Ave Maria Piano Solo, Composed by Johann Sebastian Bach, Charles Francois Gounod Abide With Me Vocal And Piano Be Still, My Soul Vocal And Piano Day By Day Vocal And Piano God Will Take Care Of You Vocal And Piano He Leadeth Me Vocal And Piano His Eyes Is On The Sparrow Vocal And Piano I Must Tell Jesus Vocal And Piano I Need Thee Every Hour Vocal And Piano In The Garden Vocal And Piano A Mighty Fortress Is Our God Vocal And Piano Moment By Moment Vocal And Piano Savior, Like A Shepherd Lead Us Vocal And Piano Thou Will Keep, Him In Perfect Peace Vocal And Piano 'tis So Sweet To Trust In Jesus Vocal And Piano What A Friend We Have In Jesus Vocal And Piano Music for Solemn Moments arranged by Jerry Ray. For voice and piano. Piano Collection; Piano Supplemental. Sacred. Late Intermediate. Songbook. Vocal melody, lyrics, piano accompaniment and chord names. 44 pages. Published by Alfred Music Publishing

Voice and Piano. By Federico Mompou. Vocal Collection. Size 9x12 inches. 61 pages. Published by Salabert.

Performed by Fountains Of Wayne. Arranged by Les Hicken, Jay Bocook. (Score and Parts). Contemporary Marching Band. Size 6.8x10.5 inches. Published by Hal Leonard.

Performed by Lonestar. Arranged by Alan Billingsley. (TTB). Pop Choral Series. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

Performed by Lonestar. Arranged by Alan Billingsley. (2 part). Pop Choral Series. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

By Frederic Mompou. This edition: SLB5811. Piano. Book only. 67 pages. Published by Editions Salabert.

Piano SKU: HU.HN4 Composed by Franz Schubert. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Solos. Impromptus and Moments Musicaux. Classical. Softcover Book. 102 pages. G. Henle #HN4. Published by G. Henle (HU.HN4). ISBN 9780101161305. 12.2 x 9.3 x 0.3 inches.

(22 Expressive Solos for Intermediate to Late Intermediate Pianists). Composed by Catherine Rollin. For Piano. Book; Piano Collection; Piano Supplemental. Lyric Moments. Intermediate; Late Intermediate. 64 pages. Published by Alfred Music

Volume 73 - "Stolen Moments" Oliver Nelson Favorites by Oliver Nelson. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Intermediate, advanced. Book and CD. 76 pages. Published by Jamey Aebersold Jazz

By Ed Huckeby. Concert band. Young Concert Band. Elementary Series. Audio recording available separately (item CL.WFR333). Grade 1.5. Extra full score. Composed 2004. Duration 2 minutes, 22 seconds. Published by C.L. Barnhouse

Piano Solo. By Franz Schubert. Arranged by Buonamici. Piano Collection. Size 9x12 inches. 152 pages. Published by Schirmer.

Piano Solo. By Sergei Rachmaninoff. Piano. Size 9x12 inches. 44 pages. Published by G. Schirmer, Inc.

Composed by David Bednall. Vocal score. 8 pages. Duration 4'. Published by Oxford University Press (OU.9780193413467).

Piano Solo - Medium

SKU: BU.EBR-A031

Composed by Franz Schubert. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A031. Published by Editions Bourges (BU.EBR-A031).

