The Big Book of Classics for Easy Piano for easy piano. This edition: Paperback....(+)
The Big Book of Classics
for Easy Piano for easy
piano. This edition:
Paperback. Collection.
Classical. Easy. Book.
Text Language: English.
132 pages. Published by
Santorella Publications
Tambourin Theme From Swan Lake Viennese Refrain Andantino (Lemare) Andan...(+)
Tambourin
Theme From Swan Lake
Viennese Refrain
Andantino (Lemare)
Andante Cantabile
(St.qt.,op11)
Aria Nobile (Classic
Symphony) Haydn
Scarf Dance (Chaminade)
Deep River
Waltz, Op. 39 No. 15
Rondo (Beethoven)
Menuetto (Mozart)
Theme From Sheherazade
Danse Macabre
Nobody Knows The Trouble
I've Seen
The Happy Farmer
Returning From Work, Op.
68, No. 10
On Wings Of Song
Lydian Album (Complete,
String Parts And Piano)
(Violin, Cello and
Piano). Arranged by
Herman Hummel and Harvey
S. Whistler. Piano trio.
For violin, cello, piano.
Ensemble Collection.
Grade 3. 32 pages. Rubank
Publications #RUBL286.
Published by Rubank
Publications
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby.
For piano. Format: piano
solo book (spiral bound).
With fingerings. Baroque,
classical period,
romantic period and
americana. 240 pages.
9x12 inches. Published by
Music Sales.
By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Work...(+)
By Robert Schultz And
Tina Faigen. For Piano.
Robert Schultz Piano
Library. Works include:
Pachelbel's Canon in D;
Elgar's Pomp and
Circumstance, and the
Wedding March from
Mendelssohn, among
others. Level: Elementary
- Intermediate. Book.
Published by The FJH
Music Company Inc.
Great Themes Of the Classical Era composed by Various. Arranged by Steven Paul. ...(+)
Great Themes Of the
Classical Era composed by
Various. Arranged by
Steven Paul. For easy
piano. This edition:
Paperback. Collection.
Classical. Book. Text
Language: English. 48
pages. Published by
Santorella Publications
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
Collection for guitar solo. With guitar tablature, guitar tab glossary and intro...(+)
Collection for guitar
solo. With guitar
tablature, guitar tab
glossary and introductory
text. Series: Basix. 143
pages. Published by
Alfred Publishing.
Featuring the Music of the World's Greatest Composers: Bach, Handel, Mozart, Bee...(+)
Featuring the Music of
the World's Greatest
Composers: Bach, Handel,
Mozart, Beethoven and
Brahms. Arranged by Mark
Phillips. Guitar. With
notes and tablature. Size
9x12 inches. 120 pages.
Published by Cherry Lane
Music.
Piano seul [Partition] - Intermédiaire Carl Fischer
Edited by Maxwell Eckstein. For piano. Format: piano solo book. Baroque, Classic...(+)
Edited by Maxwell
Eckstein. For piano.
Format: piano solo book.
Baroque, Classical Period
and Romantic Period. 160
pages. 9x12 inches.
Published by Carl
Fischer.
Piano SKU: IG.PFS201 Composed by Darin Tysdal. Score. Imagine Music Publi...(+)
Piano
SKU:
IG.PFS201
Composed by
Darin Tysdal. Score.
Imagine Music Publishing
#PFS201. Published by
Imagine Music Publishing
(IG.PFS201).
9 x 12
inches.
My first
piano sonata was started
when I was in college,
but was recently revised.
The main key is B-flat
Major, with the first
theme of the first
movement being a fanfare.
The second theme is more
lyrical in nature, in
D-flat Major. After an
exposition repeat, the
development deals mostly
with the fanfare
material. The
recapitulation is
by-the-book, with a
sudden, surprising coda.
The slow movement, placed
second, has the character
of a chaconne, using two
different major scales in
the treble and bass
clefs. The tempo quickens
to a dance, and an
explosive climax. From
out of the ashes comes
the beginning of the
piece, modified from it's
original state. The
scherzo played rather
fast, mostly in octaves.
There is a short trio
which was influenced by
Prokofiev's Fifth
symphony. After the
dacapo, the movement
disappears into thin air.
The last movement is a
Rondo. The material for
the A section is taken
from the opening measures
of the piece. The B and C
sections are developments
of the other themes of
the first movement. The
sonata ends with much
finality.
Trios for All Instrumentation Flexible [Partition] Alfred Publishing
By Kenneth Henderson, Albert Stoutamire. For Tenor Saxophone, Baritone T.C. Mixe...(+)
By Kenneth Henderson,
Albert Stoutamire. For
Tenor Saxophone, Baritone
T.C. Mixed Instruments -
Flexible Instrumentation.
Book. 28 pages. Published
by Alfred Publishing.
Composed by
William Grant Still.
Arranged by Todd Parrish.
Set of Score and Parts.
10+2+24+16+10+10+16
pages. Carl Fischer Music
#AS144. Published by Carl
Fischer Music (CF.AS144).
ISBN 9781491160602.
UPC:
680160919192.
Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of African
American
Composersâ€, William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedSymphony No. 1,
the Afro-American
Symphony (1930),
Still’s Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled
“Song of a New
Raceâ€, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still’s vision of
an increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers.
Trios for All Instrumentation Flexible [Partition] Alfred Publishing
By Kenneth Henderson, Albert Stoutamire. For Piano/Conductor, Oboe, Bells. Mixed...(+)
By Kenneth Henderson,
Albert Stoutamire. For
Piano/Conductor, Oboe,
Bells. Mixed Instruments
- Flexible
Instrumentation. Book. 24
pages. Published by
Alfred Publishing.
(Oboe/Guitar/Piano/Electr ic Bass). Arranged by Victor López. For Oboe/Guitar...(+)
(Oboe/Guitar/Piano/Electr
ic Bass). Arranged by
Victor López. For
Oboe/Guitar/Piano/Electri
c Bass. Mixed Instruments
- Flexible
Instrumentation.
Flex-Ability Series.
Book. 24 pages
Composed by
William Grant Still.
Arranged by Todd Parrish.
Full score. 16 pages.
Carl Fischer Music
#AS144F. Published by
Carl Fischer Music
(CF.AS144F).
ISBN
9781491160893. UPC:
680160919499.
Often
referred to as the Dean
of African-American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
first symphony,
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of
African-American
Composers,†William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedfirst symphony,
Afro-American Symphony
(1930), Still’s
Symphony No. 2 was
premiered in 1937 by the
Philadelphia Orchestra
under the direction of
conductor Leopold
Stokowski. The work,
subtitled “Song of
a New Race,â€
infuses elements of blues
and jazz into the
classical form, creating
a uniquely blended sound
to reflect Still’s
vision of an increasingly
diverse American culture.
Slow, dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers.