenth-century orchestra. Also included: teaching and acoustics, covering scientific properties of the vibrating string, the harmonic series, tone color, intonation, and much more. Includes music examples, diagrams, and 24 plates. Introduction to the Dover edition by the author. Unabridged republication of The Violin and Viola, originally published in 1972 by Ernest Benn, London, and W. W. Norton, New York.

Cello - Elementary

SKU: FH.VC1

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC1. Published by The Frederick Harris Music Company (FH.VC1).

ISBN 978-1-55440-537-4.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Baroque and Classical Repertoire:
Menuet and Trio, W.O 10, no. 3 - Beethoven, Ludwig van arr. Watson Forbes
Rondeau (from The Fairy Queen) - Purcell, Henry arr. Watson Forbes
Sarabande - Handel, George Frideric arr. Jason Noble
Andante grazioso - Mozart, Wolfgang Amadeus arr. Jason Gray
Hornpipe a l'Inglese - Galliard, John Ernest arr. Christine Donkin
Vittoria, mio core! - Carissimi, Giacomo arr. Christine Donkin
Traditional and Romantic Repertoire:
Tambourin - Rameau, Jean-Philippe arr. Christine Donkin
All the Pretty Little Horses - American lullaby arr. Jason Gray
Barbara Allen - British folk song arr. Forrest Kinney
Simple Gifts - Brackett, Joseph Jr. arr. Forrest Kinney
March (from The Nutcracker) - Tchaikovsky, Pyotr Il'yich arr. Jason Noble
Londonderry Air - Irish folk song arr. Forrest Kinney
Repertoire Composed After ca 1930:
A Little Child's Dance - Konicek, Zdenek
...I Say Ca-rib-'be-an - Birston, Harold
Sonata da camera - Matz, Rudolf
- First Movement: Adagio
- Fourth Movement: Allegro vivace
Grab the Slippery Toad! - Lumsden, Caroline and Ben Attwood
Hungarian Stomp - Wedgwood, Pam
Budapesto - Cheney, Carey
Wild West - Blackwell, David and Kathy Blackwell
Livi's Blues - Cheney, Elliott W.

Score and Parts. By Ernest Bloch. Arranged by R.W. Landes. Brass Ensemble. Size 8.5x11 inches. 6 pages. Published by G. Schirmer, Inc.

Medium Voice. By Various. Arranged by William Henry Neidlinger. Vocal Solo. Size 9x12 inches. 112 pages. Published by G. Schirmer, Inc.

By Andre-Ernest-Modeste Gretry (1741-1813). Arranged by Donald W. Stauffer. Concert Band. Score and set of parts. Composed 2003

(Flute and Piano Reduction). By Ernesto Kohler (1849-1907). Edited by Edmund Wächter and Elisabeth Weinzierl. Woodwind. Softcover. 16 pages. Schott Music #FTR204. Published by Schott Music