Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-19. Published
by Breitkopf and Haertel
(BR.EOS-8041-19).
ISBN
9790004789636. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-11. Published
by Breitkopf and Haertel
(BR.EOS-8041-11).
ISBN
9790004789605. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Chorus (with soloists) and piano (solos: SSATB - choir: SATB - 2./2rec.0.0.0 - 0...(+)
Chorus (with soloists)
and piano (solos: SSATB -
choir: SATB -
2./2rec.0.0.0 - 0.0.0.0 -
2vl.2va.vc - bc(org))
SKU: BR.ED-12600
Piano reduction.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Arranged by Jean-Paul
Montagnier. Choir;
Softcover. Mass;
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 72
pages. Duration 20'.
Breitkopf and Haertel #ED
12600. Published by
Breitkopf and Haertel
(BR.ED-12600).
ISBN
9790220119255. 7.5 x 11
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Solo
part. 12 pages. Duration
20'. Breitkopf and
Haertel #EOS 8041-04.
Published by Breitkopf
and Haertel
(BR.EOS-8041-04).
ISBN
9790004789599. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-16. Published
by Breitkopf and Haertel
(BR.EOS-8041-16).
ISBN
9790004789629. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-20. Published
by Breitkopf and Haertel
(BR.EOS-8041-20).
ISBN
9790004789643. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Violoncello/Kontrabass
. Composed by
Marc-Antoine Charpentier.
Edited by Jean-Paul
Montagnier. Choir;
stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-26. Published
by Breitkopf and Haertel
(BR.EOS-8041-26).
ISBN
9790004789650. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Solo
part. 12 pages. Duration
20'. Breitkopf and
Haertel #EOS 8041-03.
Published by Breitkopf
and Haertel
(BR.EOS-8041-03).
ISBN
9790004789582. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
16 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-15. Published
by Breitkopf and Haertel
(BR.EOS-8041-15).
ISBN
9790004789612. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
By Marc-Antoine Charpentier. Edited by Schauerte Maubouet, Helga. For Soprano so...(+)
By Marc-Antoine
Charpentier. Edited by
Schauerte Maubouet,
Helga. For Soprano solo
1, Soprano solo 2, Alto
solo 1, Alto solo 2,
Tenor solo 1, Tenor solo
2, Bass solo 1, Bass solo
2, Piano. Piano
Reduction/Vocal Score;
Urtext Edition. H 9.
Published by
Baerenreiter-Ausgaben
(German import). (BA7592
90)
By Marc-Antoine Charpentier. Edited by Schauerte Maubouet, Helga. For Soprano so...(+)
By Marc-Antoine
Charpentier. Edited by
Schauerte Maubouet,
Helga. For Soprano solo
1, Soprano solo 2, Alto
solo 1, Alto solo 2,
Tenor solo 1, Tenor solo
2, Bass solo 1, Bass solo
2, Choir, Orchestra.
Score; Urtext Edition
(paperbound). H 9.
Published by
Baerenreiter-Ausgaben
(German import).
By Marc-Antoine Charpentier. Edited by Schauerte Maubouet, Helga. For Viola 2. S...(+)
By Marc-Antoine
Charpentier. Edited by
Schauerte Maubouet,
Helga. For Viola 2.
Single Part; Urtext
Edition. H 9. Published
by Baerenreiter-Ausgaben
(German import). (BA7592
80)
By Marc-Antoine Charpentier. Edited by Schauerte Maubouet, Helga. For Organ/ Bas...(+)
By Marc-Antoine
Charpentier. Edited by
Schauerte Maubouet,
Helga. For Organ/ Basso
continuo. Single Part;
Urtext Edition. H 9.
Published by
Baerenreiter-Ausgaben
(German import). (BA7592
86)
Christmas Mass (Liturgical). By Marc-Antoine Charpentier. Arranged by Jean-Paul ...(+)
Christmas Mass
(Liturgical). By
Marc-Antoine Charpentier.