ISBN 9790560150956. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



L’impl ication créative de Schubert dans l’écriture du lied l’entraîne à interagir avec d’autres formes compositionnelles. C’est dans cet esprit qu’il faut apercevoir l’apparition de pièces courtes pour piano comme les Impromptus, Kavierstücke, Moments musicaux. Du point de vue historique, Schubert n’est pas le premier à composer sur ce genre mais il lui donnera ses premières plus belles pages.
Les six moments musicaux de Schubert sont des pièces brèves pour piano dont l’interprétatio n requiert approximativement un peu moins de trente minutes. L’élaboration de ses pièces renferme de nombreux points énigmatiques, mais on sait que leurs créations s’échelonnent entre 1823 – date de la parution de « l’allegro moderato » – et 1827 – date de l’édition de ces six moments musicaux.
Cette œuvre est constituée de : Moderato n°1 en ut mineur, Andantino n°2 en fa mineur, Allegro moderato n°3 en fa mineur, Moderato n°4 en ut dièse mineur, Allegro Vivace n°5 en fa mineur, Plainte d’un troubadour n°6 en la bémol majeur. Ce dernier a été également publié séparément en 1824.
L’allegro moderato appelé communément « l’air russe » est la plus célèbre des six petites pièces. Malgré le fait que son plan soit assez distinct et formel, sa conception ne respecte plus une architecture rigoureuse, ce qui contribue à laisser libre arbitre à l’imagination harmonique et mélodique du musicien. Cette petite pièce est chargée d’exprimer des moments psychologiques par l’alternance d’instants vifs et rythmés très contrastés qui oblige finalement une souplesse formelle.
Schubert invite les pianistes à partager cet instant musical par une grande concentration psychologique à travers un décor atmosphérique continuellement en mouvement.

Easy

SKU: WD.080689577178

Composed by Ali Carlson. Choral, cantatas. Christmas. Book. Word Music #080689577178. Published by Word Music (WD.080689577178).

UPC: 080689577178.

Caleb ’s mom has offered to host this year’s Sunday School Christmas party at their home. Sounds great, but...

Caleb’s mom, Mrs. Marlin, is a legendary, no-nonsense, better get it right math teacher who has had most of the kids from church in her math class at school. Convinced that his mom's penchant for turning everything into a math lesson will take the fun out of the evening, Caleb does his best to allay everyone's fears that the party might get hijacked by a math quiz! During the course of the evening, Mrs. Marlin shares the Christmas story as only a math teacher could; the songs tell the story...Countdown, What Sense Does a Census Make?, Treegonometry, He Can Count on Me, and It All Adds Up with Joy to the World!. Christmas by the numbers never sounded so good!!

COUNTING DOWN TO CHRISTMAS, created by Ali Carlson, is the newest release from Simply WordKidz, the best-selling, easy-learn-easy-sing children's series from Word Music & Church Resources. Simply WordKidz means no hassle, easy to learn, easy to sing, and easy for you to produce! Even more importantly, it will be easy for your church to fall in love with this fun and funny, warm and memorable Christmastime celebration for kids choir.

Casting:

• Caleb (age 8-12, 10 lines)
• Dylan (age 8-12, 11 line)
• Victoria (age 8-12, 11 lines)
• Peyton (age 8-12, 17 lines)
• Haley (8-12, 7 lines)
• Mrs. Marlin (age 30-50, 18 lines)

-All characters have been written to be played by either boy or girl actors
Fun Kit includes:

• Cinch Bag
• Listening CD
• Handy Functional and Flexible Calculator
• Counting Down to Christmas Rubber Bracelet

-Watch the Fun Kit Preview Video via the Video Tab

SKU: BR.EB-9387

Composed by Christian Mason. Edition Breitkopf. New music (post-2000); Music post-1945. Set of parts. Composed 2019. Duration 20'. Breitkopf and Haertel #EB 9387. Published by Breitkopf and Haertel (BR.EB-9387).

ISBN 9790004188576. 0 x 0 inches.

