Oboe and Orchestra SKU: HL.14023893 Composed by Jouni Kaipainen. Music Sa...(+)
Oboe and Orchestra
SKU: HL.14023893
Composed by Jouni
Kaipainen. Music Sales
America. 20th Century.
Book [Softcover]. 84
pages. Edition Wilhelm
Hansen #KP00466.
Published by Edition
Wilhelm Hansen
(HL.14023893).
ISBN
9788759854785.
English.
After the
success of Carpe Diem!, a
Clarinet Concerto written
in 1990, Kaipainen went
on to write his Oboe
Concerto in 1994. Carpe
diem! exemplifies the
increasingly Classical
ideals espoused by
Kaipainen over the years.
He develops this strand
even further in his 'Oboe
Concerto', which is a
much more restrained and
balanced work in darker
tones.The piece contains
three movements, the
first of which combines
elements of a traditional
opening movement and
scherzo. The slow
movement is an affecting
elegy. The finale
consists mostly of
quietly played perpetuum
mobile figures,
interspersed with sudden
dramatic passages.
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Composed by
Philip Sparke. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 14:00. Published
by G & M Brand Music
Publishers (CN.S11175).
From majestic
to pastoral to
dance-like, Land of the
Long White Cloud is
Philip Sparke's
representation of New
Zealand. This piece is a
wonderful addition to the
concert band
repetoire.
Long
before Europeans ventured
out of sight of land, the
bold and restless
ancestors of the Maori
people were making
voyages of thousands of
miles across the world's
greatest oceans. It was
around 1000 AD that they
landed in New Zealand.
The discovery of New
Zealand is attributed in
Maori tradition to Kupe
and the circumstances of
the landfall gave the
country its Maori name.
As land was approached, a
long, flat volcanic cloud
could be seen. Kupe's
wife Hine-te-aparangi,
looked to the horizon and
cried out, He ao! He ao!
A cloud! A cloud! The
name of Aotearoa was
given to the islands -
The Land of the Long
White Cloud. Land of the
Long White Cloud was
originally conceived as a
brass band work as a
result of a commission by
the New Zealand Brass
Band Association for
their National
Championships held in
1980 in Christchurch.
This transcription by the
composer was commissioned
by Keith Allen and
Birmingham Schools' Wind
Orchestra who gave the
first performance in the
Adrian Boult Hall,
Birmingham, England on
Sunday 15 May 1988.
for Oboe and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by ...(+)
for Oboe and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by I. Goritzki.
Oboe. Pages: Score =VI
and 28 * Ob Part =17,
Supplement = 19. Piano
Reduction-paper bound.
Published by G. Henle.
Composed by Bohuslav Martinu (1890-1959). Edited by Guy Porat and Maurice Bourgu...(+)
Composed by Bohuslav
Martinu (1890-1959).
Edited by Guy Porat and
Maurice Bourgue. Editions
Durand. Classical. 64
pages. Editions Max
Eschig #DF1584200.
Published by Editions Max
Eschig
Hautbois, Piano (duo) [Set de Parties séparées] - Facile Oxford University Press
Arranged by Evelyn Rothwell, composed by Franz Joseph Haydn (1732-1809). Set of ...(+)
Arranged by Evelyn
Rothwell, composed by
Franz Joseph Haydn
(1732-1809). Set of
performance parts for
oboe and piano. 46 pages.
Published by Oxford
University Press.
Concerto for Oboe Hautbois et Orchestre [Conducteur] University Of York Music Press
Oboe and Orchestra SKU: BT.MUSM570206476 Composed by Nigel Osborne. Score...(+)
Oboe and Orchestra
SKU:
BT.MUSM570206476
Composed by Nigel
Osborne. Score Only. 124
pages. University of York
Music Press
#MUSM570206476. Published
by University of York
Music Press
(BT.MUSM570206476).
English.
First
performance: Nicholas
Daniel, Oboe, City of
London Sinfonia,
conducted by Richard
Hickox, Cheltenham
International Music
Festival, 1998. A3 Score.
Performance parts
available for hire from
the University of York
Music Press.
Composed by
Stuart Johnson. Band
Music. Score and parts.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.R10103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Composed by
Stuart Johnson. Band
Music. Score only.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.S11103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Urtext edition based on HN 7248 (G. Henle Verlag, Munich). Composed by Richard...(+)
Urtext edition based on
HN
7248 (G. Henle Verlag,
Munich). Composed by
Richard
Strauss (1864-1949).
Edited
by Hansjorg
Schellenberger.
The piano reduction and
study
edition corresponding to
this
edition have been
published
by G. Henle Verlag,
Munich.
Score. Breitkopf and
Haertel
#PB 15161. Published by
Breitkopf and Haertel
(A Revolutionary Method for Early-Intermediate Musicians (Oboe)). By Robert Shel...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Oboe)). By
Robert Sheldon, Peter
Boonshaft, Dave Black,
and Bob Phillips. Concert
Band. For Oboe. Band
Method; Book; CD; DVD;
Method/Instruction. Sound
Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
The Great Land Run Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4185-75 Composed by Anderson. Concert ...(+)
Concert band - Grade 3
SKU:
CL.012-4185-75
Composed by Anderson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR378). Oversized,
spiral-bound score.
Composed 2013. Duration 4
minutes, 38 seconds. Opus
III Wind Orchestra
Publications
#012-4185-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4185-75).
An exciting
journey through the old
west, The Great Land Run
paints an exhilarating
picture of 1889 Oklahoma.
A fanfare-like main theme
at the beginning is
followed by the night
around the campfire. As
the settlers rest, a
gentle storm washes over
them bringing forth the
questions of what
tomorrow may bring. As
morning rises, they head
back on their way to
stake their plot of land
and new life. A powerful
recap of the main theme
drives this piece to an
exciting end. With
multiple opportunities
for solos in the flute,
clarinet, oboe, and
trumpet, this piece will
offer a fun, yet
challenging experience
for any concert band!
The Great Land Run Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4185-01 Composed by Anderson. Concert ...(+)
Concert band - Grade 3
SKU:
CL.012-4185-01
Composed by Anderson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR378). Extra full
score. Composed 2013.
Duration 4 minutes, 38
seconds. Opus III Wind
Orchestra Publications
#012-4185-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4185-01).
An exciting
journey through the old
west, The Great Land Run
paints an exhilarating
picture of 1889 Oklahoma.
A fanfare-like main theme
at the beginning is
followed by the night
around the campfire. As
the settlers rest, a
gentle storm washes over
them bringing forth the
questions of what
tomorrow may bring. As
morning rises, they head
back on their way to
stake their plot of land
and new life. A powerful
recap of the main theme
drives this piece to an
exciting end. With
multiple opportunities
for solos in the flute,
clarinet, oboe, and
trumpet, this piece will
offer a fun, yet
challenging experience
for any concert band!
Highly recommended!
By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing
(For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Ma...(+)
(For SATB divisi Choir,
Solo Quartet, and opt.
Full or Chamber
Orchestra). By Mark
Hayes. Orchestra. For
orchestra (with optional
orchestra: Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Score and Parts.
Published by Roger Dean
Publishing