Arranged by Jean-Paul
Montagnier. (Study
Score). Schott. Size
7.5x10.5 inches. 71
pages. Published by
Eulenburg.
Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier (1...(+)
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier (1645-1704).
Edited by Hans Ryschawy.
This edition: urtext,
paperback. French Sacred
Music. Sacred vocal
music, Masses, Latin,
Christmas. Vocal score. H
9. 48 pages. Duration 25
minutes. Carus Verlag #CV
21.029/03. Published by
Carus Verlag
(CA.2102903).
Arrangement for
soloists, choir and organ
(arr. A. Grasle).
Composed by Marc-Antoine
Charpentier. Arranged by
Andreas Grasle. Gattungen
vokal: Sacred vocal
music. Full Score.
Composed ca. 1694. H 9.
Duration 25 minutes.
Published by Carus Verlag
(CA.2102945).
ISBN
9790007262013.
Latin.
Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, stands fully in
the French tradition of
celebrating the happy
message of Christ's birth
with exuberant
cheerfulness. Composed
around 1694, this
midnight mass
incorporates ten old
French Christmas carols,
giving it both a
dance-like swing and
special tonal colors. For
this edition Andreas
Grasle has transcribed
the orchestral writing
for organ. His
distribution of the parts
between manuals and
pedals allows the
distinctive tonal and
dynamic gradations of the
work to be transferred to
the organ in an ideal
way. So this version with
reduced scoring offers a
delightful alternative to
the original version. The
vocal parts (for soloists
and choir) are identical
with the edition of the
original version, so that
the vocal score and
chorus score of that
version can be
used.
Also
available in the original
scoring (Carus
21.029/00). Score
available separately -
see item CA.2102900.
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Viola 2.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Viola 2. H
9. 12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/13. Published by
Carus Verlag
(CA.2102913).
ISBN
9790007198213. Text
language:
Latin.
Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900.
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Violin.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Violin. H 9.
12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/11. Published by
Carus Verlag
(CA.2102911).
ISBN
9790007198190. Text
language:
Latin.
Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900.
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music.
Violoncello. Sacred vocal
music, Masses, Latin,
Christmas. Single Part,
Cello. H 9. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
21.029/14. Published by
Carus Verlag
(CA.2102914).
ISBN
9790007198220. Text
language:
Latin.
Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900.
Christmas Mass (Liturgical). By Marc-Antoine Charpentier. Arranged by Jean-Paul ...(+)
Christmas Mass
(Liturgical). By
Marc-Antoine Charpentier.
Arranged by Jean-Paul
Montagnier. Schott. Size
7.5x10.75 inches. 65
pages. Published by
Schott.
Mitternachtsmesse zu Weihnachten H 9. Composed by Marc-Antione Charpentie...(+)
Mitternachtsmesse zu
Weihnachten H 9.
Composed by Marc-Antione
Charpentier. Edited by
Hans Ryschawy. This
edition: urtext. French
Sacred Music. Sacred
vocal music, Latin
Masses; Christmas. Choral
score. 24 pages. Duration
25 minutes. Published by
Carus Verlag
(CA.2102905).
Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier (1...(+)
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier (1645-1704).
Edited by Hans Ryschawy.
2x 21.029/21 2 flutes.
French Sacred Music.
Harmony parts. Sacred
vocal music, Masses,
Latin, Christmas. Set of
wind and brass parts. H
9. Duration 25 minutes.
Carus Verlag #CV
21.029/09. Published by
Carus Verlag
(CA.2102909).
Mitternachtsmesse zu Weihnachten H 9. Composed by Marc-Antione Charpentie...(+)
Mitternachtsmesse zu
Weihnachten H 9.
Composed by Marc-Antione
Charpentier. Edited by
Hans Ryschawy. This
edition: urtext,
paperback. French Sacred
Music. Sacred vocal
music, Latin Masses;
Christmas. Full score. 80
pages. Duration 25
minutes. Published by
Carus Verlag
(CA.2102900).