Commissione d by the Kolner Philharmonie (KolnMusik) for the non bthvn projekt 2020 and the Cite de la musique / Philharmonie de Paris Dedicated to Arditti Quartet Each movement of this quartet explores a single state, its lights and its shadows. Each movement, you could say, is a moment . And these moments could last for more or less time without compromising their essential nature. The processes could be extended or compressed, repeated or reversed, but the core ideas - if they are ideas, but maybe they are simply experiences? - are what they are. Despite this, the precise sequence of movements matters a great deal. Heard together they do articulate some kind of linear narrative, maybe even a metaphorical journey (albeit a circular one where the arrival might, who knows, prove to be a new departure). One situation gives way to another and instrumental relationships within the quartet vary, but ultimately the imaginative impulse behind the piece preferences states of unity. Whether or not this unity is expressed texturally - sometimes literal unisons pervade, but not always - there is generally a sense that even seemingly diverse aspects relate to a fundamental condition of concord: a conscious limitation in the pitch structure to spectral emanations of the root notes E-flat and C. At the opening this is unambiguously audible in the perpetual alternation of these two notes in the low cello register. Later the two spectra are woven into a micro-tonal 'double-spectral-mode' (derived from the first 24 partials of the C and E-flat fundamentals), which defines the subtle melodic inflection of the second movement, and the never-quite-chromatic ascending scales of the third. For now this feels like a rich source of melodic possibility, so far only just glimpsed... And why the insistence on E-flat? Probably by way of historical anecdote. Apparently Karl Holz (a member of the Schuppanzigh Quartet) said to Beethoven: We performed your Quartet in E-flat Op. 127 in his [Weber's] honour; he found the Adagio too long; but I told him: Beethoven also has a longer feeling and a longer imagination than anyone standing or not standing today. - Since then, even Linke (another member of the quartet) can no longer stand him: we cannot forgive him for this. Listening again to Op. 127, in light of these comments, I was struck by the opening moment: the unfolding of an E-flat 7th chord over the course of a few bars. Every time I hear it I find myself wishing that Beethoven would have lingered longer there, without resolution or progression, just enjoying that sonority. And maybe - why not? - tune the 7th naturally. And what would it be to stretch that moment into an entire piece? What would Weber think of that?! In the end I was not so extreme in my self-limitation, and other concerns took over, but it was from these thoughts that the composition process began... Lastly, about the title: it comes from a book called 'The Clock of the Long Now' by Stewart Brand, published at the turn of the millennium. It's about the creation of a thousand-year clock to embody the aspiration to thinking in terms of longer time-spans than are presently habitual. If the music of Beethoven embodied a 'longer' feeling and imagination than some of his contemporaries were able to appreciate, what is our relation to time now? Longer or shorter? Maybe it depends who you ask... It's probably more extreme in both directions: attention spans might be diminishing in the digital world, but conversely there is an awareness of distant pasts and potential futures which would have been inconceivable at the time of Beethoven. In any case, the interesting thing is to ponder how societal conditions, assumptions and expectations might - whether consciously or unconsciously - influence the time of art, for listeners and creators alike. And what if time is running out? (Christian Mason)

World premiere: Paris, Cite de la musique, January 14, 2020.

Composed by Christian Mason. World premiere: Paris, Cite de la musique, January 14, 2020. Breitkopf and Haertel #EB 9377. Published by Breitkopf and Haertel

By Franz Schubert (1797-1828). Edited by Murray Baylor. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Late Intermediate / Early Advanced (grade 6/6 ). Book. 112 pages. Published by Alfred Music Publishing

Cello and Piano - Grade 2

SKU: BT.EMBZ13586

By Arpad Pejtsik. By Franz Schubert. EMB Moments Musicaux for Violoncello. Book Only. Composed 1988. 6 pages. Editio Musica Budapest #EMBZ13586. Published by Editio Musica Budapest (BT.EMBZ13586).

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Composed by Alex Shapiro (1962-). CSIC Library. Softcover. Published by Hal Leonard

Orchestra - Grade 3

SKU: AP.49939S

Composed by Adrian Gordon. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 12 pages. Duration 3:35. Highland/Etling #00-49939S. Published by Highland/Etling (AP.49939S).

ISBN 9781470662271. UPC: 038081579474. English.

A Tender Moment in Time, by Adrian Gordon, is a beautiful original work that will warm the hearts of audience members and players alike. This piece wonderfully captures the sincerity of human emotions in life's most delicate moments. An expressive melody set in the key of C floats on colorful harmonies designed to make a developing orchestra sound full. (3:35).